Ziigaat Odyssey 2 VS 7hz x Crinacle Divine

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Ziigaat x Hangout Audio Odyssey 2 comes as a 1DD + 3BA hybrid in a fully metal shell with a matching metal nozzle, venting, and a comfortable, familiar Ziigaat fit. The package is generous: a handsome new case (seen on Luna/Crescent), 4.4 balanced with a swappable 3.5 adapter, multiple tips, and spare filters. The flat 2-pin cable looks good in black/green but is a bit memory-prone/tangle-happy; functional, yet a likely swap for cable sticklers.

Sonically, Odyssey 2 skews punchy in the bass with clean, thick mids and well-controlled upper-mids; the treble is smooth and gently rolled with limited airy “sparkle,” giving a more studio-like presentation. Versus the original Odyssey, this tuning is less U-shaped, with dialed-back excitement and upper treble—safer, calmer, and easier long-term. It’s a well-built, well-accessorized set at a reasonable price that many will find effortless to enjoy, even if thrill-seekers may want more bite up top.

In context, it parallels Lush on upper-mids (no urgent need to switch unless craving a touch more sub-bass or a different treble flavor), feels safer than Performer 7 (which has spicier 8k), and sits under the more vivid Odyssey (OG) and the slightly brighter, airier Crescent. It doesn’t reach the extra sub-bass/air of the Dusk DSP but improves on the original Dusk’s flatter treble character; meanwhile, Ziigaat’s Horizon trends richer and crisper up top. Overall verdict: a solid 8.0/10—mids are the star, bass is engaging if not rowdy, and upper-treble restraint keeps fatigue low. Not the most electric choice at ~$225, but a clean, safe, studio-leaning option with broad appeal.

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7Hz x Crinacle Divine takes the familiar planar recipe and refines it. The shell is vented, comfortable, and highly isolating, with a flat 2-pin that makes cable swaps easy. The stock cable is 3.5 mm-only, chunky, and a bit memory-prone but usable, and the included case is surprisingly premium. Overall build and fit are faultless at the price.

Tonally, this is a fun, slightly V-shaped planar with thick, satisfying bass that avoids the pillowy feel many expect at this price. The midrange is clean and well-judged (occasionally a touch edgy on some tracks), and the treble brings air and sparkle without harsh peaks. Crucially, it sidesteps the usual planar “cat-ear” spikes around 2–5 kHz, focusing its energy closer to 3 kHz for presence that’s vivid yet controlled. Technicals hit the planar checkboxes—speed, separation, and an expansive stage—delivering a cohesive, engaging listen.

Against peers, Divine feels like a course correction: compared with the earlier Dioko it adds more bass weight and smoother treble; versus the twin Diablo, it’s less sizzly and more balanced. Sets like Letshuoer S12/Ultra still appeal thanks to accessories and value, but Divine’s tuning direction is special and, for many, more versatile. Verdict: an S-minus pick and a favorite planar at ~$150. Not for extreme bassheads, but for listeners who want great air, detail, and planar speed without the usual glare, this earns a wholehearted recommendation.

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Odyssey 2 shifts the OG’s recipe toward a more mid-centric, vocal-first tuning with a gentle sub-bass lift and smoother treble. Bass hits with less slam than the original but feels tighter, quicker, and cleaner, keeping texture competitive for the price. The top end is calmer—less bite, still adequately extended—trading sparkle for an easy, natural presentation.

Clarity steps up in the mids: vocals pop, separation improves, and detail comes through more plainly, while the OG keeps an edge in bass/treble “texture.” It’s a higher-volume scaler; give it juice and it opens up, especially for ballads, acoustic, indie, and pop—less ideal for hip-hop/R&B/jazz where extra weight and contrast help. Tip rolling that adds a touch of low-end/treble energy can inject the missing excitement without upsetting the balance.

Against similarly “safe” sets (Daybreak, P50), Odyssey 2 leans more vocal-centric with better bass texture; versus value champs (Supermix 4, Nova, Chopin), it sounds fuller and more natural but isn’t the value king. Lush gives more air up top, Arcanis/Luna serve as pricier “special sauce” paths if treble bite or OG-style warmth is desired. Verdict: a safer pick and polished all-rounder—objectively as good or slightly cleaner than OG—but for die-hard OG fans, more of a refined sidegrade than a direct, high-octane upgrade.

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Ziigaat Odyssey 2 lands as a premium-feeling set: a CNC-milled aluminum chassis with a sparkly blue/silver faceplate, solid two-pin cable with interchangeable 3.5/4.4 plugs, spare nozzle filters, and a roomy new brown carrying case. The stock cable is nice—though its green tint doesn’t quite match the shell’s aqua tone. Tip selection is generous (foam plus two silicone sets), and the newer silicone tips are a standout. Overall, a tidy package for the price.

Tuning follows the current “new meta”: energetic low end with a cleaner sub-bass attack/decay than sets like ZENs Top/Top Pro, which helps in games. Bass stays punchy yet controlled, so imaging and separation/layering come through well, though gunfire can still push forward. For pure music the bigger, rumblier sets may feel livelier, but for competitive play Odyssey 2 reads space more cleanly and keeps clutter down better than bass-heavier rivals.

Title by title: in Valorant it sounds natural and punchy with tighter gun reports and better map imaging—footsteps are a bit thicker and light taps could cut more—earning a B+. In Apex it’s cleaner than ZENs Top Pro and fine in 3v3s, but big third-party fights expose some separation limits; call it a strong B (bordering B+). In CS2 the positional read improves over ZENs Top Pro, though lighter surface cues and gunfire depth could be crisper—solid overall. Call of Duty plays to its strengths: warmer timbre, wide/deep stage, excellent layering during streaks, with only occasional gunfire masking—another B+. Net result: placed in the B+ tier on the WallHack list, at the lower edge bordering B, similar to the original Odyssey’s standing.

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7hz x Crinacle Divine comes in at $150 with a planar driver, a clean neutral-leaning tilt and an all-chrome aesthetic. The accessory set is solid (case, cable, multiple tips) and the shells are comfortable for long sessions. Versus its sibling Diablo, Divine trims the low end for a tidier mix while keeping a modest punch, trading musical warmth for clarity and focus.

On the WallHack gaming rubric, Divine’s imaging, separation and layering are consistently strong—just shy of the “A-” tier but clearly competitive. In Valorant it earns a B+ and edges the Diablo thanks to cleaner footsteps in chaotic 5v5s. In Apex Legends it’s the clear winner: the reduced bass keeps cues intact when storms, grenades and third parties stack up. Call of Duty also benefits from the shaved low end—slides, footsteps and positional reads come through with better definition—while Battlefield favors the weightier Diablo for immersion. Overall, Divine is scored at a confident B+: a balanced, competitively minded planar that prioritizes readability and positional precision over sheer slam, making it the better pick for sweaty lobbies while the Diablo remains the choice for music and cinematic boom.