Ziigaat Odyssey VS Yanyin Canon Pro

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The ZiiGaat Odyssey combines a familiar but comfortable shell with a genuinely fantastic sound signature for its price. The resin body is a bit on the thick side, but the metal nozzle grips tips securely, isolation is good, and the flat 2-pin connector makes cable swapping easy. Its silver-and-magenta faceplate looks premium and eye-catching, while the standard ZiiGaat case is practical and protective, if not particularly exciting. Accessories overall feel a bit sparse, so the focus here is clearly on the IEM itself rather than the extras.

Sonically, the Odyssey delivers a very balanced and engaging presentation: ample bass for most listeners, nicely elevated upper mids, and a smooth, clean treble that avoids harshness. It stands out as one of the better tuned IEMs under $300, with a flat, even tonality that feels cohesive and versatile across genres. The mids are a real strength, with good note weight and a natural sense of body, and the bass is fun without becoming bloated. Technical performance is good but not groundbreaking – soundstage and imaging feel appropriate for the price rather than jaw-dropping, and the upper treble can lack a bit of the “pristineness” some might want.

Within ZiiGaat’s own lineup and its price bracket, Odyssey sits as a strong all-rounder. It is more open and extended than sets like the Arcadia or Ceno, more neutral and controlled than the more energetic Dinko, and trades blows well with alternatives such as Jay’s Australa, AFUL P7, K4 and Dunu Quattro. Among those, Quattro feels like the best pure tuning, P7 the most technically capable, while Odyssey arguably offers the most balanced mix of everyday usability and enjoyment. With a score of 8.8/10 and very competitive price-to-performance—especially when discounts are in play—the ZiiGaat Odyssey comes across as a genuinely impressive mid-tier option with only minor caveats in its treble refinement and accessory package.

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Yanyin Canon Pro is a 1DD + 6BA hybrid around $400 with a light, well-sized shell that’s easy to fit and pleasantly vented. The kit impresses: a suede-like round case feels durable, the tip selection is reasonable, and the cable is a standout—supple, visually premium, and available in 3.5 / 4.4 (even 2.5 for holdouts). Comfort trends above average, and the dip switches exist but the favored setting is the “all up” configuration.

Tonally the Canon Pro skews neutral and safe: modest bass with slightly recessed lower mids, a clean midrange, and smooth treble that brings out micro-detail without harsh spikes. Sub-bass could dig deeper, yet dynamics never feel anemic; it’s more about balance than fireworks. The FR “hugs the target,” with a touch of upper air and extension that reads subtle rather than showy, yielding an all-day listen with natural imaging and very low fatigue.

Against peers, Canon Pro beats Canon 2 for detail and top-end finesse (Canon 2 offers more warmth and punch), and comes across more refined than Hype 4, whose upper air can feel exaggerated. Versus Moondrop x Crinacle Dusk, the Dusk DSP wins if DSP is on the table, but in pure analog the edge tilts to Canon Pro. Sets like AFUL Performer 7 trade blows (more bass/treble “spice” there), while Pilgrim can read too bright and Moondrop Meteor feels leaner down low. The takeaway: not a showboat, but a polished, versatile IEM with beautiful accessories, easy comfort, and tuning that’s EQ-friendly and broadly appealing—an easy recommendation for those who value clarity and poise over spectacle.

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A slow-burn hybrid (1DD + 3BA) around $200 that has grown by word of mouth. Tuning is Goldilocks—smoother/warm lower end with a tidier, slightly lifted upper end—making it broadly natural and low-fatigue across libraries. Impedance interaction matters: low-impedance sources keep a fuller mid-bass and flatter ~5 kHz, while added impedance nudges sub-bass and a little 5 kHz bite for a more U-shaped tilt. It doesn’t chase max technicalities, instead prioritizing musicality and tone.

Bass leans mid-bass over pure sub-bass, bringing welcome physicality and punch without boom; the custom DD feels lively. Mids are clean yet set a hair behind bass/treble, so transparency and headline resolution trail leaner micoplanar-leaning rivals, but timbre stays convincing and unfussy. Treble rides the line—polished and slightly elevated to balance the low end, with potential ~5 kHz energy on higher-impedance chains—still more smooth than sharp. Stage, depth and air are as expected for the class, yielding a coherent, well-balanced presentation that explains its long-tail appeal.

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Yanyin's Canon Pro returns with a 1DD + 6BA array that targets a clean, BA-forward presentation: sub-bass modestly lifted, a persistent mid-bass tuck, and an earlier ear-gain rise that brings vocals forward. Lower treble has presence while upper treble rolls smoothly into air, preserving separation and avoiding splash; the result is crisp articulation at low–moderate volumes with notable clarity and resolve.

Bass is punchy and fast but restrained, reading neutral for some genres; rock can feel a bit too tidy, while classical/jazz benefit from the cleaner floor. The mids carry the show—strong imaging, clear outlines and BA speed—though the combination of the tuck and earlier rise flattens stage depth; width/height are convincing and layering remains organized. The set responds well to a warmer source to add body and to keep vocals from thinning when the volume creeps up.

Positioned around $400, value depends on priorities: all-rounders with a smoother bass shelf at lower prices exist, but Canon Pro offers a more technical, mid-centric take that will resonate with balanced-armature fans. For listeners chasing separation, detail and a tidy treble without glare, it makes a focused, capable choice—just not the safest pick for those wanting heft and depth.

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Ziigaat Odyssey lands as a mid-range focused set with a slight treble lift that really scales with volume. At relaxed levels it’s clean, calm, and easygoing; turn it up and the presentation becomes wide, airy, and immersive with a surprisingly punchy, rumbly low end for its graph. The new topology DD hits a sweet balance—neither sluggish nor hyper-snappy—delivering well-balanced bass that serves the tuning, even if ultimate slam/texture trails sets like Hype 4 or Xenns Tea Pros. Tip rolling toward slightly brighter tips adds a touch of treble energy and liveliness without pushing fatigue.

The star here is the midrange: instruments layer neatly with comfortable separation, and vocals sit clean and natural—not shouty, not veiled—though they can feel a bit too relaxed at mid volume. Treble is smooth yet detailed, revealing cymbal micro-info and air without harshness, and it’s noticeably cleaner than Explorer while avoiding metallic timbre. Technicals are solid for the price—a step up from Explorer and just behind “contet” in raw resolving power—yet more natural in timbre and notably more musical when driven louder. The tuning flatters slow rock, acoustic, indie, alternative, and ballads, where the Odyssey’s “turn-it-up” character shines.

For alternatives: those wanting warmer, bassier impact for hip-hop, rock, or metal may prefer Kiwi Ears K4, HBB Arcadia, or the Deuce for true bass-head needs. For mid-volume all-rounders with more instant engagement and technical pop, consider Supermix 4, Nova, Quintet, or Chopin; for airier, brighter takes with sweeter female vocals, look at Cadenza 4 or CKLVX. As a package, Odyssey feels like a future classic—gorgeous plating, a cable that could use an upgrade, and a uniquely immersive, high-volume experience that invites shutting out the world and sinking into the music.

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Ziigaat’s 2024 lineup lands three distinct flavors: the R (1DD+4BA), Arcadia (1DD+2BA), and Odyssey (1DD+3BA)—all sharing the same case, tips, and cable, but with very different tunings and striking faceplates. Pricing lives in the approachable range (roughly $200–$250), and the shells are well-built 3D-printed resin. The Odyssey’s nozzle appears slightly wider than the R’s, and its cloudy pink/silver faceplate looks clean and premium without the flashiness of Arcadia’s green/yellow sparkle.

For competitive play, title-by-title differences matter. In Valorant, Arcadia’s extra warmth and bass impact feel immersive but a touch boomy/bloomy under heavy ability spam—solid, around a B. The R and Odyssey perform on par with high marks; the R’s 1–3 kHz lift sharpens clarity and verticality, while Odyssey is more neutral and less bright. In Apex Legends, Arcadia struggles as bass bloom masks micro-cues (B–/C+). Odyssey delivers great separation/layering with slightly softer overhead cues (B+/B), and handles gunfire more comfortably than the R. In CS2, Odyssey takes the lead for its imaging, depth perception, and non-fatiguing balance; in Warzone, the order shifts to R > Arcadia > Odyssey, with Arcadia’s warmth helping vertical reads and impact.

As a music set, the Odyssey is a standout: potent, tight bass with clean transients, balanced mids that aren’t smothered, and a clean, non-sibilant treble that avoids fatigue while letting micro-detail through. It lands as a favorite in its price bracket—an easy recommendation for listeners who want a neutral-leaning all-rounder that still punches hard, splits cues well, and won’t scorch ears with gunfire or treble glare.

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Yanyin Canon Pro comes with two dip switches per side and effectively three tunings (up/up, down/down, and mixed). Packaging is solid with a nicer copper cable, tips, case, and a switch tool. Sonically it shifts away from Canon 2’s warmth into a more neutral profile with clean bass, quick attack/decay, and a wide, deep stage. Detail retrieval, separation, and layering are a highlight for music at around $400, competing with sets like Mangird Tea Pro and Canon 2, while feeling less intimate than both.

For gaming, the expansive stage delivers strong imaging and “yardage” cues, with gunfire rendered clean and impactful; however, reduced mid-bass body means footsteps don’t cut through as urgently as on Canon 2. In Valorant (preferred up/up), the set sounds spacious and resolving but can soften the immediacy of close-range steps—still solid due to depth and layering, scoring about a B+. In Apex, down/down becomes preferable: slides and lighter cues pop better amid chaotic fights, yet overall brightness and big explosions can mask details, putting it around B+ (bordering B). In Call of Duty, imaging and layering impress, but the softer footstep emphasis keeps it near a B+. Overall, a B+ for competitive play: choose Canon Pro for a more neutral, airy presentation and excellent detail; pick Canon 2 or Mangird Tea Pro when maximal footstep emphasis and tighter intimacy are the priority.

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Ziigaat Odyssey comes in at $230 with a four-driver hybrid (1DD + 3 BAs) that’s very easy to drive. Build is the usual Ziigaat: full 3D-printed resin shells with metal nozzles and filters; sturdy and comfortable for average-to-larger ears, while tiny ears get a technical pass. The weak spot is the accessories: a basic cable (3.5mm or 4.4 option), one set of soft silicone tips plus foams, and a leatherette case that feels flimsy—underwhelming at this price. Aesthetics score well with a sparkly faceplate that the “Council of Ladies” mostly favors, even if it doesn’t always trigger compliments.

Sonically, Odyssey aims for warm-neutral with a tasteful bass boost. Sub-bass texture can run a touch soft, but mid-bass punch is addicting, giving kick drums and bass guitars real drive without boom. Lower mids are warm and slightly veiled in a pleasant, retro-leaning way; female vocals sit a bit back yet remain clean. Treble is safe but present—enough sparkle and clarity to balance the bass without sting, though true treble-heads may want more air. Technicals are solid for the bracket: good resolution, excellent separation, precise imaging, and an average-sized but convincing stage. With a 15–30Ω adapter, the FR tilts more V-shaped (more bass/upper-mids/treble), a fun twist for occasional variety.

Against peers, Odyssey is the relaxed, safer listen: warmer and less contrasty than EPZ P50 (brighter, more vocal-forward) and Kiwi Ears K4 (more V-shaped excitement), and a middle ground between AFUL Explorer (darker, bassier) and AFUL Performer 5+2 (airier, more resolving with stronger female vocals). Not the pick for bass-heads, treble-heads, or libraries packed with K-/J-pop divas, but a killer one-and-done all-rounder for mixed libraries that value warmth, balance, and zero fatigue. Despite the skimpy pack-ins, the tuning and performance earn a spot in “this is brilliant.”

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Ziigaat Odyssey takes the new Meta tuning and gives it a more V-shaped, exciting twist. It keeps the beautiful mid-range intact while adding extra energy to both bass and treble, landing closer in spirit to Moondrop x Crinacle Dust (DSP) and Kiwi Ears K4—but with more swagger. It’s not as strictly on-target as those sets, yet the result is more engaging and solves the “too safe, sometimes boring” side effect of many Meta-tuned IEMs.

Beyond tuning, Odyssey brings real upgrades in technical performance for the price. Bass dynamics are punchier and more well-defined than K4, and treble nuances come through with greater clarity while preserving that natural vocal center. At $229, it undercuts many competitors and still feels like a step up—an easy pick for listeners who want Meta’s mid clarity with extra excitement and better slam without sacrificing coherence or comfort.

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Yanyin Canon Pro brings a 1DD + 6BA stack with two DIP switches that alter an internal crossover rather than simple EQ, but the documentation is maddeningly vague. Stock out of the box (switch 1 up, switch 2 down) hits the sweet spot: most bass, gently damped treble, and a cohesive, engaging sound. Flip both down and the presentation turns flat and distant; flip both up and treble gets piercing with bass falling behind; 1 down / 2 up is another treble burst. Imaging remains solid throughout, but these are not bass monsters even with bass engaged. Tip rolling matters: wide-bore “velvet” tips step the listener back a row, smoothing the intensity and making the set feel properly $400-grade.

Build and accessories are a mixed bag. The cable is excellent—thick, straight, aluminum hardware that would make full-size headphones jealous—though the included plug here was fixed 3.5 mm (a 4.4 mm option is preferable). The carry case and presentation are great, but the shells themselves look muted and underwhelming in person, a far cry from attention-grabbing faceplates. Comfort and fit are fine, with flared nozzles and grippy bases that keep tips secure.

Sonically, with the right tips and the 1 up / 2 down setting, Canon Pro can absolutely be a daily driver—balanced, clean, and listenable for long stretches. The headache is the switching: three of the four permutations feel like downgrades, and the lack of a clear switch map from Yanyin doesn’t help. Net take: tuning potential is there, but it requires fussing (tips, gain, switches) to get it right. As a package—case, cable, and sound once dialed—this feels more like a strong $300 proposition; sort the switch profiles so each one is genuinely good, and the full $400 ask would make a lot more sense.

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The Ziigaat Arcanis offers a warm, somewhat thick sound signature with a noticeable bass boost and a lean lower midrange. This is balanced by a relaxed upper midrange and lower treble, contributing to its overall smooth character. While it provides decent extension, the Arcanis can occasionally present vocals with a slightly wet or near-sibilant edge, especially depending on ear tip choice and fit depth. Its transient response is sharper than the Yanyin Canon Pro, giving it better definition and crisper imaging, though the bass physicality is only middling.

Physically, the Arcanis features lightweight plastic shells with a distinctive dark black and green aesthetic. However, the build quality feels somewhat cheap for the $400 price point, especially paired with the included thin, glossy cable. The shells are notably long, leading to a fit that can feel deep and occasionally aggressive in the ear canal, exacerbated by the stock ear tips. Users may experience noticeable driver flex or squish when inserting them. Comfort is generally acceptable for upright listening but becomes problematic when lying on your side.

Ultimately, the Arcanis earns a three-star rating. While it delivers a generally inoffensive, warm sound with decent technicalities like transient bite and imaging, it lacks standout qualities or strong definition at its price. The physical experience, particularly the fit and perceived build quality, further holds it back from being a compelling recommendation. It ends up feeling like a competent but unremarkable offering in its tier.