Kiwi Ears Astral VS Juzear Dragonfly 81T

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Priced at $300, the Kiwi Ears Astral stands as the brand's most expensive IEM, featuring a 10mm dynamic driver and six balanced armatures. The build is notably large and deep, with a design described as "pepper" yellow or more appealing "blue crystal" – though the included accessories are minimal, offering just one set of tips, replacement filters, and an interchangeable connector (3.5mm or 4.4mm). The gunmetal gray four-wire cable earns praise for its quality and flexibility, but the deep connector adds significant length, potentially hindering portability. Simply put, at this price with so little included, the sound must deliver.

And deliver it does. The Astral produces an exceptionally wide and holographic soundstage, achieving impressive "instrument realization" – creating an almost unsettling sense of space where sounds can emerge from above, below, behind, or beside the listener. The tuning is decidedly chill and smooth, prioritizing effortless listening over aggressive detail. The dynamic driver handles frequencies up to 300Hz, providing satisfying warmth and weight to the bass, while the six BAs contribute significantly to the expansive staging and air. This isn't a sound easily found in sub-$100 IEMs; it offers a unique, relaxed presentation reminiscent of far more expensive models, like certain $1,500 Final Audio IEMs known for holographic imaging.

The Kiwi Ears Astral emerges as a strong contender for favorite IEM of the year. While it lacks accessories and its large, somewhat plain design might not win beauty contests, its unique sonic character justifies the $300 price tag. It carves out a niche as a "big wide smooth" option, perfect for extended, fatigue-free listening sessions where the goal is pure enjoyment and astonishment rather than analytical treble scrutiny. It competes favorably with $500+ IEMs known for soundstage, offering a glorious, spacious, and utterly engaging listening experience that makes revisiting tracks a joy. For those seeking a high-end, chill sound with exceptional staging and bass foundation, the Astral is a magnum opus worth serious consideration.

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Juzear’s Dragonfly 81T comes in around $250 with a classy wood faceplate—very “’70s dashboard”—and a comfortable, thinner shell than many hybrids. The stock cable is legit with swappable 3.5/4.4 plugs, plus a fat bag of tips and a simple case (branding and that dragonfly graphic are along for the ride). Under the hood it’s a 1DD + 8BA beast, but the trick is how put-together it feels; none of that multi-driver chaos, just a tidy, coherent package.

Signature-wise, this is the “smoothness filter” flavor: a wide, cinematic soundstage, relaxation without turning sleepy, and a gentle gloss that makes sketchy recordings feel like a bathtub of warm music. Bass isn’t a bruiser, yet there’s enough low-end to keep the groove, and the whole set screams coherence over gimmicks—easy to crank violins, big synth washes, and straight-up danceability. It scales a touch with amps and tip rolls (think Dunu S&S vs. hybrid foams), but the core tuning stays elegant and agreeable. Verdict: a confident 9/10, flirting with higher if the accessories were richer. For an “opposites attract” two-IEM combo, pair this relaxed, expansive charmer with something more aggressive; the Dragonfly 81T handles the lush, spacious side beautifully.

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Unboxing & build land solidly for the price: a genuinely pocketable zip case, three pairs of narrow-bore tips, spare nozzle filters, and a modular 3.5/4.4 cable with a secure push-pull lock. The four-wire cable is soft, low-memory, and only lightly microphonic at the slider. Resin shells are a bit chunky with a short metal nozzle (6.0 mm at the widest) and average isolation, but the seal is stable and the comfort is excellent for long sessions—just not ideal for sleeping due to the slight protrusion.

Tonally, Astral aims for a Meta-style tuning with extra upper-treble air: clean, detailed, and engaging. The bass is sub-bass focused—tight, textured, never boomy—with punchy but restrained mid-bass; quality over quantity, delivering standout rumble and definition (A+ bass quality). Mids are the highlight: clean, forward vocals with natural timbre and strong separation. Lower treble adds clarity without sibilance, while the elevated upper air brings sparkle and space; it can read a touch crisp for sensitive listeners, especially on bright masters or at high volume.

Technicalities impress: excellent imaging, open width, and resolution that surfaces micro-details and locks centers convincingly. Versus Kiwi Ears K4, Astral trades K4’s warmer, fuller mid-bass for tighter bass, clearer vocals, and more air; versus Xenns Tea Pro, Astral offers better bass texture and cleaner, more forward vocals; against ZiiGaat Odyssey, Astral is the more resolving and airy set, while Odyssey feels fuller and more relaxed with tamer upper treble. Recommended for those wanting a detailed all-rounder, Meta-leaning balance, forward mids, and textured sub-bass; not for upper-treble-sensitive listeners or those craving heavy mid-bass and warmth. Final verdict: 4/5, competitive and confidently recommended at its price.

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The Kiwi Ears Astral offers a solid build quality with comfortable shells that fit well, featuring a practical nozzle design that holds ear tips securely. The included cable is notably high-quality, featuring a functional chin slider, a sleek bluish-purplish-gray hue, and connectors that are exceptionally easy to swap. While the case is utilitarian and similar to other Kiwi Ears offerings, the overall package is practical and well-appointed.

Sonically, the Astral stands out as a special and highly competitive set at its $299 price point. It delivers a beautifully tuned, balanced tonality that hugs the target curve closely, offering a satisfying amount of bass, well-executed upper mids, and a generally pleasing, non-fatiguing sound. While it may occasionally lean slightly shouty or risk sounding dull on certain tracks compared to more aggressively tuned alternatives, it excels as a refined all-rounder. Its technical performance – including spaciousness, detail retrieval, and rich bass texturing – is impressive for the price, though micro-details and ultimate pristine clarity aren't class-leading.

The Astral trades blows with top competitors like the Performer 7 (slightly darker/richer) and the Volume S (better dynamics but less sub-bass), often coming out ahead for its cohesive balance. It significantly improves upon predecessors like the Kiwi Ears Quartet or Singolo, offering better upper-mid presence and technicalities. Ultimately, it represents a fantastic option for those seeking a well-tuned, balanced IEM, delivering a highly enjoyable and versatile listening experience with minimal faults. For its price, it's exceptionally hard to beat, earning strong marks across the board.

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Kiwi Ears Astral arrives as a 7-driver hybrid at $300 with glittered resin shells, a comfy semi-custom shape, and a genuinely nice modular cable (incl. 4.4 mm). The accessory set is decent—case, tips, and notably replacement filters that help longevity—though more tip options would be welcome. Fit is generally good but the short nozzles can loosen long-stem tips; smaller ears may struggle, so try before you buy. A tiny nitpick: recessed 2-pin sockets on non-recessed shells look a bit clunky.

Tuning is meta-ish: a clean, controlled bass that rumbles down low without mid-bleed, natural mids with convincing body, and vocal-forward presence that adds shine without shout. Treble is smooth yet airy, showcasing percussion and harmonics without harshness; only very top-end sensitivity might find the shimmer a touch much. Higher output impedance or an adapter subtly trims that top-air, but the core balance stays intact. Overall it’s a mature all-rounder tonality—engaging, tidy, and easy to live with.

On technicals, Astral delivers good resolution and separation with a roomy, average-for-price stage. It’s a clear step up from the K4 (tighter bass, more forward vocals), trades blows with Dunu DaVinci (Astral is cleaner/steadier; DaVinci punchier/sparklier), sits under the more neutral, airier, and resolving AFUL Performer 7, and the Softears Volume S offers a calmer, truer neutral take. Moondrop x Crin Dusk feels like the more refined next rung if you spend more. Verdict: This is brilliant—a superb $300 all-rounder that should be on any shortlist unless the goal is maximum bass, treble fireworks, or sheer technical flex.

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The Kiwi Ears Astral, priced at $299, combines one dynamic driver and six balanced armatures in an exceptionally ergonomic and lightweight 3D printed resin chassis. Comfort is phenomenal, allowing for extended listening sessions exceeding eight hours without discomfort. Available in striking blue or gold faceplates, the Astral impresses immediately with its build and feel.

Tonally, the Astral offers a fantastic, well-balanced V-shaped tuning. It features punchy, airy, and well-separated bass with notable sub-bass rumble that avoids muddying the exceptionally clear and resolving mids. The treble provides very good extension, feeling airy, technical, clean, and fast, contributing to an overall presentation that sounds more expensive than its price tag. While generally excellent, providing too much power can make the upper region slightly spicy with certain intense audio cues. The technical performance – imaging, separation, layering, and micro-detail retrieval – is phenomenal across various music genres.

For competitive gaming, the Astral truly shines, demonstrating holographic imaging and precise depth perception. In Valorant, it excels at differentiating multiple footsteps and gunfire sources with urgency and precise horizontal and vertical placement. It handles chaotic moments in CS2, Apex Legends, and Call of Duty exceptionally well, maintaining clear separation during intense firefights, grenade explosions, and air strikes without becoming fatiguing or overwhelming. Tip selection is crucial for optimal performance, with recommendations leaning towards options like the Azla EarFit Light. Despite including a decent interchangeable cable and silicone tips, third-party tips are suggested. Ultimately, the Kiwi Ears Astral is a fantastic all-rounder, delivering top-tier performance for both music and competitive gaming at its mid-range price point.

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The Kiwi Ears Astral presents a well-rounded, balanced sound signature characterized by a boost in sub-bass and treble air, sharing some DNA with the Meta but offering significant improvements. It delivers a punchier, harder-slamming low end with better texture, making drums feel livelier and more impactful compared to the Meta. The mid-range and vocals are also more forward and less relaxed, creating a fuller sound versus the Meta's brighter, leaner presentation that highlights treble sparkle. While not vocal-centric like the Arcanis, the Astral excels as a true all-rounder.

Technically, the Astral edges out the Meta, offering better bass texture, improved vocal clarity, and slightly more micro-details in the mid-range and treble. Its value is strong at roughly $50 more than the Meta. However, the boosted air region can make the treble sound slightly wispy or fatiguing at higher volumes on very energetic tracks laden with symbols or air, making it best suited for mid-volume listening (around 65 dB). Genre-wise, it shines as an all-rounder at this volume, providing clean, extended, natural vocals, a thumpy low end with good rumble, and extended, airy treble. Compared to the Odyssey, the Astral is cleaner, more detailed, smoother, and airier, working better for mid-centric genres like indie, acoustic, and classical, though the Odyssey scales better at higher volumes and feels fuller for pop, metal, R&B, and hip-hop.

Positioned as a strong contender for the best all-rounder under $300, the Astral is seen as a more complete version of sets like the Pilgrim and Dusk, offering better sub-bass extension, texture, and rumble with less shouty vocals and sizzly treble. It significantly outperforms the Performer 5+2 technically for only $50 more and is a tier above the Kiwi Ears KE4 in clarity and technicalities. While specific alternatives like the EPZ P50, Tanchjim Origin, or Cadenza 4 are better for vocal focus, and sets like the Estrella or Deuce excel for bass, the Astral stands out for its balanced, engaging, and technically proficient performance across most genres at mid-volume. Expecting potential sales around $260, it's heralded as the new all-rounder benchmark under $300, ideal for listeners who want a single versatile IEM where "everything just sounds great."

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Astral is a 1DD+6BA hybrid around $299 that aims for a sub-bass-heavy U-shape. The low end is boosted yet relatively clean and fast, avoiding bloat while anchoring drums and electronic hits. Mids are flattened by the mid-bass tuck and an early upper-mid rise, which can thin vocals and push presence forward; at low volume it sounds warmer and more natural, at higher volume it turns sharper and more resolving.

Treble carries enough energy to match the bass shelf, but balance is volume sensitive; borrowing a bit of the 200 Hz lift and slightly reducing 1-2 kHz via EQ yields a more even result. Stage shows decent width and some height, while depth and layering need work unless re-balanced. In a crowded $299 field, Astral is a solid platform for listeners who enjoy elevated sub-bass and do not mind fine-tuning, rather than an out-of-box reference.

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The Kiwi Ears Astral arrives in a package typical for the brand, featuring a resin shell and a metal nozzle. While the design isn't groundbreaking, the build feels sturdy. The included cable is a pleasant surprise, better than expected and features interchangeable terminations. A major highlight is the inclusion of Sancai ear tips, considered valuable accessories at this price point. However, the fit presents some challenges: the shells are notably bulky and chunky, pushing comfort limits for larger ears, and the angled cable hooks can cause sealing issues, though switching to larger tips helps significantly.

Sonically, the Astral delivers a solid bass and mid-range balance. Yet, the standout issue is the treble presentation. It's perceived as quite forward and adds a noticeable digital edginess to the timbre, making details sound overly prominent and somewhat unnatural. While technical performance seems improved over models like the original Wan'er, this treble character overshadows the positives. Initial impressions suggest it falls short of previous Kiwi Ears releases like the Quartet or Singolo, with even the Lush potentially being preferred. The Sancai tips and overall package offer good value, but the tuning needs refinement.

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The Juzear Dragonfly 81T sits in the 249 dollar bracket and builds on the Butterfly 61T with a more complex driver array, a beautiful 3D printed shell and a very polished accessory set. The sculpted faceplate inspired by dragonfly wings, modular cable with angled terminations and compact case make it feel like a premium, well thought out package. The shell is comfortable and the micro venting keeps pressure in check for most listeners, allowing long listening sessions without discomfort.

Sonically the Dragonfly 81T moves away from the warmer and smoother Butterfly signature toward a brighter and more detail focused presentation. Bass is tuned with less mid bass and more sub bass emphasis, so there is less warmth and thickness but still enough note weight that instruments and vocals do not feel thin or lacking in body. There is no bass bleed at all, which lets the midrange come through with very strong clarity and natural timbre, and voices and instruments sound clean and well separated. Upper mids and treble are more forward, bringing a lot of energy and bite; they stop short of sounding harsh or sibilant, but can become a bit bright and fatiguing over longer sessions for listeners who prefer a smoother top end. The payoff is a high level of perceived detail and micro detail across the whole range.

Where the Dragonfly 81T really steps ahead is in its technical performance. Bass quality in terms of texture, speed and definition is among the best heard under 300 dollars, even if some may want more quantity. Staging is considerably wide for an IEM with good forward depth, and imaging and instrument separation are standout strong points, rivaling or even edging sets like Performer 5 Plus 2 in this price class. In direct comparisons it may not be as relaxed or warm as Butterfly 61T, Performer 5 or Chopin, but it keeps up with them on detail and spatial performance and clearly outclasses more modest sets like the Anvil. With a place in a very competitive personal top five out of dozens of IEMs in the 150 to 300 dollar range, the Dragonfly 81T comes across as a well tuned, technically impressive choice with excellent build and design that deserves a solid recommendation, even if warmer alternatives will suit many listeners better.