Aful Performer 5+2 VS SIMGOT EG280

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Performer 7 lands with a neutral-balanced, laid-back tuning and good treble reach. The presentation is clean and generally safe, though there’s a touch of sizzly “planar-ish” timbre up top. Technicals are solid for ~$200—slightly behind sets like Quintet and Super Mix 4, about on par with Nova. Bass from the dual 6 mm DDs is tight, controlled, and free of bleed, but lacks the slam and rumble of competitors using larger drivers; mids are well separated with decent layering.

The weak spot is vocal extension: a push around 1.5 kHz tries to bring them forward, but a dip through 3–6 kHz keeps them from opening up. Tamer upper-mids help avoid fatigue for rock/metal, yet the modest low-end impact leaves drums and basslines feeling uneventful. It’s a mid-volume set that doesn’t scale well—turning it up accentuates the 1.5 kHz emphasis and treble sizzle. Treble isn’t peaky, just a bit glassy at times; for K-pop the smoother mids can work if less extended vocals are acceptable.

As a value play, there are stronger options: Nova, Chopan, and Super Mix 4 offer better bang-for-buck; for a similar clean/neutral target, Tanchjim Origin sounds more natural with better bass texture and vocal reach, and DynaQuattro adds sub-bass and fuller vocals—none with the planar-ish timbre. Even AFUL’s own P5 is cheaper and more fun, while the Explorer undercuts the price and scales impressively. In today’s crowded market, P7 is a competent all-rounder but not distinctive enough to stand out.

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SIMGOT’s EG280 comes tuned as a balanced all-rounder with a touch of upper-mids/vocal emphasis. The bass is thumpy, full, and clean—adding weight without bleed or warmth bloat—while a slightly forward midrange brings clarity and presence to voices. A purposeful 4–8 kHz dip keeps the set from turning shouty, and the treble—handled by planars—stays natural without the zingy “planar timbre.” Extension is adequate to mildly airy, revealing small details without sounding artificial.

There is a caveat: a 13 kHz peak can pop up on brighter K-/J-Pop or lean mixes, so mid listening levels (~70–75 dB) are the sweet spot. Technically it sits above EW300 but slightly below EA500 LM/EM6L, trading max microdetail for a more natural, less bright tonality. Genre fit is broad—from pop and indie to electronic—so long as volume isn’t cranked. Tip pairing favors smoother or bass-adding tips (e.g., Final E, Softears Ultra Clear) over anything that pushes treble further.

Imaging is a standout for the price, giving gunshots and footsteps extra pop without harshness, which makes the EG280 surprisingly solid for gaming. The lightweight build and low-microphonic cable boost comfort for long sessions. Overall, think safe, balanced, and versatile rather than showy “special sauce”: a set that’s easy to live with, competitive in value, and a smarter pick for mixed music + gaming than brighter, sharper peers—just mind that upper-treble spike on hot masters.

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The AFUL Performer 5+2 takes the familiar hybrid recipe of dual 6 mm dynamics, four balanced armatures and a micro planar and spins it into a distinctly vocal focused presentation. Vocals are pushed very close, giving an intimate, close talker character that will immediately stand out from more typical U shaped hybrids. This forwardness comes at a cost, as the overall soundstage feels flatter and smaller than many competitors, with the midrange taking center stage at the expense of a more spacious image.

The dual 6 mm drivers deliver a sub bass tilted low end that has respectable rumble and enough level to support genres that appreciate extra weight, while avoiding obvious boom or bloat. Impact and tactility are on the softer side, and combined with the elevated midrange and treble, bass presence tends to sit very close to the vocals rather than carving out its own layer. This crowding effect, together with the warm, smoothed textures, means layering and separation never really open up, giving the Performer 5+2 a more compact, blended presentation than many modern tribrids.

The treble region is where the tuning feels least controlled, with peaks across the upper mids, presence and air bands that can bring out snare hits and sibilants and push the micro planar into an overdriven, slightly unnatural timbre. The intended advantage of the micro planar is largely lost in this boost, keeping overall technicalities such as detail retrieval, imaging precision and stage depth firmly in the moderate camp rather than a clear step up from AFULs other models. As a result, Performer 5+2 emerges as a niche choice for listeners who strongly prioritize upfront vocals and do not mind a smaller, more intense stage, while those looking for a more balanced, spacious and natural presentation will likely find better options elsewhere.

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Hybrid gaming set built around a 10 mm dynamic driver and a 6 mm planar, plus a USB-C DSP dongle and a 1.7 m cable. Stock tuning follows a Harman-style balance with a modest bass shelf and a slightly brighter upper range, which favors imaging, FX clarity, and footsteps in shooters. Technical performance is solid for the class: the planar adds resolve without obvious planar timbre, making the set feel more like a clean hybrid than a pure DD.

The idea here is presets: SIMGOT provides app control and WalkPlay hosts multiple music and game modes as well as community uploads, so the EG280 is best treated as a flexible DSP platform. For music, a gentle low-Q tilt (bass up a few dB, treble down a touch) yields a more fun, less fatiguing listen; stage is serviceable rather than wide, while detail retrieval and positional cues remain a strength. Overall, it is a capable, EQ-friendly gaming hybrid that can double for music with minimal EQ, but out-of-box brightness means it benefits from presets to shine.

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Naming drama aside (P5+2? just call it Performer 7), this Aful packs a quirky driver party: 2DD for low end, 4 BA split across mids/treble, plus a tiny micro-planar for the highest sparkle, all marshaled by Aful’s neat miniature crossover. The shells are lightweight, comfy and prettier than they need to be; the cable feels “don’t bother swapping” nice, with 3.5 or 4.4 options. The box is loaded with silicone tips but no foam—a miss, because the right seal changes everything. Price target sits around $250, which sets expectations high but not ridiculous.

Stock silicone yields a surgical, respectful tuning with bass that skews neutral and controlled. Swap to well-sealing foam or hybrids and feed a juicy source (warm Class A or tubes) and the set wakes up—stage snaps into a cohesive scene right in front, imaging gets laser-etched, and that micro-planar adds a pinch-of-salt treble spice without turning harsh. It’s an up-close presentation—sometimes almost claustrophobically detailed—in the best way: think “men with trumpets in the head,” precise placement, and excellent extension up top. Not as rowdy as the Explorers; more like a surgeon in a Hawaiian shirt—technical, but with a wink.

Practical upside: the clarity and positioning make this great for gaming and even viable for mixing/mastering checks; just don’t crank it into pain territory. Bass stays tight and responsive, treble sails high, and coherence holds. Tip and source matter a lot: with foam + warm power, it sings; with plain silicone, it’s merely polite. Final tally: a confident 8.5/10—doing a lot right at its price, dinged half a point for making everyone do math on the name.

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Aful Performer 5+2 lands as a hybrid of the beloved Performer 5 and the punchier Explorer. The unboxing is the familiar P5 affair—same case, same style of tips—nothing flashy, but solid. The shell mirrors the P5 in size with a comfy little stabilizing wing that locks in well. No metal nozzle or front filter here, yet tip retention is secure and hassle-free. The flat 2-pin socket is straightforward, and the stock cable feels thick and supple with a reliable chin slider and handy red/blue channel markers. Overall: understated build, great ergonomics, daily-driver ready.

Sonically, this one aims neutral with a very distinct top end—clean, dynamic, incisive. Think switching from black-and-white to color; cymbals and overtones pop with a slightly crunchy/pristine edge that energizes detail without turning harsh on good recordings. Bass isn’t about sheer quantity; it’s about slam and dynamics—quick on the draw, well-controlled, and satisfying when called upon. Vocals sit a notch forward, microdetail is strong, and the overall presentation is coherent, clear, and technical with convincing stage, resolution, and imaging. Not a treble-shy or bass-bombed tuning—more a refined all-rounder for those who want clarity and bite.

Versus the original P5, the 5+2 fixes the missing “air” and soft edges, trading them for crisper transients and better extension. Compared with Explorer (a value champ), the 5+2 brings superior upper-treble reach, detail, and vocal focus. Against Performer 8 and Cantor, it feels more visceral—the P8 is smoother and more relaxed, while Cantor pulls finer microdetail but with less bass slam. Sets like Dino Quattro or J’s Estrella bring bigger fun or treble theatrics, yet the 5+2’s balance and everyday versatility win more often. Net take: a neutral-leaning, highly technical upgrade that stands tall in its bracket—easy to recommend to anyone chasing clarity, speed, and controlled impact over pure warmth or excess bass.

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The AFUL Performer 5+2 (Performer 7 / P7) takes the P5 recipe and adds a second 6 mm dynamic for the lows and a micro-planar for the highs, nudging MSRP to $240. Unboxing mirrors the P5: nine pairs of tips and a decent case, but the accessories feel bare-bones at this price—no foam tips and a non-modular cable, even though the included 8-wire is supple and well-behaved. Build is classic AFUL: 3D-printed resin, blended nozzle (no mesh or lip—watch tip retention), single rear vent, and striking blue-green mosaic shells inspired by Suzhou gardens—cool-wall approved with four compliments to one “meh.” Fit is semi-custom and a touch chunkier than P5; comfortable for most, a conditional pass for small ears. Note a sporadic batch quirk: some units have over-tight 2-pin sockets; exchanges fixed it for affected buyers.

Tuning sits in warm-leaning neutral territory. The dual dynamics deliver punchy, textured bass that rumbles without bloating; guitars and drums carry convincing weight. Mids are the star—rich, full-bodied, vocal-forward without shout, with clean separation and natural tone. Treble from the micro-planar is smooth yet energetic: cymbals and vocal harmonics sparkle, special effects have bite and body, and only treble-sensitives may find hot mixes a bit lively. Technicalities impress for the money—detail retrieval and nuance feel a class up—while stage and imaging are solid rather than showy.

Against peers: the Tangzu x HBB budget pick mirrors the overall tonality but P7 offers higher resolution and more treble finesse; the planar “Heyday” alternative is brighter/faster with leaner bass; versus Performer 5, P7 brings tighter low-end, smoother treble, and better extremes detail; the Fresh-collab competitor pushes vocals further forward with bigger stage but leaner lower mids. Verdict: a versatile all-rounder that suits broad libraries and even content creation thanks to its balanced tonality and detail. Not for bassheads, trebleheads, or strict Harman-lean seekers, and the accessory pack/cable quirk holds it back from a slam-dunk. For roughly $240, though, it’s a brilliant, resolving upgrade in the AFUL line.

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Aful’s Performer 5+2 upgrades the original hybrid with 2DD + 4BA + 1 micro-planar tweeter and lands around $240–$250. The unboxing is practical: three sets of silicone tips, a pocketable puck case, and a soft, nicely draping cable (available in 4.4 or 3.5), though the braid can look a bit loose and the pre-formed hooks run large. The resin shells shift between blue and green under different light; fit is medium-large, very stable, and comfortable once the right tips are found. Note the narrow nozzle without a retaining lip and partially exposed bores/filters—tip grip is key and a little care prevents ear-gunk ingress.

Tonally this leans mild V-shaped: a clean midrange with a confident bass boost, a touch of lower-treble presence for bite, and well-extended air up top. The result is more incisive and punchy than the original P5, with clearer on/off transients that aid separation and layering. Trade-offs show as a hint of gritty/plasticky treble texture on cymbals and brushes—not harsh, but less natural than ideal—while the bass stays tight and exciting.

Against Aful’s Explorer, this sounds brighter, more spacious, and more technical; Explorer plays warmer/denser with smoother treble but less openness. Versus the pricier Thieaudio Oracle MK3, tuning is broadly similar: Oracle is smoother and deeper with a softer attack, while the Performer 5+2 brings more snap and engagement for less money. As a modern mid-tier hybrid, it absolutely still has a place—energetic, spacious, and well-executed—earning a solid four stars.

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The AFUL Performer 5+2 continues AFUL's streak of strong releases in the mid tier, bringing a tribrid driver setup into the very competitive 200 to 300 dollar range. The shell is well finished, slightly larger than the original Performer 5 but still very comfortable, with careful contouring that avoids hot spots in daily use. Build quality feels solid, the faceplate design is arguably AFUL's best yet, and the soft, easy to manage cable complements the overall aesthetics very nicely.

Sonically the set sits between neutral and mild V-shaped, with a boosted bass and a bit of extra treble energy while the mids stay slightly relaxed. Bass quantity is north of neutral, focused below roughly 200 to 300 hertz with good extension, giving a punchy, dynamic and physical low end that provides a visceral sub bass experience without noticeable bleed into the mids. A touch of extra low mids adds warmth, note weight and richness to male vocals while the midrange remains clean, detailed and natural, without odd peaks or dips. Treble carries some of the delicate character expected from a micro planar driver, with forward lower treble that adds bite and energy, plenty of upper treble extension, shimmer and air, staying engaging without becoming harsh or fatiguing; only a slightly less natural cymbal timbre versus sets like Da Vinci, Dino Quattro and Butterfly 61T stands out as a minor nitpick.

Technical performance is very strong for the price, at least on par with the Butterfly 61T, previously a reference for technicalities around 200 dollars, and the Performer 5+2 may even edge it out in soundstage and imaging, which come across as slightly above average versus other in ear monitors in this range. Within the 200 to 250 dollar bracket it can reasonably be considered one of the best technical performers available, while still offering an engaging, airy and exciting tuning that many listeners could daily drive. Those who prefer a smoother, more relaxed upper mid and treble presentation might still lean toward the Butterfly 61T, but the Performer 5+2 earns a very strong recommendation for anyone wanting a more lively, high performing tribrid that competes confidently among the top options in this segment.

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Simgot EG280 is a gaming focused in ear monitor at around 79.99 USD that aims squarely at PC and mobile titles, with a sound signature that is clear and bright without becoming sharp or muddy. Gunshots and bursts have good attack and strong low end punch with quick decay, so impacts feel clean and snappy, while close range sounds are emphasized and distant cues remain tidy with fast echo feedback. Footsteps, weapon cues and squad markers are easy to follow thanks to the elevated upper mids and practically zero latency from the built in USB C DAC, and the long lightweight cable and integrated microphone help the set disappear in actual gameplay.

Compared with a more expensive 249 USD multi driver gaming model that prioritizes a very airy 3D surround stage, EG280 trades some ultimate spaciousness for stronger impact and tighter timing, making explosions fuller and positional information more immediate in chaotic firefights. The tuning leans V shaped with elevated mid bass and upper mids, which gives bombs and gunfire a thicker body while keeping voices natural and treble bright and transparent without harshness, though ambient environmental sounds can sometimes feel a bit distant and slightly separated from on screen action. Overall, the wide stage, clear imaging and thoughtful hardware design combine into a near perfect gaming set at this price that feels easy to recommend to players who value clarity of footsteps and reliable positional accuracy above everything else.

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The Simgot EG280 is a compact hybrid gaming IEM priced around 79 dollars, packaged with multiple narrow and wide bore tips, a pocketable zipper case and a 3.5 millimeter cable with inline microphone. The resin shell with metal faceplate feels sturdy yet light, the small earpieces and integrated wing provide a secure fit, and passive isolation is above average, which helps the presentation feel more immersive in noisy environments.

Tonality is best described as a balanced allrounder. Bass is forward and full with satisfying mid bass punch and a smooth gliding character that avoids muddiness, while mids are slightly warm with excellent vocal clarity so voices sit clearly in the mix and instruments stay natural and full bodied. Treble is clean and boosted enough to pull out micro details and add sparkle, but on some tracks it can come across a little sharp or too forward, so treble sensitive listeners may want to take advantage of EQ.

Technical performance is described as solid, with notably solid imaging and overall resolution that sits roughly midway between sets like the Moondrop 22 and Truth Ear Nova on the usual technical scale. The included USB dongle is more powerful than the typical USB C cable on competitors, integrates with the Simgot control app for presets, a ten band parametric EQ and microphone gain control, and can even be used with other IEMs for extra versatility. Versus the Moondrop Rays, overall resolution and sound quality are quite similar, so the EG280 feels redundant for existing Rays owners, but for new buyers who plan to tame the upper treble with EQ, it offers a comparable sound at a lower price with a very flexible dongle based feature set.

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The SIMGOT EG280 makes a strong first impression for budget gaming with a curve reminiscent of Harman 2019: footsteps (both low and upper registers) and gunfire pop through cleanly, giving deathmatch sessions a snappy, almost B+-tier feel. However, once the action shifts to coordinated 5v5 play, the mix starts to blur—layering behind walls turns into a “mashed potato” effect, and horizontal cues lack the tactile edge that marks exact peeks and thresholds.

In Valorant and Apex, the same pattern holds: respectable general imaging, but depth perception and separation take noticeable hits when the battlefield gets chaotic. Smokes, thermites, ultimates, and sustained gunfire mask lighter cues—leading to those “where did this guy come from?” moments—and vertical readouts feel approximate rather than pinpoint. Overall placement sits around a B- for both titles: a pleasant, airy presentation that’s easy to enjoy in lighter modes, but not the clearest tool for high-level competitive awareness when the screen fills with abilities and crossfire.