Xenns Tea Pro VS Ziigaat Horizon

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Xenns Tea Pro lands with the familiar “Tea” swagger: a baby-blue, sparkled shell that looks subdued but premium, a modular 3.5/4.4 cable that clicks together more cleanly than most, and the infamous ultra-soft pouch (yes, the “chinchilla” one). Build is hefty yet comfortable, with a tiny ear “shelf” that doesn’t poke and giant L/R markers that actually help. Inside is an 8-driver stack—2 dynamic + 6 balanced armatures—priced around $360, right in the historic Tea lane. Wide-bore tips can make the upper range shouty, but switch to foams or X-Elastic and the tuning snaps into place: smooth, powerful, and deeply satisfying.

Sonically it’s the sports car that rides like a chaise lounge: speed and detail on tap, but with the warmth dialed up ~20% so long sessions feel luxurious. Bass reaches low with a tactile rumble that sneaks up in tracks, mids are rich and present, and treble is tastefully shaved to avoid glare—energy without edge. The stage isn’t stadium-wide; instead it’s an immersive “pressed-in” bubble that places the orchestra around the head with excellent instrument presence and macro-dynamics. It carries the Tea/T2 lineage forward by focusing less on sterile “detail points” and more on excitement and physicality—music shoved into the ear in the most pleasurable way. Verdict: an unabashed 10/10 crowd-pleaser in its bracket and a default recommendation—pop on the 4.4 plug, use the right tips, and let it cook.

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Ziigaat’s Horizon goes for a flashy tribrid recipe—1×10 mm bio-dynamic for slam, 2×BA for mids, and dual planar treble up top—wrapped in pretty shells and “horizon” art. Street price hovers around $329, though bundle quirks can drop it to roughly $283. The cable is the familiar modular “big boy” plug system (3.5 mm/4.4 mm), chunky but perfectly usable, and the case/tips kit is typical Ziigaat: practical with a dash of theatrics.

Sonically, this one is bold and a bit unnatural—in a good way. Think W-shaped: bass, mids, and treble all step forward, almost competing for attention. The low end hits with big, big bass energy when the track calls for it yet doesn’t trample everything on softer material. Stage is not very wide—more focused and up-front—but there’s satisfying detail/decay and an aggressive, engaging center image. Expect excitement and texture over air and spread, and expect some fatigue after long sessions.

Call it an interesting outlier rather than a safe neutral. Price/performance feels fine (the sweet spot would be closer to $250), and it fits Ziigaat’s “many flavors, similar price” playbook. For listeners stacked with natural-tuned sets and craving a different, punchy, attention-grabbing presentation, Horizon delivers; for chill, long-haul listening, there are calmer choices.

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XENNS Mangird Tea Pro keeps the familiar house sound with a warm, smooth and relaxed presentation that leans shallow U shape rather than a flashy V. The shells feel solid with a black metal base and tasteful faceplate, and the modular cable and blue case are a nice bonus, but the real star is how the dual 8 mm dynamic drivers and six balanced armatures are tuned together. The graph sits a touch under Harman in bass and upper mids, giving a no shout pinna region and a very natural tonal balance that feels bigger than the sum of the parts. Instead of chasing marketing friendly ten decibel bass shelves, the tuning focuses on balance, comfort and long term listening.

Bass is where Tea Pro quietly flexes, with sub bass impact and venting that feel spot on and mid bass presence that adds body and weight without boom or bloat. The dynamic driver is pushed close to its capability, delivering firm, controlled slam at around seven to eight decibels of lift rather than a bloated wall of sub bass. Because the low end never clouds the mids, vocals and guitars come through with strong articulation and enunciation, riding over a dark, clear background with real contrast and depth. This set scales with volume in a way most peers do not, staying composed and balanced as the dial goes up and turning into a bit of a volume scaling beast for listeners who like to listen loud.

Treble is tuned on the conservative side, trading a little extra air and sparkle for a very pleasant, fatigue free top end with no peaks or sibilance and just enough energy to keep things clear. Technical performance leans more natural than analytical, with good resolve, micro detail and separation that benefit from the calm bass shelf and careful treble level, plus staging that opens up at higher volume with bass sitting lower and behind the jaw, leaving a wide, clean window for the mids. For listeners who value a warm, smooth but still resolving hybrid with beautiful mids, smart level control and forgiving tuning over maximum edge and hyper detail, Mangird Tea Pro comes across as a refined, well judged upgrade that stands apart from many of the more aggressive two thousand twenty four hybrids.

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ZiiGaat Horizon is a $329 tribrid (1DD+2BA+2MPL) that prioritizes treble extension, clarity, and very sharp imaging. Compared with EPZ P50 and Daybreak, ear-gain is set lower, which yields less shout and more natural vocals while keeping an even transition from lower to upper treble. The result is a clean, transparent presentation that reads more refined than typical $300 hybrids and feels end-to-end coherent.

The trade-offs sit mostly in the low end and upper-treble edges: the stock mid-bass dip reduces body and impact, and sibilants can pop, especially around 8 kHz. Bass quality itself is quick and tidy with good depth rather than rumble, matching BA/MPL speed but leaning lean for bass-heavy genres. A light EQ lift of lower mids/mid-bass (about 2–3 dB) and a small 8 kHz trim (around 0.5–1 dB) makes it a more versatile daily driver while preserving its separation and sense of stage depth.

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Build & presentation scream premium: a matte metal alloy shell with lush green-blue fade and gold script, plus a black-silver sparkle faceplate that looks like wearable art. Ergonomics are excellent despite a slightly wider nozzle and a bit of heft, allowing long sessions without discomfort. The package impresses with a gallery-style unboxing, matching carrying case, and a silver cable with interchangeable 3.5/4.4 terminations. Under the hood: 2 dynamic drivers + 6 BAs at ~$360.

Tonally it’s a balanced, warmer-leaning set with elevated sub-bass depth, clean attack/decay, and more treble extension and sparkle than comparable sets. The stage sits a touch more intimate, but separation and layering are immaculate, and imaging locks in with precision. Mids don’t pop as forward as some peers, yet overall resolution stays high with “oodles of detail,” giving music a rich, cohesive presentation that still feels highly detailed.

For competitive play the performance is A-tier: in Apex, Valorant, and especially Call of Duty, imaging and depth perception are master-class. Gunfire comes through cleaner with less reverb; airstrikes and mortar noise get pushed back so crucial cues like footsteps, slides, and shield pops cut through. The more intimate stage aids crosshair placement and micro-positioning, while separation stays clear even in chaotic fights. Verdict: a high A- on the Wall-Hack Certified list—an excellent pick for gamers wanting warmth, sub-bass authority, and elite imaging without sacrificing musical enjoyment.

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Ziigaat Horizon arrives as a striking tri-brid in the ~$300 bracket (1DD + 2BA + 2 planar) with a tuning that brushes close to Kiwi Ears Astral yet comes across a touch thinner and more balanced. The low end focuses on sub-bass rumble that’s tight, clean, and richly tactile, while mids keep timbre accurate and treble stays controlled—never shouty or fatiguing—yielding a fun-yet-almost-reference presentation. Build and comfort impress: ergonomic shells with that aqua-to-silver fade can be worn for 8-hour sessions, and the package includes Ziigaat’s new two-pin cable with interchangeable terminations (3.5/4.4), a roomy faux-leather case, silicone sets plus foams; tip rolling (e.g., ASMR tips) pairs well.

In games, ambient clutter drops away and crucial cues get spotlighted with confident imaging, separation, and convincing verticality. Footsteps in Valorant are clear and positional, though the lightest taps can blur a bit under nearby low-end rumble or heavy gunfire; Apex performance is exceptional, just a hair behind Astral/Mangird Tea Pro when ultimates stack; Call of Duty delivers satisfying impact with disciplined decay, though micro-cues can soften during chaos. Net-net, Horizon is a great all-rounder with clean, technical bass and a natural balance that works across titles. On the WallHack list it gets A– overall (A– in Apex, B+ in CoD, Valorant just shy of top marks), primarily nudged down by occasional masking of the lightest cues during intense mixes.

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The Xenns Tea Pro stands as the most refined and well-rounded iteration of the Tea series to date, offering strong competition in the $300 IEM market. While it loses some of the unique "sauce" found in earlier models, it delivers significant improvements, particularly sounding like a "better Da Vinci" with its bass presentation. The Pro features a similar heaviness and thickness to the notes but adds more upper mids, treble extension, and overall better resolution. For roughly $60 more than the Da Vinci, the Pro offers upgraded drivers from Knowles, contributing to better timbre, a bump in technical performance, and equally good accessories.

Compared to the original Tea and Tea 2, the Pro emerges as the better all-rounder but lacks their distinct character. The original Tea remains superior for its highly addicting vocals, bite, and holographic staging, while the Pro offers more balanced, fuller, smoother, and more versatile vocals alongside superior bass in slam, texture, impact, resolution, and rumble due to its new dual dynamic drivers. Treble extension, overall resolution, and a more open stage also see noticeable improvements over both predecessors. Technical performance-wise, the Pro is highly competitive with other $200+ IEMs, offering better resolution, imaging, transience, attack, and separation than the Da Vinci, along with a more natural sound.

Positioned under $400, the Tea Pro fits as a balanced choice between neutral and exciting tunings. Against the clean, neutral Pilgrim or Dusk, the Pro provides a bassier, heavier, fuller sound with more forward vocals and better note weight. Compared to the exciting Estrella, the Pro is more balanced, thicker, and slams harder, while the Estrella offers more dynamic contrast and crispier treble. Versus the similarly priced Hype 4, the Pro delivers harder slam, deeper bass, and sharper vocals with more bite, though the Hype 4 is slightly quicker, smoother, and more balanced. Essentially, the Tea Pro excels as a versatile, resolving set with satisfying bass and well-tuned vocals, making it the best pick for most listeners despite losing some quirks of earlier models.

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Ziigaat’s Horizon follows the current meta-inspired recipe—think Astral, Metas, Crescent—but pushes the focus upward: the treble is the most prominent piece here. It’s bright-leaning without turning harsh, giving a crisp, “OCD-like” sense of transient bite and pinpoint imaging. Low end and vocals sit a touch behind the highs, so the presentation feels clean and lively rather than thick; at mid-volume, the top end drizzles detail over the mix like raindrops—engaging and textured, not shouty.

On the technical side, Horizon pulls strong detail retrieval and resolution for the price—above sets like Supermix 4 and near EM10/Volare —yet it doesn’t scale massively because of that treble lift. The bass is snappy and controlled, with good separation, but lacks the slam and rumble seekers of impact will want. Pairing and playlist matter: avoid hot, highly produced pop/K-pop/J-pop or most hip-hop where the combo of elevated highs and lighter bass can feel edgy; it shines with slower pop, R&B, indie acoustics, ballads, and classical where the sparkle reads as “high-fidelity.” Warmer sources help a bit, and tip-rolling (stock black/clear, or bass-adding options like Final E/divinus) can balance things—just skip anything that pushes treble further.

Against close competitors, Astral hit harder down low and feel more V-shaped and contrasty; Crescent is warmer and smoother but not as clear or micro-detailed. Horizon is the cleanest and brightest of the trio, with the most refined treble focus and “tickly” transients. Verdict: a value-minded all-rounder for detail lovers who prefer clarity and air over bass authority—technical, tidy, and energetic at sensible volumes, provided the library isn’t a treble minefield.

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The Xenns Tea Pro impresses most with its exceptional build quality and aesthetics. The metallic shell feels substantial and premium in the ear, featuring a comfortable wing design and a nice metal nozzle. While slightly larger than its predecessors like the Tea and Tea2, the Pro's shell represents an upgrade in feel and technology, boasting a prettier faceplate. The included cable is thick, braided, and features a swappable termination (4.4mm or 3.5mm), contributing to an overall solid package that feels like a significant step up from previous models.

Sonically, the Tea Pro offers a bassy but clean signature with strong, impactful low end. However, it presents some key drawbacks: the bass can feel slightly boomy or distorted rather than pristine, and the overall presentation leans dark and rich. This comes at the expense of upper treble sparkle, air, and micro-details, resulting in a narrow soundstage and less impressive instrument separation than expected at its price point. While extremely pleasant and engaging for music listening, it feels slightly muffled and lacks the clarity and detail retrieval of many competitors.

When stacked against rivals like the Dunu Da Vinci, Kiwi Ears Quintet, EM10, DUNU DaVinci, Hype 4, or CCA CA4, the Tea Pro often falls short sonically. Competitors generally offer better air, treble extension, cleaner bass, or superior detail. Its own predecessor, the Tea2, is considered more neutral and relaxed. Consequently, while the Tea Pro is a contender with its fantastic build and fun tuning, it might be skippable for those prioritizing pure sound quality. It earns a recommendation for newcomers or those valuing premium construction, but audiophiles seeking the best sound may find better options elsewhere.

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The ZiiGaat Horizon arrives as the brand’s first tribrid at around $330, pairing one dynamic driver with two BA and two planar drivers. Build is solid: a vented, flat 2-pin socket, metal nozzle, and a distinctive blue-white faceplate that looks like mountains under stars. The cable feels premium with red/blue channel dots and a working chin slider, plus an easy swappable plug (3.5 mm); the included zip case is pleasantly sturdy. Nothing flashy in shell shape, but the fit is secure and the accessories feel thoughtfully sorted.

Sonically, Horizon takes a clean, sub-bass-focused route with bass that reads linear and occasionally a touch pillowy, followed by full, rich upper mids and a treble presentation that steals the show. There’s generous upper air and extension with a tactful lower-treble rise, kept in check by a helpful 5–6 kHz dip to avoid fatigue; a splash of ~15 kHz energy adds sparkle that treble fans will relish. The result sidesteps the “EQ’d-to-death” flatness—this tuning carries just enough color to stay engaging while remaining clean and controlled.

Against peers, Horizon’s top end feels more refined than ZiiGaat’s Luna, while Crescent plays thicker and more V-shaped with extra 10 kHz “twinkle.” Versus sets like the SL224, Horizon’s treble is smoother and less sibilant; compared with Punch Audio Martillo, think of Horizon as the treble-head counterpart to a bass specialist. It also mirrors some strengths of AFUL Performer 7 but with cleaner bass and a more polished top end, and it offers more microdetail than the hard-to-find YU9 Chuer. Taken together, this is a special package: a well-built, distinctive tribrid with 10/10 treble energy and air, competitive technicals, and a tuning that treble lovers will find hard to put down.

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Xenns Tea Pro lands as a confident mid-tier contender with a 2DD+6BA setup around $350–360, going head-to-head with sets like DaVinci, Estrella, and Dusk. Sub-bass has real grunt—808 drops, the 38 Hz hit on Big Boi’s “Kill Jill,” and early-2000s hip-hop cues slam with authority yet stay controlled. Electric-bass lines have clean pluck and release, avoiding mid-bass bloom, so the low end never muddies male or female vocals; the tuning plots close to a favored target without sounding sterile.

The midrange keeps vocals center and natural—no husky haze from mid-bass, no shout from upper-mids—and treble carries harmonics without tizzy edge, handling tricky voices (think Neil Young, Elton John, Jim Croce) with ease. Fans of the Moondrop Variations’ leaner, drier 3 kHz-pushed profile may find the Tea Pro richer and less “etched,” but that extra body reads as musical rather than bloated. Crucially, the BAs avoid that metallic tinge, giving cymbals and keys a clean, pleasing sheen.

On balance, this is the kind of tuning that competes directly with its peers—and depending on priorities, arguably beats them. With punchy sub-bass, stable mids, smooth but detailed top end, and zero fatiguing quirks, the Tea Pro sits between a firm “would buy” and a potential “shameless hype” slot—prime material for renewed top-five shortlists now that the market has cooled.

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Xenns Tea Pro lands as an easy pick around $300 thanks to a natural, versatile tuning that blends tasteful fun with everyday usability. A gentle bass boost adds heft, slam, and definition without muddying the mids, while a touch of upper-mid lift keeps vocals clear—even on bass-heavy tracks—without tipping into thin or clinical territory. Treble stays smooth regardless of shallow or deep fit, supporting lifelike timbre and realistic decay that favors long, fatigue-free listening. Detail comes across as “natural detail” rather than etched; micro-nuances don’t jump out, but nothing feels missing or dulled either.

Against the Top Pro, bass through mids on the Top Pro can sound a bit tighter and more transparent, but its treble risks feeling overcooked and a touch “BA-like,” trading naturalness for extra sparkle and perceived detail. Tea Pro keeps the highs non-fatiguing and tonally convincing, making it the safer everyday choice. The “dream combo” would marry Top Pro’s bass-to-upper-mids with Tea Pro’s treble, but as it stands, Tea Pro remains a well-balanced, easy recommendation for its class—natural yet fun, clean vocals, and a bonus metal shell that seals the deal for all-day use.

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The Horizon aims for a neutral-natural tonality with a slightly lean lower midrange, delivering standout vocal transparency and crisp separation. Bass is mostly sub-bass focused—felt and supportive rather than boomy—giving notes a pleasing sense of density without smearing the mids. The trade-off is an elevated upper-treble that adds air and detail but can tilt gritty/sandy if the fit or tips aren’t dialed in.

Build and accessories are a mixed bag: a surprisingly nice carrying case and swappable termination, but a fussy cable and a resin shell that fits deep and may need shorter, grippier tips to shine. Once seated well, the Horizon’s imaging and instrument separation pop, making complex mixes feel organized and engaging.

Versus pricier hype pieces with similar FR, the Horizon feels like a “short king” take: not as refined up top as the best of them, yet more weighty and satisfying than some leaner peers. Compared to something like Volume S at a similar price, this set is clearer and more incisive (better separation), while Volume S is fuller and smoother with punchier bass presence. At $330, it’s the most compelling entry in its family so far—addictive for transparency and staging, with the caveat of treble sensitivity and fit quirks.

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The ZiiGaat Horizon comes with a solid accessory package for its price, including a spacious hard case, a modular 3.5 and 4.4 cable that is soft and easy to manage, and a good selection of silicone and foam tips that seal well and feel comfortable. The resin shell with metal lip nozzle feels stable in the ear, with venting that avoids pressure build up or driver flex and an average size that sits securely even when walking around. The colorful faceplate with sparkles, flat two pin connector and overall ergonomics make the Horizon look and feel like a well built, everyday friendly in ear.

Sonically the tuning leans sub bass focused at a neutral level, delivering tight, clean, textured bass with natural decay and a strong sense of physicality that stays neatly separated from the mids so vocals and instruments remain clear. The midrange is mostly neutral and very clear sounding, with vocals sitting nicely forward without becoming shouty and a balanced note weight that gives male voices depth and female voices an open, airy quality. Separation and timbre in the mids are excellent, making instruments sound realistic and well layered while clear forward vocals remain free of harshness.

The lower treble on the Horizon is smooth, controlled and detailed without obvious peaks, while the boosted upper treble brings a crisp, airy, sparkly character with plenty of shimmer and micro detail on cymbals, hi hats and upper harmonics, though listeners sensitive to upper treble may find it a touch bright. Overall treble avoids sounding splashy or metallic and works with the open bass and midrange to give the set a spacious, airy feel. In terms of technical performance the Horizon is one of the more resolving options at this price, offering excellent detail retrieval, separation and imaging, and in comparisons it tends to trade the heavier bass and warmth of rivals like Crescent, Astral, Kir SPET, Volume S, Sivo 24 or Zens T Pro for cleaner mids, more upper treble air and clearer vocals, making it ideal for listeners who value clarity and vocal focus over sheer low end quantity.