Ziigaat Odyssey VS Truthear Pure

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Single-DD + 3BA hybrid with a clean, confident look: thick shell, metal nozzle that grips tips well, visible rear vent, and the preferable flat 2-pin connector. The standard Ziigaat case feels premium if a bit unexciting. Sonically, Odyssey lands a balanced, tastefully energetic tuning—ample bass for most listeners, elevated upper mids for presence, and a smooth, clean upper-treble. Out of the box it sounds immediately right and counts among the better-tuned sub-$300 IEMs. The catch: macro/micro detail and imaging are good, not mind-blowing, keeping overall technical performance at “appropriate for the price.”

Within Ziigaat’s lineup, Arcadia skews darker with less treble reach, Xeno/Ceno feels a bit treble-shy, and Dinko is the more V-shaped, poppier pick with extra sub-bass. Explorer overlaps in tonality but Odyssey adds more upper-mids energy and refinement—albeit at a higher price. Among peers, AFUL’s P7 brings the stronger technicals and a slightly more neutral sheen, K4 trades blows, and “Quattro” may edge tuning purity. As an all-rounder, though, Odyssey hits a sweet spot: rich mids, fun but controlled bass, convincing note weight, and a natural stage, even if the far-upper air can temper ultimate sparkle.

Verdict: a fantastic mid-tier set with high price-to-performance, gorgeous faceplates, and a crowd-pleasing tonality; accessories are a bit underwhelming, and the top-end “air” won’t wow technicality chasers. Scored around 8.8/10 and easily recommended as a safe, musical choice—especially when discounts bring the sticker down.

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The Truthear Pure offers a neutral, JM1-style target tuning aimed at a studio-reference sound, achieving this goal competently for its price point. However, its build quality and accessories feel disappointing and recycled from older models like the Hexa. The shell contouring is rigid and unimpressive, while the tips and case lack innovation. The cable is a slight improvement over the Hexa's – supple but lacking clear right/left indicators – making the overall package just okay, not exciting.

Sonically, the Pure presents a linear bass rise and a generally neutral presentation, differing from the Hexa by offering a bit more warmth but less sparkle and magical mid-range presence. While it fixes the Hexa's "pillowy bass," it doesn't fully surpass it, lacking the Hexa's legendary status. Comparisons reveal it's very similar to the Audio Sense DT200 in tonality, though slightly preferred. It falls short against competitors like the Kiwi Ears Quartet (better bass/mids), Ziigaat Lush (better technicalities), Softears Volume S (more natural curve), or planar options around its price. Crucially, the fit is problematic, often requiring expensive aftermarket tips like the Baroque to work well, which feels impractical for a $90 IEM.

Ultimately, the Pure is a solid but middling release, earning a B rating. It suits those specifically seeking an affordable JM1-style neutral signature or dedicated Truthear fans. For most listeners, however, better alternatives exist: the Hexa remains preferable within Truthear's lineup for its magic, the Nova offers more fun, or competitors like the Aful Explorer (bass-focused), TANGZU Fudu (value planar), or slightly pricier Volume S provide more engaging or technically proficient experiences. It's not a strong general recommendation.

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Ziigaat Odyssey lands as a mid-range focused set with a slight treble lift that really scales with volume. At relaxed levels it’s clean, calm, and easygoing; turn it up and the presentation becomes wide, airy, and immersive with a surprisingly punchy, rumbly low end for its graph. The new topology DD hits a sweet balance—neither sluggish nor hyper-snappy—delivering well-balanced bass that serves the tuning, even if ultimate slam/texture trails sets like Hype 4 or Xenns Tea Pros. Tip rolling toward slightly brighter tips adds a touch of treble energy and liveliness without pushing fatigue.

The star here is the midrange: instruments layer neatly with comfortable separation, and vocals sit clean and natural—not shouty, not veiled—though they can feel a bit too relaxed at mid volume. Treble is smooth yet detailed, revealing cymbal micro-info and air without harshness, and it’s noticeably cleaner than Explorer while avoiding metallic timbre. Technicals are solid for the price—a step up from Explorer and just behind “contet” in raw resolving power—yet more natural in timbre and notably more musical when driven louder. The tuning flatters slow rock, acoustic, indie, alternative, and ballads, where the Odyssey’s “turn-it-up” character shines.

For alternatives: those wanting warmer, bassier impact for hip-hop, rock, or metal may prefer Kiwi Ears K4, HBB Arcadia, or the Deuce for true bass-head needs. For mid-volume all-rounders with more instant engagement and technical pop, consider Supermix 4, Nova, Quintet, or Chopin; for airier, brighter takes with sweeter female vocals, look at Cadenza 4 or CKLVX. As a package, Odyssey feels like a future classic—gorgeous plating, a cable that could use an upgrade, and a uniquely immersive, high-volume experience that invites shutting out the world and sinking into the music.

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Truthear Pure lands as the so-called Hexa successor, but the tuning pivots hard: it’s warmer, darker, and even more laid-back. Male vocals pop with weight, extension, and a lush low-end foundation. At mid-to-low volumes it can come off bloated and a little low-res up top, with dulled upper-mid/treble detail; push it to around 75 dB+ and it scales nicely, opening the stage, adding clarity, and staying non-fatiguing thanks to the tamer upper mids.

Genre pairing leans into hip-hop, rap, R&B, jazz, and rock/metal: there’s satisfying mid-bass impact and sub-bass rumble, with restrained upper mids keeping sibilance and shout in check on hotter recordings. Tipwise, avoid bass-boosters like Final E, Divinus Venus, and even the stock silicones. Go with Softears Ultra Clear or other clear, open-bore tips to nudge in more treble air while keeping the smoothness.

On raw technicals, Pure isn’t class-leading for its bracket—less detail and separation than the older Hexa despite sharing drivers, because the warmer/darker tilt trims perceived clarity. Buy it for the tuning and volume scaling. It plays like a more vocal-centric spin on the AFUL Explorer (darker, immersive, vocals pop more, a bit less sub-bass-centric). Chasing value or technical bite? Sets like EW300 (on sale) or Moondrop Aria 2 Red, and of course Hexa, will feel cleaner and crisper. Bottom line: a side-grade with its own niche—great for listeners who prefer a warm, smooth presentation and aren’t shy about turning the volume up.

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Ziigaat Odyssey takes the new Meta tuning and gives it a more V-shaped, exciting twist. It keeps the beautiful mid-range intact while adding extra energy to both bass and treble, landing closer in spirit to Moondrop x Crinacle Dust (DSP) and Kiwi Ears K4—but with more swagger. It’s not as strictly on-target as those sets, yet the result is more engaging and solves the “too safe, sometimes boring” side effect of many Meta-tuned IEMs.

Beyond tuning, Odyssey brings real upgrades in technical performance for the price. Bass dynamics are punchier and more well-defined than K4, and treble nuances come through with greater clarity while preserving that natural vocal center. At $229, it undercuts many competitors and still feels like a step up—an easy pick for listeners who want Meta’s mid clarity with extra excitement and better slam without sacrificing coherence or comfort.

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Truthear Pure follows the beloved Hexa with a smarter twist on neutrality: a hybrid 1DD+3BA at $90 that keeps the sturdy 3D-printed shell, slightly chunkier but similarly comfortable. The package is generous—three pairs of “thick” tips, three “thin,” plus foams—along with a much softer, less tangle-prone cable (still a fixed termination) and a soft leather pouch that’s actually pocket-friendly. Build, fit, and accessories punch above price, making this feel more premium than the tag suggests.

Sonically, Pure takes Hexa’s neutral core and downtilts it: a touch more lower-mid energy for weight and body, with the Hexa’s brighter colorations eased back. The result is a warm-neutral, enveloping, and non-fatiguing presentation—vocals and instruments gain richness without mud, and timbre/decay stay natural rather than dark or blunted. Think of the duo like HD600 vs HD650 for IEMs: pick Hexa for cleaner/brighter clarity, pick Pure for fuller, relaxed musicality. Choose Pure if a superbly executed warm-neutral tuning, long-session comfort, and broad genre versatility are priorities (great as a first “do-it-all” IEM). Skip it if a crisper, more analytical, or treble-forward edge is needed—the Pure presents detail naturally rather than pushing it. Either way, Pure carves meaningful space beside Hexa: neither redundant nor straying too far from true neutral, just the right amount of warmth done right. (Also, a white Pure would be fun—name kinda begs for it.)

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Truthear Pure arrives as a $90 1DD+3BA hybrid with a solid accessory set: postcard, soft pouch, six pairs of silicone tips plus foam. The non-modular cable is notably soft, tangle-free, low in microphonics, and the chin slider actually stays put. Shells are semi-transparent 3D-printed resin with a grooved faceplate, a vent, and a nozzle lip that keeps tips secure; there’s a recessed 2-pin connector. Size is only slightly larger than Hexa, but comfort is similarly excellent—low-profile, secure, and easy for long sessions.

Sonically, Pure shifts firmly into warm territory. Bass is abundant with strong slam, yet its slower decay and “glide” into the lower mids introduce a thick, relaxed presentation that can cloud mid-range clarity and leave vocals a touch hazy; the upper-mids sit a bit too laid-back for the bass level. Treble is safe, smooth, and non-fatiguing rather than airy. Technicals are middling for the class—imaging decent, detail behind more incisive sets. Versus Hexa, Pure adds bass and impact but loses the Hexa’s clean, neutral midrange; compared with Moondrop Aria 2, it’s the “too warm” side of warm-tuned. Best suited for listeners who want a cozy, laid-back signature; not ideal for clarity seekers unless EQ is used to trim the low-mids/bass. Final verdict: 3/5 stars—comfortable build and enjoyable smoothness, but the warmth dominates the balance.

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Ziigaat Odyssey comes in at $230 with a four-driver hybrid (1DD + 3 BAs) that’s very easy to drive. Build is the usual Ziigaat: full 3D-printed resin shells with metal nozzles and filters; sturdy and comfortable for average-to-larger ears, while tiny ears get a technical pass. The weak spot is the accessories: a basic cable (3.5mm or 4.4 option), one set of soft silicone tips plus foams, and a leatherette case that feels flimsy—underwhelming at this price. Aesthetics score well with a sparkly faceplate that the “Council of Ladies” mostly favors, even if it doesn’t always trigger compliments.

Sonically, Odyssey aims for warm-neutral with a tasteful bass boost. Sub-bass texture can run a touch soft, but mid-bass punch is addicting, giving kick drums and bass guitars real drive without boom. Lower mids are warm and slightly veiled in a pleasant, retro-leaning way; female vocals sit a bit back yet remain clean. Treble is safe but present—enough sparkle and clarity to balance the bass without sting, though true treble-heads may want more air. Technicals are solid for the bracket: good resolution, excellent separation, precise imaging, and an average-sized but convincing stage. With a 15–30Ω adapter, the FR tilts more V-shaped (more bass/upper-mids/treble), a fun twist for occasional variety.

Against peers, Odyssey is the relaxed, safer listen: warmer and less contrasty than EPZ P50 (brighter, more vocal-forward) and Kiwi Ears K4 (more V-shaped excitement), and a middle ground between AFUL Explorer (darker, bassier) and AFUL Performer 5+2 (airier, more resolving with stronger female vocals). Not the pick for bass-heads, treble-heads, or libraries packed with K-/J-pop divas, but a killer one-and-done all-rounder for mixed libraries that value warmth, balance, and zero fatigue. Despite the skimpy pack-ins, the tuning and performance earn a spot in “this is brilliant.”

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Ziigaat’s 2024 lineup lands three distinct flavors: the R (1DD+4BA), Arcadia (1DD+2BA), and Odyssey (1DD+3BA)—all sharing the same case, tips, and cable, but with very different tunings and striking faceplates. Pricing lives in the approachable range (roughly $200–$250), and the shells are well-built 3D-printed resin. The Odyssey’s nozzle appears slightly wider than the R’s, and its cloudy pink/silver faceplate looks clean and premium without the flashiness of Arcadia’s green/yellow sparkle.

For competitive play, title-by-title differences matter. In Valorant, Arcadia’s extra warmth and bass impact feel immersive but a touch boomy/bloomy under heavy ability spam—solid, around a B. The R and Odyssey perform on par with high marks; the R’s 1–3 kHz lift sharpens clarity and verticality, while Odyssey is more neutral and less bright. In Apex Legends, Arcadia struggles as bass bloom masks micro-cues (B–/C+). Odyssey delivers great separation/layering with slightly softer overhead cues (B+/B), and handles gunfire more comfortably than the R. In CS2, Odyssey takes the lead for its imaging, depth perception, and non-fatiguing balance; in Warzone, the order shifts to R > Arcadia > Odyssey, with Arcadia’s warmth helping vertical reads and impact.

As a music set, the Odyssey is a standout: potent, tight bass with clean transients, balanced mids that aren’t smothered, and a clean, non-sibilant treble that avoids fatigue while letting micro-detail through. It lands as a favorite in its price bracket—an easy recommendation for listeners who want a neutral-leaning all-rounder that still punches hard, splits cues well, and won’t scorch ears with gunfire or treble glare.

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The Truthear Pure keeps the $90 hybrid recipe of the Hexa (3BA+1DD) and most of its shell geometry, but tweaks details: a slightly smaller nozzle eases fit for those who struggled with Hexa, while a thicker body changes how it sits against the antitragus. Accessories are sensible—the pocketable soft pouch and three styles of ear tips help dial in seal and stability—though the bold logo and faint channel markings won’t win style awards. Overall comfort is compact and easy, with fit security largely dependent on tip choice rather than ear-conforming contours.

Sonically this is a shift from Hexa’s laser-neutral baseline to a warm-neutral flavor: ~1–2 dB more energy from 1 kHz down adds body and density, while slightly pulled-back upper mids/treble relax the presentation. Stage size and separation aren’t the selling points, yet the treble execution is impressively clean and controlled for the price, avoiding the congestion feared from early listens. Bass remains not the star, but attack is snappier and kick definition more satisfying than on Hexa, making drums feel better outlined without abandoning neutrality.

Think HD600 vs HD650: Hexa reads brighter, airier, and a touch more “technical,” while Pure is fuller, warmer, and more relaxed—arguably the more mature tonality. For contrast seekers, the Jazir/Z Reviews Defiant hits harder with a lively V-shape; to split the difference with extra low-end and micro-contrast, the AFUL Explorer fits. As a sub-$100 choice, Pure lands as a five-star set: not a technical monster, but a beautifully tuned, dense take on neutral that stands shoulder-to-shoulder with Hexa rather than replacing it—pick Hexa for openness, Pure for tone and treble refinement.

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Truthear Pure brings a warm, bass-impactful presentation from its 1DD+3BA setup, but the rest feels like it’s under a blanket. There’s a noticeable 2 kHz hump, then the upper range ducks hard past ~8 kHz, leaving the sound veiled—like three comforters thrown over the music. Great for bass-centric tracks (think Arcane S2 remixes), yet dull and somehow fatiguing at the same time. The shells look cool—semi-transparent with a heatsink-style back—and the stock cable is soft and supple but fixed 3.5 mm. Accessories are classic Truthear: small leather pouch, tip array, and a waifu postcard. Listed around $89 (feels more like $50 value).

The real curveball is the imaging and stage. On 3D test tracks that should sweep smoothly around the head, motion skews and snaps—front/back depth behaves weird and timing feels off. It’s the kind of tuning (or implementation) that begs for EQ just to “open it up”. For listeners who want warmth + bass and the bunny-girl aesthetic, this will scratch the itch. For a cleaner, properly integrated 1DD+3BA experience, alternatives like Defiant make more sense, especially at a similar price. Net: an acceptable set for bass enjoyment, but with odd staging and a rolled-off, veiled top end that keeps it off the must-buy list.