Fiio FX17 VS Softears RSV MK II

The FiiO FX17 is a mind-bending flagship IEM priced at $1,500, packing an absolutely hilarious 13-driver configuration per side: one dynamic for bass, four balanced armatures for midrange control, and a staggering eight electrostatic drivers for the highs. The sheer number of electrostats isn't a gimmick; FiiO explicitly states they're necessary to achieve sufficient sound pressure and avoid being mere "decoration," throwing serious shade at competitors. The result is nothing short of wild. Forget typical soundstage descriptions – the music doesn't feel like it's coming from two points in your ears or even from speakers in a room. Instead, it creates an entirely internalized, coherent performance happening inside your head, like the band is set up within your skull. It’s a cognitive living experience prioritizing placement and realism over simple frequency response graphs.

This psychoacoustic magic translates into pure, infectious enjoyment. Tracks feel aggressively present yet controlled, with kick drums hitting the back of your eyewall and intricate details like tap dancing percussively located behind your eyes. The separation and realism are phenomenal, making everything from the Beastie Boys to complex techno feel immediate and utterly engaging. While physically large with a fingerprint-prone mirrored finish and using the less-favored MMCX connectors, the FX17 is surprisingly comfortable and not overly heavy. Criticisms like the connector type are dismissed as irrelevant noise compared to the sonic achievement. Plugged into anything from a high-end stack to the included USB-C dongle DAC, the FX17 delivers its unique, immersive magic consistently.

The unboxing experience screams flagship, absolutely justifying the price tag visually. It arrives in a luxurious British Racing Green case with magnetic closure, featuring gold-accented packaging, a wooden storage plaque (unit 240 shown), a cleaning cloth, MMCX tool, ear wax brush, magnetic cable clip, and a mind-boggling 22 pairs of various eartips. Add in a very nice cable with interchangeable terminations (3.5mm & 4.4mm included, 2.5mm adapter not included) and the aforementioned USB-C dongle, and the package feels comprehensive and premium. Ultimately, the FX17 stands out dramatically in the crowded $1,500 IEM field. It’s declared worth every penny of $2,000, delivering a unique, transformative listening experience that prioritizes how the sound is presented over traditional audiophile checkboxes. It earns full, emphatic marks as FiiO's best audio reproduction product to date.

The Fiio FX17 emerges as a worthy flagship and a significant improvement over its predecessor, the FA19. This tribrid IEM boasts a unique driver configuration of one dynamic driver, four balanced armatures, and a staggering eight electrostatic drivers, all housed within a solid, lightweight titanium shell. While its aesthetic is considered a bit plain, the build quality is excellent. The package is loaded with a massive assortment of accessories, including seven different styles of ear tips and a cable with a clever built-in DAC adapter for smartphones.

Sonically, the FX17 delivers a warm, powerful, and engaging sound signature. Its bass is a particular standout, described as meaty, well-textured, and highly engaging without bleeding into the mids. The overall tonality is natural yet contrasty, offering a dynamic and punchy listen. The treble provides excitement and definition, though it can be slightly aggressive or "crashy" for those with high sensitivity, making it far from a "safe" tuning.

In direct comparisons, the FX17 is deemed superior in every way to the FA19, which was criticized for its bloated bass and splashy treble. It trades blows with competitors like the Dunu Glacier and ThieAudio Monarch Mk IV, offering a denser, more tactile experience than the Monarch's airy presentation and a more natural vocal tonality than the Glacier's more exaggerated V-shape. Ultimately, the FX17 is declared not only Fiio's best IEM to date but a compelling and engaging option in the high-end market.

The FiiO FX17 packs a hybrid 13-driver configuration featuring one dynamic driver, four balanced armatures, and eight EST drivers, priced around $1,500. Unboxing reveals a generous accessory suite: a premium leather case with magnetic closure, an MMCX removal tool, cleaning brush, cleaning cloth, and a magnetic cable holder. The highlight is the included modular cable with 3.5mm and 4.4mm terminations plus a specialized USB-C dongle enabling parametric EQ and firmware updates. Buyers also receive a staggering 22 pairs of ear tips – including SpinFits, liquid silicone, foam, bass-enhancing, vocal-focused, balanced, and double-flanged options – neatly organized across two cases. The cable itself earns praise for being soft, tangle-free, well-behaved, and featuring a functional chin slider.

Built from chunky titanium shells, the FX17 feels premium but substantial. While weight distribution prevents ear fatigue for some, its large size may cause fit issues for those with smaller ears, making a demo advisable. The nozzle diameter is 6.1mm. Sonically, the FX17 delivers a powerful, mid-bass focused slam described as punchy and meaty, though sub-bass rumble takes a backseat. The mid-range is warm, lush, and slightly relaxed, offering surprising clarity and excellent detail retrieval without shoutiness. Treble stands out as smooth, highly detailed, and non-fatiguing, providing ample air and shimmer without sibilance. Technical performance is strong, with great detail and separation, but the true star is the exceptionally wide, immersive, and realistic soundstage, particularly noticeable in the upper mids and treble.

Compared to the FiiO FA19, the FX17 offers a significant upgrade in bass physicality, smoother treble refinement, and superior soundstage. It also surpasses the Unique Melody MEST MKIII CF in detail, separation, stage width, and bass weight/texture. Against the pricier Elysian Apostle, the FX17 is warmer and more relaxed; the Apostle boasts tighter bass, clearer vocals, and sparklier treble, while the FX17 counters with a wider stage. This IEM is strongly recommended for mid-bass lovers seeking physical slam, listeners desiring warm, lush, non-fatiguing mids with clarity, treble enthusiasts wanting detail without harshness, and soundstage aficionados. It's not ideal for those with small ears due to shell size, listeners prioritizing deep sub-bass rumble over mid-bass impact, or anyone seeking a neutral or bright tuning. The FX17 earns a four-star rating for its standout qualities.

Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.

Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.