AME Mousa VS Lime Ears Maris

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AME Mousa goes all-in on extravagance: a 15-driver array (BA stack plus two bone conductors) in a massive, impeccably finished shell with a faceplate that hints at Damascus-steel swirls. The $4,500 package feels ultra-premium—weighty presentation box, desk display case, metal tip cards (fancy but a bit fiddly), and a tidy stock cable that looks good yet lacks a chin slider. Fit will depend on ear size: the shells are very thick and heavy, though ergonomics and finish are smooth. Overall unboxing and build scream luxury.

Sonically it hits a warm, energizing V-shape with impactful bass, dynamic highs, and full-bodied vocals; sibilance is minimal and the set shines at higher volumes. Tuning isn’t neutral—expect a 1 kHz dip and lively 4–6 kHz energy—so it thrills more than it analyzes, and can edge toward fatigue over marathon sessions. Versus peers, it feels richer and more rambunctious than neutral “meta-target” options (think Storm/K4 style sets), less air-starved than darker tunings like CP622B, and more bass-driven than something like Annihilator while not as modular or chameleon-like as Grand Maestro. The takeaway: a specialist, endgame-flavored IEM for listeners chasing slam, note-weight, and engagement over strict neutrality—highly enjoyable if the price and shell size aren’t deal-breakers, and best auditioned first given its bold fit and flavor.

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Lime Ears Maris is a flagship 12-driver quad-brid with branded components, combining multiple BAs for lows/mids, dual Sonion ESTs for air, and a dual Sonion bone conductor for full-range weight. At $2,700 (“Ensemble”), it brings a thin-walled but comfortably large shell, flat 2-pin sockets, and an excellent leather puck case; build and fit feel deliberately premium, with only a minor faceplate edge that can snag. Overall presentation and ergonomics signal a top-tier, tour-worthy piece.

Sonically it’s a fun, impactful tuning: bass hits hard with tactile BC rumble, treble/air are pristine, and resolution is high with an open, spacious stage. The upper-mids are slightly restrained (a touch of ~4 kHz dip) which softens attack—less “incisive” than the graph might suggest—but the set remains clean, coherent, and easy to listen to for treble-sensitive listeners. Think “inoffensive but exceptional”: refined energy up top, big physical slam down low, and clarity that holds together complex mixes.

Context against peers: Terra is exciting but the 5–6 kHz energy can fatigue; Incognita tracks a preferred curve better as a one-and-done at a lower price. Annihilator offers more bite in upper-mids/treble, yet Maris will suit those sensitive to that region; versus Grand Maestro, Maris wins on comfort and bass quality. Compared with Europa, Cadenza 12, Omnium, and Visioner’s 10, trade-offs shift—some deliver sharper treble “spark” or smaller shells—but the Maris’s bone-conducted bass, comfort, and safe-refined balance make it a strong recommend to demo at a show before choosing.