Ziigaat Odyssey VS 7Hz Timeless 2

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Single-DD + 3BA hybrid with a clean, confident look: thick shell, metal nozzle that grips tips well, visible rear vent, and the preferable flat 2-pin connector. The standard Ziigaat case feels premium if a bit unexciting. Sonically, Odyssey lands a balanced, tastefully energetic tuning—ample bass for most listeners, elevated upper mids for presence, and a smooth, clean upper-treble. Out of the box it sounds immediately right and counts among the better-tuned sub-$300 IEMs. The catch: macro/micro detail and imaging are good, not mind-blowing, keeping overall technical performance at “appropriate for the price.”

Within Ziigaat’s lineup, Arcadia skews darker with less treble reach, Xeno/Ceno feels a bit treble-shy, and Dinko is the more V-shaped, poppier pick with extra sub-bass. Explorer overlaps in tonality but Odyssey adds more upper-mids energy and refinement—albeit at a higher price. Among peers, AFUL’s P7 brings the stronger technicals and a slightly more neutral sheen, K4 trades blows, and “Quattro” may edge tuning purity. As an all-rounder, though, Odyssey hits a sweet spot: rich mids, fun but controlled bass, convincing note weight, and a natural stage, even if the far-upper air can temper ultimate sparkle.

Verdict: a fantastic mid-tier set with high price-to-performance, gorgeous faceplates, and a crowd-pleasing tonality; accessories are a bit underwhelming, and the top-end “air” won’t wow technicality chasers. Scored around 8.8/10 and easily recommended as a safe, musical choice—especially when discounts bring the sticker down.

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Ziigaat Odyssey lands as a mid-range focused set with a slight treble lift that really scales with volume. At relaxed levels it’s clean, calm, and easygoing; turn it up and the presentation becomes wide, airy, and immersive with a surprisingly punchy, rumbly low end for its graph. The new topology DD hits a sweet balance—neither sluggish nor hyper-snappy—delivering well-balanced bass that serves the tuning, even if ultimate slam/texture trails sets like Hype 4 or Xenns Tea Pros. Tip rolling toward slightly brighter tips adds a touch of treble energy and liveliness without pushing fatigue.

The star here is the midrange: instruments layer neatly with comfortable separation, and vocals sit clean and natural—not shouty, not veiled—though they can feel a bit too relaxed at mid volume. Treble is smooth yet detailed, revealing cymbal micro-info and air without harshness, and it’s noticeably cleaner than Explorer while avoiding metallic timbre. Technicals are solid for the price—a step up from Explorer and just behind “contet” in raw resolving power—yet more natural in timbre and notably more musical when driven louder. The tuning flatters slow rock, acoustic, indie, alternative, and ballads, where the Odyssey’s “turn-it-up” character shines.

For alternatives: those wanting warmer, bassier impact for hip-hop, rock, or metal may prefer Kiwi Ears K4, HBB Arcadia, or the Deuce for true bass-head needs. For mid-volume all-rounders with more instant engagement and technical pop, consider Supermix 4, Nova, Quintet, or Chopin; for airier, brighter takes with sweeter female vocals, look at Cadenza 4 or CKLVX. As a package, Odyssey feels like a future classic—gorgeous plating, a cable that could use an upgrade, and a uniquely immersive, high-volume experience that invites shutting out the world and sinking into the music.

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7Hz Timeless 2 arrives as a polished successor to the original, delivering a smoother, more refined treble and a presentation that feels less “planar” in timbre. Its headline feature is the interchangeable nozzle system that meaningfully changes the sound—three distinct tunings rather than subtle tweaks—so fit and flavor are easier to dial in. Technicals remain solid for the class (layering, separation, staging), but the emphasis shifts from raw edge to easy, airy listenability; compared to brighter, snappier planars, this one trades a touch of bite for balance and comfort. Pairing with regular Sedna-style tips further smooths the top end without dulling it.

Midrange is handled with a calmer 2 kHz region, so vocals sound less forward and less shouty on energetic tracks. The silver nozzle tames that zone even more, appealing to listeners who prefer flatter upper-mids while adding a sense of openness and clarity. Bass is punchy, quick, and clean with good impact that avoids bleed; it won’t out-slam a strong dynamic-driver set, but the planar low-end here feels tight and versatile, fitting an all-rounder profile. If ultra-etched detail and hyper-tactile treble are the goal, some rivals push further; if the priority is smoothness without boredom, Timeless 2 hits the brief.

As a value play, sub-$100 options still undercut it, yet the combination of refinement + three nozzles makes Timeless 2 competitive at its price. Owners of recent planars may find it a side-grade in sheer technicals, but for anyone starting fresh—or seeking a safer, fuller tuning that scales reasonably—this is a confident recommendation. Use the smoothing tips and select the nozzle that fits the library, and it becomes a comfortable daily driver for most listeners.

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Ziigaat Odyssey takes the new Meta tuning and gives it a more V-shaped, exciting twist. It keeps the beautiful mid-range intact while adding extra energy to both bass and treble, landing closer in spirit to Moondrop x Crinacle Dust (DSP) and Kiwi Ears K4—but with more swagger. It’s not as strictly on-target as those sets, yet the result is more engaging and solves the “too safe, sometimes boring” side effect of many Meta-tuned IEMs.

Beyond tuning, Odyssey brings real upgrades in technical performance for the price. Bass dynamics are punchier and more well-defined than K4, and treble nuances come through with greater clarity while preserving that natural vocal center. At $229, it undercuts many competitors and still feels like a step up—an easy pick for listeners who want Meta’s mid clarity with extra excitement and better slam without sacrificing coherence or comfort.

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Ziigaat Odyssey comes in at $230 with a four-driver hybrid (1DD + 3 BAs) that’s very easy to drive. Build is the usual Ziigaat: full 3D-printed resin shells with metal nozzles and filters; sturdy and comfortable for average-to-larger ears, while tiny ears get a technical pass. The weak spot is the accessories: a basic cable (3.5mm or 4.4 option), one set of soft silicone tips plus foams, and a leatherette case that feels flimsy—underwhelming at this price. Aesthetics score well with a sparkly faceplate that the “Council of Ladies” mostly favors, even if it doesn’t always trigger compliments.

Sonically, Odyssey aims for warm-neutral with a tasteful bass boost. Sub-bass texture can run a touch soft, but mid-bass punch is addicting, giving kick drums and bass guitars real drive without boom. Lower mids are warm and slightly veiled in a pleasant, retro-leaning way; female vocals sit a bit back yet remain clean. Treble is safe but present—enough sparkle and clarity to balance the bass without sting, though true treble-heads may want more air. Technicals are solid for the bracket: good resolution, excellent separation, precise imaging, and an average-sized but convincing stage. With a 15–30Ω adapter, the FR tilts more V-shaped (more bass/upper-mids/treble), a fun twist for occasional variety.

Against peers, Odyssey is the relaxed, safer listen: warmer and less contrasty than EPZ P50 (brighter, more vocal-forward) and Kiwi Ears K4 (more V-shaped excitement), and a middle ground between AFUL Explorer (darker, bassier) and AFUL Performer 5+2 (airier, more resolving with stronger female vocals). Not the pick for bass-heads, treble-heads, or libraries packed with K-/J-pop divas, but a killer one-and-done all-rounder for mixed libraries that value warmth, balance, and zero fatigue. Despite the skimpy pack-ins, the tuning and performance earn a spot in “this is brilliant.”

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Ziigaat’s 2024 lineup lands three distinct flavors: the R (1DD+4BA), Arcadia (1DD+2BA), and Odyssey (1DD+3BA)—all sharing the same case, tips, and cable, but with very different tunings and striking faceplates. Pricing lives in the approachable range (roughly $200–$250), and the shells are well-built 3D-printed resin. The Odyssey’s nozzle appears slightly wider than the R’s, and its cloudy pink/silver faceplate looks clean and premium without the flashiness of Arcadia’s green/yellow sparkle.

For competitive play, title-by-title differences matter. In Valorant, Arcadia’s extra warmth and bass impact feel immersive but a touch boomy/bloomy under heavy ability spam—solid, around a B. The R and Odyssey perform on par with high marks; the R’s 1–3 kHz lift sharpens clarity and verticality, while Odyssey is more neutral and less bright. In Apex Legends, Arcadia struggles as bass bloom masks micro-cues (B–/C+). Odyssey delivers great separation/layering with slightly softer overhead cues (B+/B), and handles gunfire more comfortably than the R. In CS2, Odyssey takes the lead for its imaging, depth perception, and non-fatiguing balance; in Warzone, the order shifts to R > Arcadia > Odyssey, with Arcadia’s warmth helping vertical reads and impact.

As a music set, the Odyssey is a standout: potent, tight bass with clean transients, balanced mids that aren’t smothered, and a clean, non-sibilant treble that avoids fatigue while letting micro-detail through. It lands as a favorite in its price bracket—an easy recommendation for listeners who want a neutral-leaning all-rounder that still punches hard, splits cues well, and won’t scorch ears with gunfire or treble glare.

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Timeless 2 shows up with a bigger, round shell (carbon-fiber face, metal rim), a nice hard case, and an oddball-but-cool ribbon cable on MMCX that feels a bit stiff. The real headline is the swappable nozzles: tiny side-vent “pin” nozzles (stock), a “flower” top-vent nozzle, and a large side-vent set. Tip pack is a colorful grab bag (no foams), and care is needed because narrow bores can block those side vents. Power isn’t a problem—this set is very efficient and plays happily from a phone or desktop amps without turning harsh.

Sonically, the three nozzles behave like three different tunings. The stock tiny side-vents are wide, chill, and distant—easy listening with big space. Swap to the “flower” top-vent and everything snaps into focus: detail rockets up, staging comes closer, and transients clean up without tipping into sibilance; bass also tightens and gains punch. The big side-vent option brings more bass weight and a huge stage, trading a bit of hyper-detail for scale and fun. Tip rolling matters: wide-bore silicone (e.g., Dunu SS) or high-seal foams can make it a party in the head, while tight-bore foams can choke the vents and thin the sound.

With the right nozzle/tip combo, Timeless 2 goes from “good planar” to aggressively engaging: thunderous taiko hits, breathing and string texture on acoustic tracks, and club-ready energy on electronic. It feels like the most complete planar IEM here—big soundstage, real bass presence, and crisp clarity that invites louder listening. If pricing sits around the speculated $260–$320 range, this could muscle aside a lot of sets under $500–$600. Verdict: a bold, successful experiment that delivers three flavors of planar goodness, with the “flower” nozzle as the standout for clarity + slam.