Fiio FA19 VS AFUL Dawn-X

Fiio FA19 brings a premium feel: a sturdy, slightly translucent shell with visible BA packs, comfy fit, and a plush eight-wire cable that terminates in 4.4mm. The MMCX sockets aren’t ideal, but the shell is vented, holds tips well, and the magnetic case feels upmarket. Sonically, this 10-BA set leans warm-neutral with a rich, cohesive presentation—male vocals sound full, some female vocals come off a bit husky, and bass has quantity more than tightness. There’s a touch of 5–6 kHz energy and slight hiss; treble is clean and pleasant rather than showy. The bass switch mostly bumps mid-bass; the lower setting keeps things tidier. Overall it’s Fiio’s most well-rounded tuning to date, just shy of “exceptional” because of that soft mid-bass and a mildly flabby midrange.

Versus peers, FD15 sounds more neutrally tuned (if less special), while all-BA options like Supernova feel more natural and controlled down low. In the wider field, sets like Letshuoer Mystic 8 (a bit of a sleeper), ThieAudio Monarch MK4 (cleaner upper-mids, dual bass settings), ZiiGaat Luna (tighter, crisper for far less money), or even budget-friendlier picks such as YU9 can offer a stronger value proposition. At around $1,000, FA19 earns a solid recommendation for those who enjoy a warmer, airy BA take—graded roughly A4 / S-—but it’s a demo-first purchase and shines much brighter if found used around $300–$400. Not a new benchmark, yet a very good Fiio with treble finesse and a smooth, easygoing signature that many will simply enjoy.

Jaytiss original ranking

Large, sculpted shells with a bulbous rear (housing the bone conductor) make the Aful Dawn-X a substantial fit—comfortable for some, but risky for small ears. The stock cable feels quality but is 4.4 mm-only, and the case/accessories are tidy; importantly, the nozzle grips tips securely (unlike some past AFUL sets). Overall build is handsome and premium, with fit being the main variable.

Sonically, the tuning favors sub-bass over mid-bass, pairs rich mids with smooth, natural treble that avoids harsh spikes yet has mild 4–6 kHz energy, and presents a cohesive, almost speaker-like soundstage. It wakes up with a bit of volume/power, prioritizing clarity, micro-detail and air over outright slam; the bone conductor subtly supports the midrange more than the lows. At $1,300 it’s competitive for listeners chasing technical refinement and a natural tonality, while value seekers or mid-bass lovers may prefer cheaper AFUL options or sets with more punch.

Jaytiss original ranking

Fiio’s FA19 brings a lavish unboxing at a $1,000 ticket: a premium case, a magnetic cable tie, cleaning and MMCX tools, and a mountain of ear tips (silicone sets, dual-flange, foams, full SpinFits, and HS18). The cable uses swappable terminations executed cleanly, though it’s a bit stiff, and the MMCX hardware rotates freely. The clear resin shells feel dense and well-finished, with a small nozzle and a medium fit that’s comfortable but not very secure—the MMCX rotation often requires a nudge to keep placement in the ear. Inside are 10 BAs per side and a tuning switch that Fiio markets as “monitor” vs “hi-fi.”

On the ear, FA19 reads as a warm, dense V-shape even in the so-called monitor mode. The switch simply means “more bass” vs “a lot of bass,” lifting the entire low end for thickness but yielding drone and blur rather than punch or texture—described as farty, flat-backed bass. Up top there’s sparkle, but treble control is lacking, pushing sibilance on vocals and cymbals; stage is fairly narrow and imaging unremarkable, though mid/upper-treble lift can tease out some vocal grain and breath. Against a key rival, the 64 Audio U4s (with M12), the Fiio feels outclassed: U4s offers tighter, better-balanced bass, a more neutral midrange, and non-fatiguing treble with enough extension to stay lively. Verdict: despite stellar accessories and build, FA19’s tuning and technicals don’t justify its price; not recommended at $1,000—and there are stronger options even far cheaper.

Super* Review original ranking

AFUL’s house sound shows up here in its most polished form: Dawn-X is a tribrid (1DD + 8BA + 4EST + bone conduction) flagship at $1,300 that prioritizes consistent fit and execution over flash. Build is understated with stabilized-wood faceplates, above-average isolation, and a medium/medium-large shell that fits better—and more consistently—than the Cantor. The accessory loadout is solid (four silicone tip sets, large but well-made case), though the stock cable does not have swappable terminations (choose 3.5 mm or 4.4 mm).

Tonally, it’s a balanced, warmer-leaning take on AFUL’s signature: a dense, controlled bass that borders on decadent yet stays quick and clean, slightly relaxed mids, and a precise, mildly forward lower-treble that keeps definition high without tipping into harshness for most listeners. Stage favors front-to-back depth over width; transients are clean and a touch clinical, giving strong separation without sounding smeary. The result is a mature, confident presentation that reads refined rather than showy.

Against peers: versus Cantor, Dawn-X is warmer, smoother, and far more consistent thanks to fit; Cantor can sound brighter and a bit wider. Compared with FiiO FX17, Dawn-X has tighter bass and crisper treble, where FX17 feels looser and fuller. The 64 Audio U4s plays softer and wider; Dawn-X is more precise/clinical. DUNU Glacier hits harder and more V-shaped with smoother treble but less natural acoustic timbre; Dawn-X sounds truer on instruments. Versus ThieAudio Monarch MK4, MK4 is more neutral, vocal-forward with greater width, while Dawn-X offers denser low-end and a calmer demeanor—and a friendlier fit for many ears. Verdict: 3/5 stars—not the flashiest in its bracket, but arguably AFUL’s best execution yet of its signature sound.

Super* Review original ranking

Fiio FA19 arrives as a true kilobuck treat, pairing monumental bass impact with high-end finesse. A 10-BA array (including custom bass drivers), a clever negative-feedback system, and an audio-grade crossover deliver deep, clean low end without clouding the mids—male vocals stay forward, natural, and ultra-clear. Up top, cymbal work has sparkle, air, and detail yet remains smooth and sibilance-free, while separation and layering feel studio-grade. At $1,000, this tuning reads as resolving, fast in attack/decay, and unmistakably fun.

For pure performance, the FA19 brings pinpoint imaging, beautiful depth perception, and a wide, well-ventilated stage that elevate both music and play. The bass toggle dip-switch can push sub-bass and mid-bass into downright addictive territory; switching it off reins things in for a more reference-leaning balance. Even against strong mid-tier contenders, micro-detail and retrieval step up a notch here—airy treble textures, subtle room cues, and layered backgrounds all come through with ease.

Competitive gamers get a standout edge: Valorant tracking feels “wall-hack” precise, Call of Duty benefits from immersive LFE without masking cues (especially with the switch off), and Rainbow Six Siege showcases clear vertical and positional info. The only caution is that the switch-on mode can be a touch sub-bass heavy in titles like Apex; otherwise this is an A-tier pick for the Wall-Hack Certified list—an analytical beast that blends clarity with grin-inducing punch.

Fresh Reviews original ranking