64 Audio U18T and 7th Acoustics Asteria use 18BA (1 tia high,+1high-mid,+8low)+8mid, and 1DD+12BA driver setups respectively. 64 Audio U18T costs $2,999 while 7th Acoustics Asteria costs $3,800. 7th Acoustics Asteria is $801 more expensive. 7th Acoustics Asteria holds a decisive 1.6-point edge in reviewer scores (7.2 vs 8.8). 7th Acoustics Asteria has significantly better bass with a 3-point edge, 7th Acoustics Asteria has significantly better mids with a 2.6-point edge, 7th Acoustics Asteria has significantly better treble with a 1.8-point edge, 7th Acoustics Asteria has significantly better dynamics with a 2.1-point edge, 7th Acoustics Asteria has slightly better details with a 0.4-point edge and 7th Acoustics Asteria has significantly better imaging with a 1.1-point edge.
Insights
| Metric | 64 Audio U18T | 7th Acoustics Asteria |
|---|---|---|
| Bass | 5.8 | 8.8 |
| Mids | 6.6 | 9.2 |
| Treble | 6.8 | 8.6 |
| Details | 8.2 | 8.6 |
| Soundstage | 8.8 | 9 |
| Imaging | 7.5 | 8.6 |
| Dynamics | 6.4 | 8.5 |
| Tonality | 6.9 | 8.9 |
| Technicalities | 7.7 | 8.4 |
64 Audio U18T Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
7.2Generally Favorable
7th Acoustics Asteria Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
8.8Excellent
Reviews Comparison
64 Audio U18T reviewed by Precogvision
Precogvision Youtube Channel
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7th Acoustics Asteria reviewed by Precogvision
Youtube Video Summary
7th Acoustics Asteria prioritizes midrange and treble finesse with only one caveat: the bass isn’t the greatest, presenting a slightly BA-like character with a faintly “farty” mid-bass. The midrange is pure butter, driven by a gentle 2.5 kHz pinna rise followed by a subtle 3.5 kHz bump, keeping it forward yet smooth. A touch of presence around 200–300 Hz adds warmth, while the treble fixes Supernova’s lower-treble heat around 5–6 kHz and pushes extension past 15 kHz.
The result is a presentation that’s buttery yet detailed, with natural imaging and pinpoint precision that screams “godlike tonality.” Value is the sticking point: at roughly $3,800, the proposition isn’t as compelling as Supernova’s, and the overall performance feels closer to the ~$2,000 bracket. For listeners who prioritize tonality and imaging over bass texture and price efficiency, Asteria remains a compelling high-end choice.
Precogvision Youtube Channel
64 Audio U18T reviewed by Web Search
The 64 Audio U18t is a high-end, 18-BA universal IEM that combines the company’s tia tubeless treble driver and apex pressure-relief modules, targeted at reference-grade monitoring and critical listening. Official pricing sits at $2,999, positioning it among the most expensive universal monitors on the market. Specs indicate a four-way design with “1 tia high, 1 high-mid, 8 mid, 8 low” drivers, plus modular isolation via mX/m15/m20 inserts.
Tonal balance trends neutral-bright / mild V: elevated upper-mids and lower treble give strong clarity and bite, while bass is taut and fast but not the last word in physical slam compared to top dynamic-driver sets. This yields exceptional perceived detail and a forward, incisive presentation that some may find analytical on lean recordings. Multiple reviewers characterize it as brighter and more forward than peers, with mid-bass presence but limited macrodynamic weight.
Technical performance is a clear strength: resolution, imaging, and stage width are first-rate, with apex modules helping maintain openness and comfort over long sessions. Staging can approach “open-back” impressions, and the m20 vs m15 modules subtly shift bass/brightness without changing the fundamental FR character. Overall capability is top tier, but at this price the value proposition is contested; buyers prioritizing slam and macro-dynamics may prefer alternatives, while detail chasers will find the U18t a benchmark tool.
7th Acoustics Asteria reviewed by Web Search
The 7th Acoustics Asteria is a hybrid flagship built around a 10 mm dynamic driver for bass and twelve balanced-armature drivers covering mids through super-treble (5-way crossover), packaged in a CNC aluminum shell and paired with a bespoke LYRA cable. Retailers describe proprietary crossover and treble-loading implementations (EXP / ECHO) aimed at precise integration and high extension, and the run appears limited to 77 units. Pricing varies by market, but a common US MSRP is $3,800.
Tonally, Asteria targets a U-shaped balance: elevated, textured sub-bass, a mildly recessed midrange, and airy upper treble. Frequency-response references and dealer commentary support the emphasis on bass impact and treble “sparkle,” with vocals pushed slightly forward against a relaxed lower-midrange bed. This aligns with FR database traces showing boosted sub-bass and upper-treble energy relative to the center mids.
Technical performance is a core strength: imaging precision, separation, and macrodynamic slam are repeatedly noted, with stage size competitive among current flagships. The trade-off is a midrange that can feel slightly pulled back on timbre-critical content, and the ultra-premium price positions value as conditional on preferring this lively U-shape over neutral targets. Given its execution and cost, Asteria reads as a specialty end-game for listeners seeking visceral bass and airy treble without overt harshness.
64 Audio U18T (more reviews)
64 Audio U18T reviewed by Yifang
64 Audio U18T reviewed by Super* Review
Youtube Video Summary
Positioned as a top-of-the-line “reference” set with 18 BAs and a ~$3,000 tag, the 64 Audio U18t brings a brighter tilt than its siblings. With the M15 APEX module, treble gains presence and vocals feel a touch more filled out than on U12t, but the upper range can push into fatigue—sibilant tracks (e.g., CHVRCHES “Graffiti”) come through a bit sharp. Bass emphasis skews mid-bass over sub-bass, adding body yet also a hint of bloat, so the overall balance reads more V/U-shaped than neutral-warm.
Technical ability is still strong—detail retrieval and extension impress without resorting to glare most of the time—but the tuning trade-offs blunt long-term comfort. Versus U12t, U18t is livelier up top yet less forgiving, and U12t’s cleaner, more dynamic low end feels better integrated. Build and fit are solid across the line; the stock cable, however, remains thin and tangle-prone.
End result: a premium, energetic take with sparkle and presence that will appeal to treble-tolerant listeners, but for many the combination of mid-bass thickness and occasional treble bite undercuts the value at this price—earning a moderate score compared with the smoother, more versatile U12t.
Super* Review original ranking
Super* Review Youtube Channel7th Acoustics Asteria (more reviews)
7th Acoustics Asteria reviewed by Bad Guy Good Audio
Youtube Video Summary
7th Acoustics Asteria arrives as a limited run of 77 units at around $3,800, presented in a numbered box with premium trimmings. The shells are described as the most beautiful seen in the hobby—shifting, almost bioluminescent blue caps with extended gold trim—and the fit is excellent thanks to a subtle wing. Under the hood sits a 10 mm dynamic driver plus 12 balanced armatures (latest-gen Knowles), with visible multi-tube routing and pressure relief to avoid insertion issues. The accessory suite feels purposefully upscale: a perfectly color-matched and supple cable (no gaudy branding), a structured case (noted as possible animal hide), Final Audio tips, additional tip sets, cleaning tools, stickers, and even a 4.4 mm to 3.5 mm adapter.
Sonically, Asteria is framed as reference-grade yet musical, with detail retrieval and resolution described as almost peerless. It handles a wide library with ease—classic rock, grunge, 90s hip-hop—and while some genres may benefit even more than others, overall performance is characterized as fault-free. Compared with similarly exclusive sets, it avoids the common “expensive but underwhelming” trap; the coherent tuning and technical chops deliver on high expectations without the need for caveats, making this a stunning aesthetic and acoustic package that feels every bit as special as its limited status suggests.
Bad Guy Good Audio original ranking
Bad Guy Good Audio Youtube Channel64 Audio U18T Details
Driver Configuration: 18BA (1 tia high,+1high-mid,+8low)+8mid,
Tuning Type: Neutral, Bright
Brand: 64 Audio Top 64 Audio IEMs
Price (Msrp): $2,999
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7th Acoustics Asteria Details
Driver Configuration: 1DD+12BA
Tuning Type: U-Shaped
Price (Msrp): $3,800
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64 Audio U18T User Review Score
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7th Acoustics Asteria User Review Score
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64 Audio U18T Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
5.9Gaming Grade
B-7th Acoustics Asteria Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7Gaming Grade
A-64 Audio U18T Scorings
Average Technical & Tuning Grades
Average Tunign Grade
B+- Expect a friendly tonal balance that could use polish but remains inviting. Great for casual listening, less so for purists.
Average Technical Grade
A- The balance of resolution and space feels assured, keeping complex passages coherent. Layering is convincing on most studio mixes.
7th Acoustics Asteria Scorings
Average Technical & Tuning Grades
Average Tunign Grade
S-- Tonal balance reaches a highly refined state, sounding seamless from lows to highs. Everything locks together with satisfying coherence.
Average Technical Grade
A+- A very capable technical display delivers articulate layers and poised imaging. It portrays reverbs and echoes with confidence.
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