Elysian Pilgrim Noir VS Yu9 Que

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Effect Audio x Elysian Acoustic Labs Pilgrim Noir takes everything that was fun on the original Pilgrim and turns it into a much more mature, refined hybrid. The familiar dynamic driver still delivers a hard slamming low end, but the bass shelf is rebalanced so that the image sits further back in the head and stage, giving a deeper and more natural presentation at this price. Sub bass weight, mid bass punch and timbre are all improved, and the set now keeps the full slam while better supporting the rest of the tuning instead of overwhelming it.

A key change is the move to an undampened tubeless Knowles balanced armature, which pushes resolution, speed and detail far beyond what the graph suggests. Mids have a richer, more resolving character that blends the smooth sonion style tone with a sharper edge that locks in with the dynamic driver, so vocals and instruments sit more confidently in the mix without sounding flat or veiled. Treble is clearly more extended and forward, matching the marketing talk of a more sophisticated and mature tuning, adding in the room transparency, air and bite that the original Pilgrim never quite managed. Layering, separation, dynamics and micro detail are all on a different level, especially when driven from a higher quality source.

With the rebalance between bass and treble, Pilgrim Noir now projects a proper three dimensional stage with sharp imaging and a convincing sense of space, making it comfortable across genres from R&B and hip hop to classical. The combination of a powerful dynamic driver and lively balanced armatures gives a very engaging, musical yet controlled presentation that can easily serve as a single all rounder set in a collection. Fit and tip selection can still be a little fussy and the price is undeniably high, but for listeners who value a hard hitting low end, strong technical performance and an all genre capable tuning in one hybrid, Pilgrim Noir delivers on what the original was expected to do and feels very well executed for its bracket.

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At ~$400, YU9 Audio Que sets a new bar for the bracket: a 1DD+3BA hybrid with a modest bass shelf, slightly forward mids, and linear treble extension that sounds more speaker-like than typical IEMs. The presentation is exceptionally polished and quiet-backgrounded, yielding crisp separation, convincing imaging, and staging in depth, width, and height that resembles far pricier gear.

The low end brings tactile mid-bass impact with deep, controlled sub-bass, pairing naturally with that extended, peak-free top end; the result is a true playlist killer across EDM, rock, vocal, and classical. Nitpicks exist: mids can sit a touch forward depending on track and the set rewards a slightly higher volume and a secure, deeper fit, while V-shape fans may find it too boring.

Compared with favorites like Dusk, Cadenza 4, and Volume S, Que keeps their strengths but fixes common complaints by delivering fuller bass weight, cleaner openness, and more realistic attack and dynamics. It does not need giant-killer claims to stand out; at this price it is simply class-leading.

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Build & accessories: a hybrid 1DD + 3BA set priced around $399 with a spacious zipper case, multiple silicone tips, pouches, cleaning cloth, and shirt clip. The faceplate’s wavy, stone-like texture looks premium, and the shells use a 2-pin connector. The downside is the stock cable: it’s springy, only in 4.4 mm, and feels below the tier. Fit is serviceable but not ideal—the shell isn’t the most ergonomic, the nozzle lacks a lip, and seating a deeper fit can take a moment; once set, stability is good and tips stayed secure in use.

Sound: this isn’t a “new-meta” curve; it’s a unique, lively tuning. Bass is punchy, dynamic, and highly textured—more physical in practice than the graph suggests, with excellent impact and kick-drum authority. An early rise after 1 kHz pushes vocals front and center for an intimate, engaging presentation without tipping into shout. Treble is refined, sparkly, and well-extended: it is a bright set but avoids harshness, peakiness, sibilance, and fatigue, delivering crisp cymbals and defined transients even for rock and metal at any volume. Technicalities are class-leading under $500 with standout detail retrieval and separation; the one wish is a larger soundstage.

Comparisons & verdict: the Elysian Apostle still wins on bass texture/impact, treble refinement, and overall resolution, but the Yu9 Que offers a convincing “Apostle flavor” at a lower price. Versus Elysian Pilgrim, the Que is fuller and bassier, while Pilgrim’s treble is tamer; versus Volume S, the Que is cleaner, brighter, more detailed as the Volume S trends warmer with more neutral treble; against Dusk DSP, Dusk sounds more natural/balanced but the Que feels more fun and technical. Recommended for those who crave clarity, sparkle, and engagement without fatigue; less ideal if treble-sensitive or preferring a warm, relaxed tonality, and worth demoing for comfort. A top contender and serious gatekeeper around $400—final rating: 4.5/5 with a strong recommendation.

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YU9 Que presents a balanced, almost neutral tuning with a tasteful touch of mid-bass for warmth and punch. Treble is clean and controlled—more clarity than “sizzle”—so detail comes through without harshness, while mids keep vocals natural rather than forward or thin. Technical performance sits in the “solid for the price” camp: separation and imaging are tidy, but not the kind of hyper-etched sparkle that chases wow factor.

In practice, it shines with slower pop, R&B, acoustic and vocal-centric tracks where its coherence and smoothness pay off; those seeking big sub-bass drama or ultra-aerated treble fireworks may find it a touch polite. Versus brighter, more contrasty sets, the Que trades spectacle for musicality and long-session comfort, making value hinge on whether a refined, low-fatigue signature is preferred over maximum excitement at the price point.

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The YU9 Que sports a premium, durable resin shell in pure black with a metallic-feeling faceplate and a comfortable design featuring an anti-tragus catch. While the build itself feels handsome and unique, the included cable is criticized as wimpy and unpleasant, with a strong suggestion to upgrade it. Accessories are deemed solid, including a nice selection of tips and a particularly praised case with a soft, luxurious interior.

Sonically, the YU9 Que earns immense praise for its exceptional tuning, described as clean, resolute, and non-fatiguing. It delivers strong, textured bass that avoids being overwhelming, coupled with extremely well-done upper mids. While not class-leading in technicalities like micro-detail or instrument separation, its tonal balance is considered sophisticated and reminiscent of far more expensive sets like the Annihilator, even surpassing the Monarch MKII in tuning preference. It's highlighted as a fantastic all-rounder with a smooth, agreeable signature suitable for long listening sessions.

Despite its modest single dynamic driver + 3BA configuration and $409 price point, the YU9 Que is declared a very special and unique IEM, worthy of the hype it received. The review concludes it's a price leader and a highly competent package from a small brand, offering outstanding value and a beautiful, well-executed design that makes it an easy recommendation for those seeking a smooth, non-fatiguing sound.

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The Pilgrim Noir is a collaboration tweak on Elysian’s $400 Pilgrim, now at $800 with a darker aesthetic and an Effect Audio cable. The cable feels premium but, with very low impedance, has a negligible impact on sound; IPX connectors remain and hardware styling is a bit blingy. Driver layout stays the same—1DD + 3BA—and while marketing calls out crossover changes, the practical differences show up more subtly.

On the mic, graphs tell the story: when the resonance peak is aligned properly, Pilgrim and Noir measure very similarly, with only a small shift in the upper mids/treble. In listening, Noir presents a touch more relaxed vocal region and a hair more warmth, while bass quantity stays about the same. The original Pilgrim still projects a slightly wider, brighter sense of space, but the Noir pushes ahead on texture—voices and guitars feel a bit more guttural and satisfying.

As a package, this is still a safe tuning with no sharp treble or boomy bass, just a more opinionated flavor than the regular Pilgrim. Preference leans Noir for that added texture and nuance, but the value case is harder at 2× the price. Verdict: a solid 3-star set at $800—worth it for those chasing the Pilgrim’s core sound with a touch more character, not for anyone expecting a wholesale upgrade.

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Elysian x Effect Audio Pilgrim Noir takes the original Pilgrim’s 1DD + 3BA foundation and dials it up with an upgraded 4-way crossover, a stealthy all-black finish, and Effect Audio’s cable. There’s a switch to the micro-Pentaconn connector that feels more secure than on the OG, plus a suede case (smells like vintage sneakers) and a bigger-than-necessary box. Accessories are sparse for the price—some tips and a cloth, but no pile of extras or modular plug kit in the package—so the appeal leans hard on build and tuning rather than trinkets.

Sonically, Noir comes across as warmer, fuller, and smoother than the standard Pilgrim, with instrument placement that clicks into a “just right” stage—not hyper-wide, not cramped, simply balanced. Bass has satisfying body without bloat, mids are enhanced and buttery, and treble stays tasteful, giving the set clear character—a deliberate flavor rather than sterile perfection. Track after track hits the “ooh” button, delivering a genuinely flagship experience under $1k and feeling like a refined take on sets in the “Nanna” vein. Score wise, it gets the headline 10, with a “heart says 9.5” caveat only for the light accessory load; in pure sound, it’s a clear step beyond the original Pilgrim and absolutely the one to keep in ears.

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Elysian Pilgrim Noir arrives as a premium evolution of the original Pilgrim, pairing the matte black shells with a customized Effect Audio Ares S cable and SpinFit W1 tips for a sleek, cohesive package. Sonically it keeps the familiar house sound, riding the line between neutral and V-shape, but with a more refined, relaxed upper mid and lower treble that removes the touch of brightness found on the original.

The bass is sub-bass focused with just enough lift to stay fun without reaching basshead levels, delivering punch, physicality and impressive control with no bass bleed and very good separation. Lower mids gain extra warmth and weight, giving instruments and vocals a richer, fuller body while still maintaining strong detail, and the upper mids and treble come across as smoother and more natural, adding a little extra resolution without introducing sharpness or fatigue. Overall the tuning feels more balanced than the original, with a tactile low end, rich midrange and smooth yet energetic top that many listeners will find close to a neutral-fun sweet spot.

Technical performance is also excellent, with improved detail retrieval over the Pilgrim and stage, imaging and layering that remain competitive with heavy hitters like the IE600 and Shuan Gate around the 600-700 dollar range. Within that bracket Noir stands out as a favorite thanks to its combination of resolving ability and easygoing tonality, even if it does not quite feel like an 800 dollar leap over the original. For listeners shopping in the mid-to-upper tier who value refined tuning and strong all-round technicalities over raw price-to-performance, the Pilgrim Noir comes across as a polished, highly satisfying take on the Elysian house sound.

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The Elysian Pilgrim Noir arrives in a huge, over the top box, but the actual unboxing experience is simple and familiar to anyone who knows the original Pilgrim. The same compact case, SpinFit tips, cleaning brush and paperwork are here, but wrapped in a stealthy matte black aesthetic with gold highlights that makes the shells look like a blacked out BMW. The collaboration with Effect Audio brings a very high quality cable that feels premium in hand, is non microphonic and supports the TermX modular plug system and ConX swappable connectors, so this cable can be used with many other IEMs while keeping things secure with a screw in design.

On the tuning side the Noir keeps the sub bass of the original Pilgrim almost identical, with a very low reaching rumble that is clean, detailed and easily one of the strongest sub bass presentations in this range. The real change is in the mid bass, where a few extra decibels give kicks and drum solos a proper weight so that hits feel punchy and satisfying across pop, hip hop, rock and soundtracks. Lower mids gain some body, making male voices and instruments sound thicker and more podcast like, while the upper mids and treble shift into a more relaxed tuning: male vocals sit a bit further back in the mix, female vocals and some instruments like electric guitars and jazz trumpets step slightly forward, and cymbals and hi hats move a little into the background compared to the airy, sizzling presentation of the original Pilgrim.

In terms of technical performance the Noir stands shoulder to shoulder with the original, offering very high detail retrieval, solid instrument separation and a wide, well defined soundstage that does not really change even when swapping the cables between both pairs. Resolution feels essentially the same, so the real difference is the shift from the original Pilgrim focus on clarity, air and forward midrange to a Noir presentation that is smoother, bassier and more laid back in the mids and treble. For listeners who want more weight in the low end, a mellow tonality for long sessions and a premium modular cable that can serve multiple IEMs, the Pilgrim Noir is a very attractive package, but for pure sound per money and an open, sparkling character the original Pilgrim still comes across as the stronger overall deal.

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Elysian Pilgrim Noir pairs a 3BA + 1DD hybrid setup with the Effect Audio Eros S cable, whose interchangeable terminations and connector modules keep it versatile without coloring the sound. The tuning comes across as reference-leaning bright: crisp and detailed, but with a treble edge that can flirt with harshness on certain material. At around $800, it targets clarity and speed over warmth or heft, positioning itself more for precision than for cinematic thump.

In competitive play, that profile is a mixed bag. In Valorant, the elevated upper range pulls out light cues—footsteps, surface taps, metal pings—with excellent imaging and depth perception, making it a solid B+. Shift to Apex Legends and the brighter gunfire, grenades, and wideband chaos create occlusion; despite a larger stage, separation suffers, settling around a B–. In Call of Duty, imaging and verticality remain competent, but bass-weighted effects can mask detail, putting performance near a B to B–.

Overall, for pure competitive gaming the Pilgrim Noir isn’t the most compelling value at its price; several cheaper sets deliver cleaner separation and easier cue extraction. It still earns “wall-hack certified” status, yet the Tigerism Sunflower generally scores higher across titles and offers a warmer, more intimate presentation for music. The Noir suits listeners who favor a lighter, brighter, reference tilt and prioritize micro detail—just be mindful of the treble bite and genre- or game-dependent occlusion trade-offs.

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Yu9 Que arrives with a surprisingly premium unboxing: a crush-resistant carrying case with plush padding, an IEM pouch, microfiber cloth, cable clip, and two ear-tip sets (standard silicone and more premium liquid silicone). A quirky 3D-printed nameplate with serial number and a faceplate etched in a topographic-map motif give it character. The shell is on the larger, wider side—comfortable for many, but small ears should test fit first. The stock cable is just okay (some memory, no chin slider), though it’s offered in 3.5 mm or 4.4 mm terminations.

Tonally, this is a neutral-reference set with a tasteful bass lift—clean impact without throwing off balance. Sub-bass has satisfying thump and texture, though bass-heads coming from sets like Kiwi Ears Punch may find it polite. The mids sit even and accurate—no “vocal magic,” yet clearly above average. Treble stretches well into the air with a touch of brightness that adds crispness and a slightly clinical edge, staying shy of fatiguing. Technical chops are the draw: a decently wide soundstage (roughly 3–4/5 by comparison), standout 3D imaging, and strong resolution/separation make it excellent for gaming—worthy of a two-controller nod—though ultimate detail still trails pricier kilobuck options.

Versus peers: Moondrop Dusk (DSP) is warmer with bass that hits a bit harder, while Yu9 Que is the more neutral, reference-leaning take. Elysian Pilgrim offers smoother treble, but Yu9 Que counters with better bass grip, stage, and imaging. AFUL Performer 7 tilts mild V; choose it for extra mid-bass and forward treble, otherwise Yu9 Que wins on technicality. Mega 5 EST chases the meta target yet stumbles in bass/treble; NiceHCK Rockies refines that approach and might be the more exciting alternative if spending slightly more. Bottom line: the hype is justified—a superb all-rounder around $400 with only the cable begging for an upgrade. It’s a clear pick for neutral/reference fans, though those seeking more “fun” might look elsewhere; call it a pragmatic, two-star recommendation amid a crowded market and likely pre-order waits.

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Yu9’s Que lands as a “safer Annihilator”: a warmer, scaled-back take that pushes ample sub-bass while keeping the rest tastefully controlled. The low end feels liquidy and bouncy, underpinning an aggressive 1–3 kHz rise with a gentle 3–5 kHz taper, so vocals sit upfront and crisp yet remain remarkably smooth thanks to the extra low-end warmth. Treble is slightly scooped around 5–6 kHz and then climbs in small, well-placed peaks out to ~15–18 kHz, yielding excellent extension that feels on par with sets like Moondrop Variations in this range.

What makes it pop is the value proposition: at $400, the overall resolution, tonal balance, and staging read far pricier—more like the $700–800 bracket. With its engaging sub-bass lift, lucid mids, and airy yet controlled top end, Que comes off as a polished, crowd-friendly tuning that still excites detail chasers. If momentum holds, this looks like the next big thing around the $400 mark.