Ziigaat Odyssey 2 VS Dunu 142

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Ziigaat x Hangout Audio Odyssey 2 comes as a 1DD + 3BA hybrid in a fully metal shell with a matching metal nozzle, venting, and a comfortable, familiar Ziigaat fit. The package is generous: a handsome new case (seen on Luna/Crescent), 4.4 balanced with a swappable 3.5 adapter, multiple tips, and spare filters. The flat 2-pin cable looks good in black/green but is a bit memory-prone/tangle-happy; functional, yet a likely swap for cable sticklers.

Sonically, Odyssey 2 skews punchy in the bass with clean, thick mids and well-controlled upper-mids; the treble is smooth and gently rolled with limited airy “sparkle,” giving a more studio-like presentation. Versus the original Odyssey, this tuning is less U-shaped, with dialed-back excitement and upper treble—safer, calmer, and easier long-term. It’s a well-built, well-accessorized set at a reasonable price that many will find effortless to enjoy, even if thrill-seekers may want more bite up top.

In context, it parallels Lush on upper-mids (no urgent need to switch unless craving a touch more sub-bass or a different treble flavor), feels safer than Performer 7 (which has spicier 8k), and sits under the more vivid Odyssey (OG) and the slightly brighter, airier Crescent. It doesn’t reach the extra sub-bass/air of the Dusk DSP but improves on the original Dusk’s flatter treble character; meanwhile, Ziigaat’s Horizon trends richer and crisper up top. Overall verdict: a solid 8.0/10—mids are the star, bass is engaging if not rowdy, and upper-treble restraint keeps fatigue low. Not the most electric choice at ~$225, but a clean, safe, studio-leaning option with broad appeal.

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The Dunu 142 comes in as a striking one dynamic driver, four BA, two planar tribrid around the $250 mark, pairing a sapphire-like blue shell with excellent ergonomics and isolation. The fully blue faceplate catches the light beautifully, the shell is vented yet comfortable, and the build includes a slightly recessed 2-pin connector that feels robust and well thought out. Accessories are strong too: a familiar but well-made Dunu case, a solid tip selection, cleaning tool, and a premium-feeling modular cable with working chin slider and swappable terminations like 4.4 and 3.5 (with optional USB-C from Dunu directly), rounding out a package that feels both premium and cohesive.

Sonically, this is a sub-bass focused set with a slight W-shaped character, offering plenty of low-end, flat and clean mids, and energetic upper treble that keeps things exciting without turning harsh. It is not a mid-bass-heavy IEM and can come across as a bit cool or thin to those who prefer warmer tunings, but the sub-bass impact and air make it engaging and fun, especially for rock, metal and modern pop. Female vocals in particular tend to shine thanks to the scooped middle that keeps things clear and uncluttered, while the treble stays pristine, clean, and non-sibilant. Technical performance is strong, with a wide, open stage, good imaging and satisfying micro-detail, evoking comparisons to higher-end sets like the Monarch MK4 while refining aspects of other Dunu models and peers such as Da Vinci, DK3001, Brain Dance, Ziigaat Horizon, AFUL P7 and various ZiiGaat and Punch Audio offerings.

In the crowded sub-$300 space, the Dunu 142 is framed as a new benchmark: bass is scored around a strong nine, mids an eight with their flat, well-executed character, and treble praised for clarity and extension while remaining controlled. It competes closely with sets like Astral and Daybreak and sits alongside favorites such as Punch Audio Martillo and Ziigaat models, yet distinguishes itself with its balance of impactful sub-bass, airy treble and refined tonality. Despite a touch of lean character that may not suit die-hard warmth lovers, it earns a place on a tightly curated five-star list under $500—one IEM per brand—thanks not only to its sound but also its packaging, cable, case and overall presentation, making it a genuinely special, potentially endgame choice for many who want to grab one beautiful, resolving set and be done.

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Odyssey 2 as a ZiiGaat x Hangout.Audio collaboration brings a striking blue and white glitter faceplate, a lightweight aluminum alloy shell and a green and black braided cable with interchangeable 4.4 mm and 3.5 mm plugs, supported by multiple silicone and foam tips, spare nozzle filters and a fluffy carrying case that feels very secure and cozy. Comfort is high even over long sessions, and build and accessories give the impression of a thoughtfully finished 249 USD package.

The tuning leans warm and balanced with an about 8 dB bass shelf, where sub bass does not dig extremely deep yet still delivers satisfying rumble, while mid bass adds weight so drums and instruments hit with convincing impact and fullness. Midrange shows airy yet solid vocals that sit close to the ear with a bright, natural and soft tonality, blending smoothly with instruments so that nothing feels pushed awkwardly forward or recessed, and transitions from bass through mids remain seamless.

Treble is described as airy, refined and strongly extended, with cymbals and higher percussion carrying texture without harshness thanks to controlled energy around the 7 k region and a gradual roll off that keeps plenty of upper air. Layering and separation stay stable even in dense passages, giving a lively but well organized stage where Odyssey 1 sounds more cold and serious while Odyssey 2 feels like a free spirit musician in a live house with more warmth and atmosphere. Easy to drive, immersive across almost all genres and judged to be worth more than its asking price, Odyssey 2 earns a very enthusiastic 10 out of 10 from this perspective.

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Ziigaat Odyssey 2 hits with that classic brand playbook: a comfy shared shell, a chunky but super-flexible cable with a huge swappable plug, and a surprisingly generous tip selection and replacement filters. The driver pack is 1DD + 3BA, easy to drive, and happy on everything from a simple dongle to a beefier pre-out chain. Build is familiar but the green/black cable adds some flair. Pop on Dunu S&S tips and the fit/seal click into place—no fuss, no drama.

The sound is where it goes from good to phenomenal. Resolution and clarity come with laser-cut separation and a rare sense of cohesion—those tiny electronic textures sit perfectly in space. Bass is solid and authoritative without turning the set into a basshead toy; it supports rather than smothers. Vocals are forward and engaging, yet staging still feels like a well-treated studio—neither claustrophobic nor echo-y. Treble wakes up with cleaner amplification, getting a touch more sparkle while the whole signature stays remarkably smooth from top to bottom. Value is the kicker: at roughly $225–$250 it performs like a $400–$600 set, with little to nitpick beyond the samey accessories. Easily one of the strongest Ziigaat tunings to date and a buy-with-confidence recommendation.

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ZiiGaat × Hangout Audio Odyssey 2 brings a 1DD + 3BA configuration to the ~$220 bracket with a generous kit: big leather case, three tip sets, nozzle filters, and interchangeable plugs. The green/black glitter faceplate looks slick and the metal shell feels solid—though a touch less premium than some rivals—and the fit skews large, which may fatigue smaller ears. The new black-and-green cable feels nicer than older ZiiGaat parts, has some memory, but is fully usable.

Voicing is non-offensive and slightly warm-leaning, with sub-bass emphasis and more neutral mid-bass that trades punch for a thumpy, rumbly foundation. Mids are natural with fuller male vocals; female vocals read clean yet not especially gripping. Treble stays relaxed and smooth with enough air, though a faint edginess can pop up on orchestral recordings. Technicals sit around class-average, but the notably wide soundstage (≈4/5) and accurate imaging make it friendly for casual gaming.

Against peers, the original Odyssey runs a touch more mid-bass and treble, coming across less dull; it remains the safer pick for some. DUNU DaVinci at similar money hits harder, feels more exciting, and carries a nicer midrange; AFUL Performer 7 offers a mild-V that’s more balanced overall with a more natural bass but a brighter top end. Recommendation: choose Odyssey 2 if a warm, easy, sub-bass-tilted listen is the goal; skip it if chasing fun and energy. Like unflavored sparkling water, it’s refreshing yet low on flavor—ultimately a two-star value pick: solid and safe, but not especially distinctive.

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Odyssey 2 shifts the OG’s recipe toward a more mid-centric, vocal-first tuning with a gentle sub-bass lift and smoother treble. Bass hits with less slam than the original but feels tighter, quicker, and cleaner, keeping texture competitive for the price. The top end is calmer—less bite, still adequately extended—trading sparkle for an easy, natural presentation.

Clarity steps up in the mids: vocals pop, separation improves, and detail comes through more plainly, while the OG keeps an edge in bass/treble “texture.” It’s a higher-volume scaler; give it juice and it opens up, especially for ballads, acoustic, indie, and pop—less ideal for hip-hop/R&B/jazz where extra weight and contrast help. Tip rolling that adds a touch of low-end/treble energy can inject the missing excitement without upsetting the balance.

Against similarly “safe” sets (Daybreak, P50), Odyssey 2 leans more vocal-centric with better bass texture; versus value champs (Supermix 4, Nova, Chopin), it sounds fuller and more natural but isn’t the value king. Lush gives more air up top, Arcanis/Luna serve as pricier “special sauce” paths if treble bite or OG-style warmth is desired. Verdict: a safer pick and polished all-rounder—objectively as good or slightly cleaner than OG—but for die-hard OG fans, more of a refined sidegrade than a direct, high-octane upgrade.

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Odyssey 2 brings a metal-bottom shell and a green/black modular cable, but the headline is the retune. The aim—relax the Odyssey’s hot mid/upper treble—works, yet energy shifts toward roughly 2.5 kHz and the mid-bass dip becomes shallower. On the ear this reads as sharper edges with a leaner body, and at moderate to higher volume the upper mids rise faster than the top end supports.

The result is a mild treble imbalance: vocals turn a touch thin, upper-air feels reduced, and the set encourages lowering the volume rather than opening up. While clarity remains “hybrid-like,” extension has less sparkle, and the presentation can feel compressed compared to the original tuning.

Technicalities also take a small step back—less separation and layering, a stage that projects smaller, and imaging that’s tidy but not standout. With a bit of PEQ to add body and a hint more upper-treble air, Odyssey 2 comes closer to expectations, but out of the box the original Odyssey still reads as the more naturally balanced pick.

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Ziigaat Odyssey 2 lands as a premium-feeling set: a CNC-milled aluminum chassis with a sparkly blue/silver faceplate, solid two-pin cable with interchangeable 3.5/4.4 plugs, spare nozzle filters, and a roomy new brown carrying case. The stock cable is nice—though its green tint doesn’t quite match the shell’s aqua tone. Tip selection is generous (foam plus two silicone sets), and the newer silicone tips are a standout. Overall, a tidy package for the price.

Tuning follows the current “new meta”: energetic low end with a cleaner sub-bass attack/decay than sets like ZENs Top/Top Pro, which helps in games. Bass stays punchy yet controlled, so imaging and separation/layering come through well, though gunfire can still push forward. For pure music the bigger, rumblier sets may feel livelier, but for competitive play Odyssey 2 reads space more cleanly and keeps clutter down better than bass-heavier rivals.

Title by title: in Valorant it sounds natural and punchy with tighter gun reports and better map imaging—footsteps are a bit thicker and light taps could cut more—earning a B+. In Apex it’s cleaner than ZENs Top Pro and fine in 3v3s, but big third-party fights expose some separation limits; call it a strong B (bordering B+). In CS2 the positional read improves over ZENs Top Pro, though lighter surface cues and gunfire depth could be crisper—solid overall. Call of Duty plays to its strengths: warmer timbre, wide/deep stage, excellent layering during streaks, with only occasional gunfire masking—another B+. Net result: placed in the B+ tier on the WallHack list, at the lower edge bordering B, similar to the original Odyssey’s standing.

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The Ziigaat Odyssey 2 arrives as a collab between Ziigaat and Hangout Audio (tied to Crinacle), essentially a Crin-influenced set in disguise; it’s a 1DD + 3BA hybrid priced around $250. Accessories are thoughtful—three ear-tip sets, spare adhesive filters, and swappable 3.5/4.4 terminations—though the long, friction-fit plug feels awkward. The metal shell is medium-sized with a short nozzle for a shallow fit; comfort is easy, stability average, and the thin green cable is softer than prior Ziigaat attempts with a chin slider that actually holds.

Tonally it lands squarely in the tilted diffuse-field “meta” neutral camp: natural vocals, tame upper-treble, and a slight 4–6 kHz lift that adds clarity and a more contrasty/clinical edge without harshness. Imaging and separation are clean for the price, but the sub-bass-focused boost leaves the low end marshmallowy—tactile yet soft, with kick drums short on slam. Overall balance is convincing and easy to live with, just not especially exciting.

Versus Ziigaat Lush, Odyssey 2 is crisper and more defined where Lush sounds darker, smoother, and a bit low-res, though Lush hits mid-bass a touch harder. Against Softears Volume S (costlier), Volume S wins on bass grip and midrange texture, sounding fuller and more engaging while Odyssey 2 stays cleaner but more clinical. Conclusion: a very good set in a crowded mold—3/5 for a refined meta tune with agreeable timbre but modest bass impact.

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Dunu 142 is a 249 dollar tribrid with one dynamic driver, four balanced armatures and two micro planars, packaged with the typical Dunu accessory bundle that includes multiple tip sets such as SNS and Candy tips, a modular cable, cleaning tool and zipper case. The medium to large shells with a deep blue face plate feel solid yet comfortable, with good fit stability, proper venting and a 6.2 millimeter metal nozzle that allows long listening sessions without hot spots.

Sonically, the 142 delivers a U-shaped tuning with subbass focused low end, forward mids and a lifted upper treble, resulting in a clean, clear and energetic presentation. The bass leans heavily into subbass rumble with real physicality while keeping midbass controlled so the midrange stays clean rather than muddy; this gives male vocals body and depth while allowing instruments and vocals to sit slightly forward with strong separation. Paired with the airy top end, the mids sound open and natural, with female vocals coming across as airy and extended and overall clarity remaining high even in busy mixes.

The treble keeps lower treble in check but adds a clear upper treble boost past 10 kilohertz, bringing plenty of air, sparkle and micro detail; it also makes the set bright enough that treble sensitive listeners may find longer sessions fatiguing on tracks with constant high frequency content. Technicalities are a highlight, with standout midrange separation, strong micro detail retrieval and precise imaging that place the 142 around sixty percent of the way between Truth Ear Nova and Elysian Pilgrim on the technical scale. Versus sets like Dunu 242, AFUL Performer 7, Meer Audio SEO SL224 and Kiwi Ears Astro, the 142 plays the role of a fun mode all rounder with more subbass, more air and more forward vocals, making it a strong choice for listeners who want engaging U-shaped tuning with subbass rumble, clean mids and bright detailed treble, as long as they are not chasing very thick midbass or a softer and more relaxed top end.