Kiwi Ears Astral VS Juzear Butterfly 61T

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The Kiwi Ears Astral offers a solid build quality with comfortable shells that fit well, featuring a practical nozzle design that holds ear tips securely. The included cable is notably high-quality, featuring a functional chin slider, a sleek bluish-purplish-gray hue, and connectors that are exceptionally easy to swap. While the case is utilitarian and similar to other Kiwi Ears offerings, the overall package is practical and well-appointed.

Sonically, the Astral stands out as a special and highly competitive set at its $299 price point. It delivers a beautifully tuned, balanced tonality that hugs the target curve closely, offering a satisfying amount of bass, well-executed upper mids, and a generally pleasing, non-fatiguing sound. While it may occasionally lean slightly shouty or risk sounding dull on certain tracks compared to more aggressively tuned alternatives, it excels as a refined all-rounder. Its technical performance – including spaciousness, detail retrieval, and rich bass texturing – is impressive for the price, though micro-details and ultimate pristine clarity aren't class-leading.

The Astral trades blows with top competitors like the Performer 7 (slightly darker/richer) and the Volume S (better dynamics but less sub-bass), often coming out ahead for its cohesive balance. It significantly improves upon predecessors like the Kiwi Ears Quartet or Singolo, offering better upper-mid presence and technicalities. Ultimately, it represents a fantastic option for those seeking a well-tuned, balanced IEM, delivering a highly enjoyable and versatile listening experience with minimal faults. For its price, it's exceptionally hard to beat, earning strong marks across the board.

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Priced at $300, the Kiwi Ears Astral stands as the brand's most expensive IEM, featuring a 10mm dynamic driver and six balanced armatures. The build is notably large and deep, with a design described as "pepper" yellow or more appealing "blue crystal" – though the included accessories are minimal, offering just one set of tips, replacement filters, and an interchangeable connector (3.5mm or 4.4mm). The gunmetal gray four-wire cable earns praise for its quality and flexibility, but the deep connector adds significant length, potentially hindering portability. Simply put, at this price with so little included, the sound must deliver.

And deliver it does. The Astral produces an exceptionally wide and holographic soundstage, achieving impressive "instrument realization" – creating an almost unsettling sense of space where sounds can emerge from above, below, behind, or beside the listener. The tuning is decidedly chill and smooth, prioritizing effortless listening over aggressive detail. The dynamic driver handles frequencies up to 300Hz, providing satisfying warmth and weight to the bass, while the six BAs contribute significantly to the expansive staging and air. This isn't a sound easily found in sub-$100 IEMs; it offers a unique, relaxed presentation reminiscent of far more expensive models, like certain $1,500 Final Audio IEMs known for holographic imaging.

The Kiwi Ears Astral emerges as a strong contender for favorite IEM of the year. While it lacks accessories and its large, somewhat plain design might not win beauty contests, its unique sonic character justifies the $300 price tag. It carves out a niche as a "big wide smooth" option, perfect for extended, fatigue-free listening sessions where the goal is pure enjoyment and astonishment rather than analytical treble scrutiny. It competes favorably with $500+ IEMs known for soundstage, offering a glorious, spacious, and utterly engaging listening experience that makes revisiting tracks a joy. For those seeking a high-end, chill sound with exceptional staging and bass foundation, the Astral is a magnum opus worth serious consideration.

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The Kiwi Ears Astral presents a well-rounded, balanced sound signature characterized by a boost in sub-bass and treble air, sharing some DNA with the Meta but offering significant improvements. It delivers a punchier, harder-slamming low end with better texture, making drums feel livelier and more impactful compared to the Meta. The mid-range and vocals are also more forward and less relaxed, creating a fuller sound versus the Meta's brighter, leaner presentation that highlights treble sparkle. While not vocal-centric like the Arcanis, the Astral excels as a true all-rounder.

Technically, the Astral edges out the Meta, offering better bass texture, improved vocal clarity, and slightly more micro-details in the mid-range and treble. Its value is strong at roughly $50 more than the Meta. However, the boosted air region can make the treble sound slightly wispy or fatiguing at higher volumes on very energetic tracks laden with symbols or air, making it best suited for mid-volume listening (around 65 dB). Genre-wise, it shines as an all-rounder at this volume, providing clean, extended, natural vocals, a thumpy low end with good rumble, and extended, airy treble. Compared to the Odyssey, the Astral is cleaner, more detailed, smoother, and airier, working better for mid-centric genres like indie, acoustic, and classical, though the Odyssey scales better at higher volumes and feels fuller for pop, metal, R&B, and hip-hop.

Positioned as a strong contender for the best all-rounder under $300, the Astral is seen as a more complete version of sets like the Pilgrim and Dusk, offering better sub-bass extension, texture, and rumble with less shouty vocals and sizzly treble. It significantly outperforms the Performer 5+2 technically for only $50 more and is a tier above the Kiwi Ears KE4 in clarity and technicalities. While specific alternatives like the EPZ P50, Tanchjim Origin, or Cadenza 4 are better for vocal focus, and sets like the Estrella or Deuce excel for bass, the Astral stands out for its balanced, engaging, and technically proficient performance across most genres at mid-volume. Expecting potential sales around $260, it's heralded as the new all-rounder benchmark under $300, ideal for listeners who want a single versatile IEM where "everything just sounds great."

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Unboxing & build land solidly for the price: a genuinely pocketable zip case, three pairs of narrow-bore tips, spare nozzle filters, and a modular 3.5/4.4 cable with a secure push-pull lock. The four-wire cable is soft, low-memory, and only lightly microphonic at the slider. Resin shells are a bit chunky with a short metal nozzle (6.0 mm at the widest) and average isolation, but the seal is stable and the comfort is excellent for long sessions—just not ideal for sleeping due to the slight protrusion.

Tonally, Astral aims for a Meta-style tuning with extra upper-treble air: clean, detailed, and engaging. The bass is sub-bass focused—tight, textured, never boomy—with punchy but restrained mid-bass; quality over quantity, delivering standout rumble and definition (A+ bass quality). Mids are the highlight: clean, forward vocals with natural timbre and strong separation. Lower treble adds clarity without sibilance, while the elevated upper air brings sparkle and space; it can read a touch crisp for sensitive listeners, especially on bright masters or at high volume.

Technicalities impress: excellent imaging, open width, and resolution that surfaces micro-details and locks centers convincingly. Versus Kiwi Ears K4, Astral trades K4’s warmer, fuller mid-bass for tighter bass, clearer vocals, and more air; versus Xenns Tea Pro, Astral offers better bass texture and cleaner, more forward vocals; against ZiiGaat Odyssey, Astral is the more resolving and airy set, while Odyssey feels fuller and more relaxed with tamer upper treble. Recommended for those wanting a detailed all-rounder, Meta-leaning balance, forward mids, and textured sub-bass; not for upper-treble-sensitive listeners or those craving heavy mid-bass and warmth. Final verdict: 4/5, competitive and confidently recommended at its price.

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Kiwi Ears Astral arrives as a 7-driver hybrid at $300 with glittered resin shells, a comfy semi-custom shape, and a genuinely nice modular cable (incl. 4.4 mm). The accessory set is decent—case, tips, and notably replacement filters that help longevity—though more tip options would be welcome. Fit is generally good but the short nozzles can loosen long-stem tips; smaller ears may struggle, so try before you buy. A tiny nitpick: recessed 2-pin sockets on non-recessed shells look a bit clunky.

Tuning is meta-ish: a clean, controlled bass that rumbles down low without mid-bleed, natural mids with convincing body, and vocal-forward presence that adds shine without shout. Treble is smooth yet airy, showcasing percussion and harmonics without harshness; only very top-end sensitivity might find the shimmer a touch much. Higher output impedance or an adapter subtly trims that top-air, but the core balance stays intact. Overall it’s a mature all-rounder tonality—engaging, tidy, and easy to live with.

On technicals, Astral delivers good resolution and separation with a roomy, average-for-price stage. It’s a clear step up from the K4 (tighter bass, more forward vocals), trades blows with Dunu DaVinci (Astral is cleaner/steadier; DaVinci punchier/sparklier), sits under the more neutral, airier, and resolving AFUL Performer 7, and the Softears Volume S offers a calmer, truer neutral take. Moondrop x Crin Dusk feels like the more refined next rung if you spend more. Verdict: This is brilliant—a superb $300 all-rounder that should be on any shortlist unless the goal is maximum bass, treble fireworks, or sheer technical flex.

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The Kiwi Ears Astral, priced at $299, combines one dynamic driver and six balanced armatures in an exceptionally ergonomic and lightweight 3D printed resin chassis. Comfort is phenomenal, allowing for extended listening sessions exceeding eight hours without discomfort. Available in striking blue or gold faceplates, the Astral impresses immediately with its build and feel.

Tonally, the Astral offers a fantastic, well-balanced V-shaped tuning. It features punchy, airy, and well-separated bass with notable sub-bass rumble that avoids muddying the exceptionally clear and resolving mids. The treble provides very good extension, feeling airy, technical, clean, and fast, contributing to an overall presentation that sounds more expensive than its price tag. While generally excellent, providing too much power can make the upper region slightly spicy with certain intense audio cues. The technical performance – imaging, separation, layering, and micro-detail retrieval – is phenomenal across various music genres.

For competitive gaming, the Astral truly shines, demonstrating holographic imaging and precise depth perception. In Valorant, it excels at differentiating multiple footsteps and gunfire sources with urgency and precise horizontal and vertical placement. It handles chaotic moments in CS2, Apex Legends, and Call of Duty exceptionally well, maintaining clear separation during intense firefights, grenade explosions, and air strikes without becoming fatiguing or overwhelming. Tip selection is crucial for optimal performance, with recommendations leaning towards options like the Azla EarFit Light. Despite including a decent interchangeable cable and silicone tips, third-party tips are suggested. Ultimately, the Kiwi Ears Astral is a fantastic all-rounder, delivering top-tier performance for both music and competitive gaming at its mid-range price point.

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Astral is a 1DD+6BA hybrid around $299 that aims for a sub-bass-heavy U-shape. The low end is boosted yet relatively clean and fast, avoiding bloat while anchoring drums and electronic hits. Mids are flattened by the mid-bass tuck and an early upper-mid rise, which can thin vocals and push presence forward; at low volume it sounds warmer and more natural, at higher volume it turns sharper and more resolving.

Treble carries enough energy to match the bass shelf, but balance is volume sensitive; borrowing a bit of the 200 Hz lift and slightly reducing 1-2 kHz via EQ yields a more even result. Stage shows decent width and some height, while depth and layering need work unless re-balanced. In a crowded $299 field, Astral is a solid platform for listeners who enjoy elevated sub-bass and do not mind fine-tuning, rather than an out-of-box reference.

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The Kiwi Ears Astral arrives in a package typical for the brand, featuring a resin shell and a metal nozzle. While the design isn't groundbreaking, the build feels sturdy. The included cable is a pleasant surprise, better than expected and features interchangeable terminations. A major highlight is the inclusion of Sancai ear tips, considered valuable accessories at this price point. However, the fit presents some challenges: the shells are notably bulky and chunky, pushing comfort limits for larger ears, and the angled cable hooks can cause sealing issues, though switching to larger tips helps significantly.

Sonically, the Astral delivers a solid bass and mid-range balance. Yet, the standout issue is the treble presentation. It's perceived as quite forward and adds a noticeable digital edginess to the timbre, making details sound overly prominent and somewhat unnatural. While technical performance seems improved over models like the original Wan'er, this treble character overshadows the positives. Initial impressions suggest it falls short of previous Kiwi Ears releases like the Quartet or Singolo, with even the Lush potentially being preferred. The Sancai tips and overall package offer good value, but the tuning needs refinement.

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This set arrives with a small pocketable case, a very comfortable shell and a supple cable that together make it easy to forget that anything is in the ears. With the right tips, the Juzear Butterfly 61T offers excellent passive noise isolation, blocking more outside noise than most IEMs in the collection and approaching the Studio 4 in isolation. Comfort is effectively a non-issue despite the larger nozzle, and the combination of isolation, comfort and a fatigue-free tuning makes it very easy to lose track of time while listening.

On the low end, the 61T delivers a level of textured bass that is rare in this price bracket, combining strong sub-bass extension with a beautifully articulated mid-bass. Kick drums and bass lines have clear layering and detail yet stay clean and controlled, with just a touch of bass bleed that slightly softens ultimate midrange clarity but adds pleasing fullness to pianos, acoustic guitars and male vocals. The lower mids carry a bit of warmth and body without sounding muddy, while the rest of the midrange stays clear, detailed and completely free of shout or harshness across rock, metal, jazz, EDM and pop.

The upper mids and treble are tuned with a gentle dip around 4–6 kHz that keeps things smooth and non-fatiguing even at higher volumes, letting female vocals and saxophones sound extended, organic and natural rather than aggressive. Treble itself sits in a neutral, slightly reserved place with enough air and sparkle for clarity, though some listeners who prefer a brighter, airier presentation may wish for a bit more. Where the 61T really pulls ahead is in its soundstage and imaging: width and especially depth are above average, with convincing 360-degree placement that feels more immersive than many peers and even outperforms more expensive sets like DaVinci in stage and imaging. Technical detail is clearly above most sub-$200 options and, while a step below benchmark sets like Blessing 2 or Studio 4 in sheer microdetail, the overall mix of tuning, stage and comfort makes this an IEM that is very easy to recommend wholeheartedly for its price.

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Butterfly 61T arrives as a seven driver hybrid at the 220 USD price point, with 3D printed shells that feel solid in hand and a faceplate design that uses iridescent Abalone to create a subtle butterfly wing effect. The shells are on the larger side to accommodate the six balanced armatures and 10 mm dynamic driver, but the inner curvature is well shaped, so comfort remains good for average sized ears, with only potential concerns for very small ears. The included cable feels premium, offers a choice of 3.5 or 4.4 termination, uses robust two pin connectors, and matches the earpieces nicely with gunmetal grey hardware, coming together as a package that actually looks and feels a bit above the usual 200 USD standard.

Sonically, Butterfly 61T presents a U shaped signature with emphasis on sub bass and treble, while the midrange sits slightly behind. The sub bass focus and solid mid bass give the tuning strong impact, note weight, and a sense of richness, and the 10 mm dynamic driver delivers punchy, dynamic hits on kick drums and low mid percussive instruments. The trade off is a warmer transition from bass into the lower mids that introduces some bass bleed and a touch of veil, trimming a bit of midrange detail and transparency compared to more strictly controlled sets. Even so, midrange detail remains good for the price, upper mids are shaped so that vocals have enough presence without shout, and overall tonality stays engaging and musical rather than aggressive or fatiguing.

Treble is a clear highlight, with Butterfly 61T providing energetic but controlled top end that renders cymbal strikes and higher stringed instruments with satisfying decay, texture, and air. Extension is strong enough that recordings with shimmer and ambience come through convincingly, without pushing into harshness. Technical performance is very good for this bracket: soundstage reaches above average width for an in ear, imaging and layering feel confident, and positional cues lock instruments and vocals in place in a way that stands alongside the better options around 200 USD. Against peers like Chopan, Performer 5, and Origin, Butterfly 61T offers smoother upper mids, more refined treble, and comparable or better technical performance, earning a place as a new 200 USD king. It cannot quite match the naturalness and refinement of higher tier sets like Pilgrim or Studio 4 and remains no giant killer, but within the sub 300 USD range, it stands out as one of the most compelling choices, with the main true upgrade being Dunu Da Vinci.