Elysian Pilgrim Noir VS Softears RSV MK II

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Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.

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The Pilgrim Noir is a collaboration tweak on Elysian’s $400 Pilgrim, now at $800 with a darker aesthetic and an Effect Audio cable. The cable feels premium but, with very low impedance, has a negligible impact on sound; IPX connectors remain and hardware styling is a bit blingy. Driver layout stays the same—1DD + 3BA—and while marketing calls out crossover changes, the practical differences show up more subtly.

On the mic, graphs tell the story: when the resonance peak is aligned properly, Pilgrim and Noir measure very similarly, with only a small shift in the upper mids/treble. In listening, Noir presents a touch more relaxed vocal region and a hair more warmth, while bass quantity stays about the same. The original Pilgrim still projects a slightly wider, brighter sense of space, but the Noir pushes ahead on texture—voices and guitars feel a bit more guttural and satisfying.

As a package, this is still a safe tuning with no sharp treble or boomy bass, just a more opinionated flavor than the regular Pilgrim. Preference leans Noir for that added texture and nuance, but the value case is harder at 2× the price. Verdict: a solid 3-star set at $800—worth it for those chasing the Pilgrim’s core sound with a touch more character, not for anyone expecting a wholesale upgrade.

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Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.

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Elysian x Effect Audio Pilgrim Noir takes the original Pilgrim’s 1DD + 3BA foundation and dials it up with an upgraded 4-way crossover, a stealthy all-black finish, and Effect Audio’s cable. There’s a switch to the micro-Pentaconn connector that feels more secure than on the OG, plus a suede case (smells like vintage sneakers) and a bigger-than-necessary box. Accessories are sparse for the price—some tips and a cloth, but no pile of extras or modular plug kit in the package—so the appeal leans hard on build and tuning rather than trinkets.

Sonically, Noir comes across as warmer, fuller, and smoother than the standard Pilgrim, with instrument placement that clicks into a “just right” stage—not hyper-wide, not cramped, simply balanced. Bass has satisfying body without bloat, mids are enhanced and buttery, and treble stays tasteful, giving the set clear character—a deliberate flavor rather than sterile perfection. Track after track hits the “ooh” button, delivering a genuinely flagship experience under $1k and feeling like a refined take on sets in the “Nanna” vein. Score wise, it gets the headline 10, with a “heart says 9.5” caveat only for the light accessory load; in pure sound, it’s a clear step beyond the original Pilgrim and absolutely the one to keep in ears.

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Elysian Pilgrim Noir pairs a 3BA + 1DD hybrid setup with the Effect Audio Eros S cable, whose interchangeable terminations and connector modules keep it versatile without coloring the sound. The tuning comes across as reference-leaning bright: crisp and detailed, but with a treble edge that can flirt with harshness on certain material. At around $800, it targets clarity and speed over warmth or heft, positioning itself more for precision than for cinematic thump.

In competitive play, that profile is a mixed bag. In Valorant, the elevated upper range pulls out light cues—footsteps, surface taps, metal pings—with excellent imaging and depth perception, making it a solid B+. Shift to Apex Legends and the brighter gunfire, grenades, and wideband chaos create occlusion; despite a larger stage, separation suffers, settling around a B–. In Call of Duty, imaging and verticality remain competent, but bass-weighted effects can mask detail, putting performance near a B to B–.

Overall, for pure competitive gaming the Pilgrim Noir isn’t the most compelling value at its price; several cheaper sets deliver cleaner separation and easier cue extraction. It still earns “wall-hack certified” status, yet the Tigerism Sunflower generally scores higher across titles and offers a warmer, more intimate presentation for music. The Noir suits listeners who favor a lighter, brighter, reference tilt and prioritize micro detail—just be mindful of the treble bite and genre- or game-dependent occlusion trade-offs.