Moondrop Blessing 3 Aqua VS Dunu 242

Jaytiss original ranking

The Moondrop Blessing 3 Aqua retains the Blessing 3’s 2DD+4BA hybrid platform with Moondrop’s horizontally-opposed dual-dynamic bass module, then applies a light retune and a deep-sea blue faceplate aimed at the Japanese market. Moondrop lists the Aqua as a new variant released in Japan on August 1, 2025 with a street price around ¥59,000, and retailer pages note “driver retuning” while keeping the series’ core design intact.

Tonally, Aqua remains broadly neutral-bright with clear upper-mid focus; reports point to subtle bass adjustments versus the original B3 rather than wholesale changes. Resolution and imaging are still the headline strengths carried over from the Blessing 3 platform, with precise placement and good separation for the price class.

Practicalities are favorable: sensitivity and impedance figures make the Aqua easy to drive from modest sources, and isolation is typical for sealed resin shells—effective in the mids/treble but limited for low-frequency rumble. Value is solid but no longer class-leading given the higher price versus the standard Blessing 3, which launched around $320; Aqua earns its keep with refined tonality and technical competence rather than sheer price/performance.

The Dunu DN242 (often referred to as “242”) is an eight-driver tribrid IEM featuring 2 dynamic drivers, 4 balanced armatures and 2 micro planar drivers per side, coordinated via a multi-way crossover to cover the full spectrum. With an impedance of around 35 Ω and sensitivity of about 110 dB/mW, it is easy to drive from most modern sources while still benefitting from higher-quality DAC/amps. The lightweight resin shells (~6 g per side) and modular Q-Lock style cable provide a practical, comfort-oriented package at an MSRP of roughly $349, placing it in the competitive upper-midrange bracket.

Sonically, the DN242 presents a neutral-bright, vocal-focused tuning with restrained but articulate bass, a clear midrange and energetic treble. Reviewers consistently note that the midrange is clean and evenly toned, giving vocals strong intelligibility and preserving textural nuance, while the dual dynamic drivers prioritize control and definition over sheer quantity in the low end. The upper mids and treble are described as bright and very resolving, with quick transients and a “spry” character that pushes vocals and leading edges forward, but can introduce a touch of sharpness or upper-treble bloom for more treble-sensitive listeners unless managed with careful tip choice.

Technical performance is a strong point for this price tier: users and reviewers describe detail retrieval as above average, with disciplined, non-boomy bass, stable imaging and a stage that organizes complex material without obvious congestion, even if sheer width is not class-leading. The combination of clarity, separation and midrange focus makes the DN242 particularly suitable for vocal, acoustic, jazz and classical material where precision and neutrality matter more than warmth or powerful slam. However, its moderate low-end emphasis and bright top mean it is less ideal for listeners seeking a very relaxed or bass-heavy presentation, especially given the number of warmer alternatives around the same price.