Aful Performer 5+2 VS Dunu x Gizaudio Davinci

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Naming drama aside (P5+2? just call it Performer 7), this Aful packs a quirky driver party: 2DD for low end, 4 BA split across mids/treble, plus a tiny micro-planar for the highest sparkle, all marshaled by Aful’s neat miniature crossover. The shells are lightweight, comfy and prettier than they need to be; the cable feels “don’t bother swapping” nice, with 3.5 or 4.4 options. The box is loaded with silicone tips but no foam—a miss, because the right seal changes everything. Price target sits around $250, which sets expectations high but not ridiculous.

Stock silicone yields a surgical, respectful tuning with bass that skews neutral and controlled. Swap to well-sealing foam or hybrids and feed a juicy source (warm Class A or tubes) and the set wakes up—stage snaps into a cohesive scene right in front, imaging gets laser-etched, and that micro-planar adds a pinch-of-salt treble spice without turning harsh. It’s an up-close presentation—sometimes almost claustrophobically detailed—in the best way: think “men with trumpets in the head,” precise placement, and excellent extension up top. Not as rowdy as the Explorers; more like a surgeon in a Hawaiian shirt—technical, but with a wink.

Practical upside: the clarity and positioning make this great for gaming and even viable for mixing/mastering checks; just don’t crank it into pain territory. Bass stays tight and responsive, treble sails high, and coherence holds. Tip and source matter a lot: with foam + warm power, it sings; with plain silicone, it’s merely polite. Final tally: a confident 8.5/10—doing a lot right at its price, dinged half a point for making everyone do math on the name.

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Dunu x Gizaudio Davinci shows up dressed to impress: a five-leaf maplewood faceplate that’s prettier in person than the promo shots, a deep-set 2-pin socket, and DUNU’s slick Q-Lock Mini swappable plug that threads on like it was always meant to be there. Inside, the party is serious—six drivers with dual bio-cellulose DDs (10 mm + 8 mm) in separate chambers both tasked with ultra-low duties, plus four BAs handling the rest. Accessories hit right: the included DUNU S&S tips make easy work of seal and comfort, while “Render” style tips push a touch more brightness and slam if desired. Build, cable, case—everything feels sorted, not fussy.

Sonically, this is a refined bass-head tuning done right: tremendous low end that stays out of the way until the track calls it, with smooth delivery that keeps mids solid and treble non-fatiguing. The stage isn’t super wide so much as tall, giving music a lifted, “above-and-below” presence while the image sits slightly pulled back—cohesive, never shouty. It plays nicely off a range of sources and doesn’t demand exotic amping to shine. At $299, the package feels dialed: bass quality like pricier sets, tasteful tuning, and quality of life that makes daily use easy. Verdict? A full-send recommendation—the kind of collab that earns the name on the box, high-res sticker jokes notwithstanding.

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Aful Performer 5+2 lands as a hybrid of the beloved Performer 5 and the punchier Explorer. The unboxing is the familiar P5 affair—same case, same style of tips—nothing flashy, but solid. The shell mirrors the P5 in size with a comfy little stabilizing wing that locks in well. No metal nozzle or front filter here, yet tip retention is secure and hassle-free. The flat 2-pin socket is straightforward, and the stock cable feels thick and supple with a reliable chin slider and handy red/blue channel markers. Overall: understated build, great ergonomics, daily-driver ready.

Sonically, this one aims neutral with a very distinct top end—clean, dynamic, incisive. Think switching from black-and-white to color; cymbals and overtones pop with a slightly crunchy/pristine edge that energizes detail without turning harsh on good recordings. Bass isn’t about sheer quantity; it’s about slam and dynamics—quick on the draw, well-controlled, and satisfying when called upon. Vocals sit a notch forward, microdetail is strong, and the overall presentation is coherent, clear, and technical with convincing stage, resolution, and imaging. Not a treble-shy or bass-bombed tuning—more a refined all-rounder for those who want clarity and bite.

Versus the original P5, the 5+2 fixes the missing “air” and soft edges, trading them for crisper transients and better extension. Compared with Explorer (a value champ), the 5+2 brings superior upper-treble reach, detail, and vocal focus. Against Performer 8 and Cantor, it feels more visceral—the P8 is smoother and more relaxed, while Cantor pulls finer microdetail but with less bass slam. Sets like Dino Quattro or J’s Estrella bring bigger fun or treble theatrics, yet the 5+2’s balance and everyday versatility win more often. Net take: a neutral-leaning, highly technical upgrade that stands tall in its bracket—easy to recommend to anyone chasing clarity, speed, and controlled impact over pure warmth or excess bass.

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The Dunu x Gizaudio DaVinci brings handsome aesthetics and thoughtful accessories to the table: a supple modular **cable** with easy-swapping terminations and a dark, well-finished **case** that even fits a dongle DAC. The shell presents as **pretty** and well-built, though the flat faceplate and slightly wider nozzle make the **fit** merely decent rather than class-leading; tip rolling helps. Overall build quality inspires confidence, with **recessed 2-pin** sockets and neat finishing.

Sonically, this tuning reads as **balanced-neutral** with a tasteful lift in **sub-bass/mid-bass** and forward, lively **upper mids** that can flirt with **shout** on some material. Graphs show the response hugging target within a couple dB almost everywhere, and the **channel matching** is essentially perfect. Compared to other Dunu sets, it improves on the SA6 MK2’s flatter pin gain and the Mirai’s sharper treble; versus Crin x Moondrop Dusk (analog), DaVinci feels less fatiguing around **5–6 kHz** and more engaging down low. Technical performance is **good**—clean transients, solid air and extension—though not the widest or most spacious in its class.

Stacked against peers, DaVinci trades blows with the **Hype 4** (which projects a bigger stage/“air” advantage), while **AFUL Explorer** offers a bassier, budget-friendly flavor with surprisingly competitive **technicalities**. Expect **forward vocals**, smooth treble past the 8 kHz coupler quirks, and a generally “just-right” tonality; some listeners may still want a touch more **sub-bass** slam. Verdict: a strong **recommendation** for the tuning alone—tastefully neutral, musical, and easy to enjoy—tempered by the note that emerging releases with similar targets (and a bit of **EQ**) may deliver comparable results for less. Demo first if possible, then commit.

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Aful’s Performer 5+2 upgrades the original hybrid with 2DD + 4BA + 1 micro-planar tweeter and lands around $240–$250. The unboxing is practical: three sets of silicone tips, a pocketable puck case, and a soft, nicely draping cable (available in 4.4 or 3.5), though the braid can look a bit loose and the pre-formed hooks run large. The resin shells shift between blue and green under different light; fit is medium-large, very stable, and comfortable once the right tips are found. Note the narrow nozzle without a retaining lip and partially exposed bores/filters—tip grip is key and a little care prevents ear-gunk ingress.

Tonally this leans mild V-shaped: a clean midrange with a confident bass boost, a touch of lower-treble presence for bite, and well-extended air up top. The result is more incisive and punchy than the original P5, with clearer on/off transients that aid separation and layering. Trade-offs show as a hint of gritty/plasticky treble texture on cymbals and brushes—not harsh, but less natural than ideal—while the bass stays tight and exciting.

Against Aful’s Explorer, this sounds brighter, more spacious, and more technical; Explorer plays warmer/denser with smoother treble but less openness. Versus the pricier Thieaudio Oracle MK3, tuning is broadly similar: Oracle is smoother and deeper with a softer attack, while the Performer 5+2 brings more snap and engagement for less money. As a modern mid-tier hybrid, it absolutely still has a place—energetic, spacious, and well-executed—earning a solid four stars.

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Dunu x Gizaudio DaVinci targets the current hybrid hype with a 2DD + 4BA array at $300, packaged with Dunu’s tidy cable and the new low-bulk swappable termination system, a roomy semi-hard case, and three silicone tip sets. The shell uses stabilized wood faceplates over a smoky, translucent body; the fit is a broadly “universal” medium that benefits from a deeper insertion than usual. Tip choice matters: moving to smaller or grippier tips to seat the nozzle deeper noticeably adjusts treble texture and overall balance.

On the graph it follows a “new meta” contour—linear rise through the lower mids into the bass—but on ear it’s unmistakably the bassy one of its cohort. Mid-bass is elevated enough to crowd vocals and guitar attack, giving the low end a harder thud than sub-bass rumble. The surprise is technicality: imaging and separation are excellent for the price, and bass attack is reasonably tight, so definition stays intact even when the mix gets thick. Treble sits relaxed in level but carries a dry / slightly scratchy timbre; deeper fit and different tips (e.g., Softears UC) smooth it, though a hint of dryness remains.

Against peers like Hype 4, Pilgrim, Canon 2, and the Moondrop x Crin Dusk, DaVinci trades mid presence and air for weighty bass plus sharp stage mapping. For listeners prioritizing a big low end with crisp positional cues, it’s a compelling flavor; for those seeking vocal clarity and more natural treble, alternatives prove more cohesive. Net: a solid 3/5—distinct, fun, and capable, but tuned thicker and drier up top than the all-rounders in this bracket.

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Warm-neutral done right. DaVinci brings a thick, soothing tonality to the mid-fi space, pairing a 2DD + 4BA array and five-way crossover with a high-quality resin shell that’s comfortable and pressure-free. The package is stacked: a sturdy modular cable (secure, tight braid), plentiful tips including DUNU S&S and Candy, 6.35 mm adapter, and a genuinely excellent carry case with elastic strap and net. Fit is easygoing, though the nozzle is thick (≈6.7 mm)—tip choice matters.

The tuning is a gently warm-neutral curve with a deep, enveloping bass that stays tidy, avoids boom, and adds body without bleeding. Midrange is smooth, nuanced, and natural—lower mids carry weight and realistic timbre; upper mids are present but not shouty, gliding seamlessly for a non-fatiguing listen. Treble extends cleanly and “just right”: no glare, good air, ideal for treble-sensitive ears (treble-heads may want more bite on bass-heavy mixes). It scales with source—more power tightens bass and opens the stage—and crucially sounds coherent at low, medium, and high volumes without losing engagement.

Technicalities favor musicality over microscope: stage and depth are satisfying, separation/layering are decent for the price, and the standout is timbre. Versus peers, it’s warmer and more immersive than Yanyin Canon 2 (which is cleaner/brighter up top), smoother and tonally superior to HiBy Project Ace, more fun and less shout-prone than DUNU Falcon Ultra, and more balanced (if less technical) than SIMGOT EA2000. Net: one of the most compelling warm-neutral IEMs under $500—not the most analytical set at ~$300, but a richly engaging, timbre-first listen that’s easy to love for long sessions.

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Performer 7 lands with a neutral-balanced, laid-back tuning and good treble reach. The presentation is clean and generally safe, though there’s a touch of sizzly “planar-ish” timbre up top. Technicals are solid for ~$200—slightly behind sets like Quintet and Super Mix 4, about on par with Nova. Bass from the dual 6 mm DDs is tight, controlled, and free of bleed, but lacks the slam and rumble of competitors using larger drivers; mids are well separated with decent layering.

The weak spot is vocal extension: a push around 1.5 kHz tries to bring them forward, but a dip through 3–6 kHz keeps them from opening up. Tamer upper-mids help avoid fatigue for rock/metal, yet the modest low-end impact leaves drums and basslines feeling uneventful. It’s a mid-volume set that doesn’t scale well—turning it up accentuates the 1.5 kHz emphasis and treble sizzle. Treble isn’t peaky, just a bit glassy at times; for K-pop the smoother mids can work if less extended vocals are acceptable.

As a value play, there are stronger options: Nova, Chopan, and Super Mix 4 offer better bang-for-buck; for a similar clean/neutral target, Tanchjim Origin sounds more natural with better bass texture and vocal reach, and DynaQuattro adds sub-bass and fuller vocals—none with the planar-ish timbre. Even AFUL’s own P5 is cheaper and more fun, while the Explorer undercuts the price and scales impressively. In today’s crowded market, P7 is a competent all-rounder but not distinctive enough to stand out.

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Warm, thick, and syrupy sums up the Dunu x Gizaudio DaVinci. The low end hits with heavy slam and satisfying impact—great for hip-hop, R&B, and drum-centric tracks—yet the decay is slow, so notes linger and instrument separation tightens up. That mid-bass bloom nudges vocals—especially female—toward a huskier, warmer hue. Treble reaches adequately without sparkle; micro-detail isn’t the focus, but nothing crucial goes missing.

Despite community buzz, DaVinci isn’t a pure basshead monster. It’s more a warm-tilted all-rounder with a thick, smooth presentation—think regular syrup versus exotic maple: pleasurable, familiar, easy to like. Resolution is fine for the price, though the bass texture can feel smoothed and blunted, fusing notes on complex passages. Compared side-by-side, faster sets with snappier drivers can sound cleaner and more separated in the lows and smoother yet more detailed up top.

For listeners chasing fun impact, warmth, and thickness over ultimate precision, DaVinci delivers an engaging, cozy listen—thumpy and enjoyable with enough upper-mid/treble lift to keep things from turning murky. Those prioritizing speed, air, and technical performance per dollar will likely find better fits elsewhere. But if a warm-smooth groove is the goal—and the wood-accented aesthetic appeals—DaVinci makes a compelling, everyday-friendly pick.

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The AFUL Performer 5+2 (Performer 7 / P7) takes the P5 recipe and adds a second 6 mm dynamic for the lows and a micro-planar for the highs, nudging MSRP to $240. Unboxing mirrors the P5: nine pairs of tips and a decent case, but the accessories feel bare-bones at this price—no foam tips and a non-modular cable, even though the included 8-wire is supple and well-behaved. Build is classic AFUL: 3D-printed resin, blended nozzle (no mesh or lip—watch tip retention), single rear vent, and striking blue-green mosaic shells inspired by Suzhou gardens—cool-wall approved with four compliments to one “meh.” Fit is semi-custom and a touch chunkier than P5; comfortable for most, a conditional pass for small ears. Note a sporadic batch quirk: some units have over-tight 2-pin sockets; exchanges fixed it for affected buyers.

Tuning sits in warm-leaning neutral territory. The dual dynamics deliver punchy, textured bass that rumbles without bloating; guitars and drums carry convincing weight. Mids are the star—rich, full-bodied, vocal-forward without shout, with clean separation and natural tone. Treble from the micro-planar is smooth yet energetic: cymbals and vocal harmonics sparkle, special effects have bite and body, and only treble-sensitives may find hot mixes a bit lively. Technicalities impress for the money—detail retrieval and nuance feel a class up—while stage and imaging are solid rather than showy.

Against peers: the Tangzu x HBB budget pick mirrors the overall tonality but P7 offers higher resolution and more treble finesse; the planar “Heyday” alternative is brighter/faster with leaner bass; versus Performer 5, P7 brings tighter low-end, smoother treble, and better extremes detail; the Fresh-collab competitor pushes vocals further forward with bigger stage but leaner lower mids. Verdict: a versatile all-rounder that suits broad libraries and even content creation thanks to its balanced tonality and detail. Not for bassheads, trebleheads, or strict Harman-lean seekers, and the accessory pack/cable quirk holds it back from a slam-dunk. For roughly $240, though, it’s a brilliant, resolving upgrade in the AFUL line.

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Build & unboxing deliver the full Dunu experience: a high-quality interchangeable cable (2-pin with swappable terminations, plus a 6.35 mm adapter), multiple tip sets including Dunu Candy/S&S, and a sturdy carrying case. The unique faceplates make each unit feel one-of-a-kind, and comfort is excellent—wearable for long sessions without hotspots.

For music, DaVinci aims at a sub-bass emphasized, warm tuning with a tactile, resonant rumble that stays controlled. Bass has good extension and texture without bleeding into the mids; the midrange stays clear with natural timbre and standout vocals. Treble is well-controlled—never sharp, never dull—keeping the set non-fatiguing. Stage is on the more intimate side, but the imaging is precise, making positional cues and instrument placement feel confident.

In competitive gaming, that same low-end weight can be a double-edged sword. In Apex and COD the sub-bass resonance adds epic immersion yet can mask lighter cues (e.g., subtle footsteps) during chaotic fights; tip rolling (e.g., SpinFit W1) helps. Valorant fares better thanks to the engine and map scale. Overall placement on the WallHack list is around a B− for competitive play, while for single-player and VR the immersive rumble, intimate stage, and solid imaging make DaVinci an easy recommendation.