Kiwi Ears Cadenza and Simgot EW300 are in-ear monitors. Kiwi Ears Cadenza costs $35 while Simgot EW300 costs $69. Simgot EW300 is $34 more expensive. Simgot EW300 holds a decisive 1.1-point edge in reviewer scores (5.4 vs 6.5). Kiwi Ears Cadenza carries a user score of 6.2. Simgot EW300 has significantly better bass with a 1.1-point edge, Simgot EW300 has significantly better mids with a 1.1-point edge, Simgot EW300 has significantly better treble with a 1.6-point edge, Simgot EW300 has significantly better dynamics with a 1-point edge, Simgot EW300 has significantly better soundstage with a 1.2-point edge, Simgot EW300 has significantly better details with a 2-point edge and Simgot EW300 has significantly better imaging with a 2.6-point edge.
Insights
| Metric | Kiwi Ears Cadenza | Simgot EW300 |
|---|---|---|
| Bass | 5.7 | 6.9 |
| Mids | 5.7 | 6.8 |
| Treble | 5.2 | 6.8 |
| Details | 4.8 | 6.8 |
| Soundstage | 5.4 | 6.6 |
| Imaging | 4.7 | 7.3 |
| Dynamics | 5.8 | 6.8 |
| Tonality | 5.6 | 7.3 |
| Technicalities | 5 | 6.9 |
Kiwi Ears Cadenza Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
5.4Mixed to Negative
Simgot EW300 Aggregated Review Score
Average Reviewer Scores
Average Reviewer Score:
6.5Cautiously Favorable
Reviews Comparison
Kiwi Ears Cadenza reviewed by ATechReviews
Youtube Video Summary
Kiwi Ears Cadenza is a small, smooth single dynamic IEM around 35 dollars that comes with a practical 3.5 mm cable and an unusually generous spread of ear tips for this bracket. The shells are compact and comfortable, with multiple color options that make the set feel more personal than most budget competitors. Thanks to the lightweight design, secure fit and decent venting, it works well as an everyday all rounder that stays in the ear without hotspots.
The tuning is a balanced mild V that places clear emphasis on the mid range and vocals. Bass carries a moderate boost with clean, controlled impact and satisfying sub bass rumble, more about foundation than heavy slam. The mid range is the star, with forward vocals that sound clean, crisp and airy, strong separation between instruments, and excellent clarity for the price, although upper mids can come across a bit too energetic and male vocals may feel slightly lean while female vocals shine more.
Treble has a good sense of detail, adding sparkle and energy without pushing into obvious harshness, and overall technical performance is impressive at this price with very good clarity, separation and perceived detail that can outpace several popular budget peers. Cadenza works well for listeners who want a clean, vocal forward presentation that stays fun and lively while still feeling balanced across genres. It is less suitable for those who are sensitive to forward upper mids or who prefer thicker, weightier male vocals, but for many the mix of comfort, tuning and technical performance makes this a strong budget choice.
ATechReviews Youtube Channel
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Simgot EW300 reviewed by ATechReviews
Youtube Video Summary
The Simgot EW300 follows a warm neutral presentation with powerful sub bass, punchy mid bass and a generally smooth tonality that stays non fatiguing. Bass has very good texture and detail with minimal bleed into the lower midrange, while the mids sound full and rich with slightly thick note weight and male vocals that could use a bit more clarity to pop. Female vocals and upper mids stay forward yet never shouty, giving instruments like strings and acoustic guitars a natural timbre and a pleasantly spacious feel.
The treble is a clear highlight, offering very good detail, sharp definition and fast transients without harshness or sibilance, which in turn supports strong imaging and a convincing sense of soundstage with space around voices and instruments. Overall resolution is appropriate for the price, not hyper detailed but clearly a step up over sets like the Kine Delci, especially when using the silver nozzle, while the gold nozzle trades some clarity for extra warmth and bass.
Compared with alternatives, the EW300 sounds safer and more relaxed than bright, aggressive options such as EA500 LM, Dunu Titan S2 or Supermix 4, giving punchier bass and a smoother upper midrange at the cost of ultimate detail, air and micro nuance. For listeners seeking a comfortable fit, warm non fatiguing tuning, excellent treble quality and engaging low end in this price bracket, it comes across as a very competitive and easy recommendation.
ATechReviews Youtube Channel
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Kiwi Ears Cadenza reviewed by Jays Audio
Jays Audio Youtube Channel
Simgot EW300 reviewed by Jays Audio
Youtube Video Summary
The Simgot EW300 positions itself as a standout under $80, acting as a direct upgrade to the EW200 with more refined tuning and an uptick in layering/resolution. With the red 3.5 mm nozzle, the presentation is a dynamic, all-rounder tilt: upper-mids/treble are smoother and less peaky yet remain well-extended, vocals “pop” naturally, and separation feels tidier. In comparisons, the EA500 LM carries higher raw detail and a brighter, more exciting edge, but EW300’s calmer balance makes for longer, less fatiguing sessions and genuinely trades blows on preference.
Swapping to the pink nozzle shifts the EW300 into a warmer, bassier, and more laid-back profile with added thickness down low and a tamed 1–3 kHz region that helps vocal comfort and cuts fatigue. It suits rock, hip-hop, and metal while maintaining clean midrange boundaries, improved instrument separation, and a generally relaxing tone. Against similarly priced planars, the analog EW300 sounds less “sizzly” in timbre while holding its own on separation; owners of the original EA500 shouldn’t expect a huge jump here—the bigger step up remains the LM for sheer resolution.
The DSP version skews more vocal-focused and “clean balanced,” sacrificing some analog punch for smoothness and control. A deliberate 5–10 kHz softening plus a 13 kHz accent keeps consonants gentler and overall non-fatiguing, though some may find end-notes a touch too polite; the pink DSP profile further tames vocals while still giving satisfying cymbal crash. Practicalities are strong: the integrated DAC path shows a low noise floor with no odd artifacts on volume changes, and latency is a non-issue; for gaming, the analog 3.5 mm still images slightly better. Net: pick analog for slam and energy, or DSP for a smooth, vocal-centric clarity—either way, the EW300 offers real flexibility and polish at its price.
Jays Audio Youtube Channel
Kiwi Ears Cadenza reviewed by Head-Fi.org
Simgot EW300 reviewed by Head-Fi.org
Kiwi Ears Cadenza (more reviews)
Kiwi Ears Cadenza reviewed by Super* Review
Kiwi Ears Cadenza reviewed by Bad Guy Good Audio
Bad Guy Good Audio original ranking
Bad Guy Good Audio Youtube ChannelKiwi Ears Cadenza reviewed by Jaytiss
Jaytiss Youtube Channel
Kiwi Ears Cadenza reviewed by Z-Reviews
Kiwi Ears Cadenza reviewed by Shuwa-T
Kiwi Ears Cadenza reviewed by Yifang
Kiwi Ears Cadenza reviewed by Tim Tuned
Tim Tuned Youtube Channel
Kiwi Ears Cadenza reviewed by Audionotions
Kiwi Ears Cadenza reviewed by Nymz
Simgot EW300 (more reviews)
Simgot EW300 reviewed by Paul Wasabii
Youtube Video Summary
EW300 DSP takes the familiar EW300 design and dresses it in a matte black shell while adding a compact USB C DSP cable with an inline DAC, call controls and microphone, plus the same analog cable, tips and accessories as the regular version. The DSP module sits a bit down the cable with a right angle connector, so it feels like a very portable plug and play solution that keeps the set easy to use straight from a phone or laptop without changing what makes the EW300 appealing.
Sonically, EW300 DSP is still very much an EW300 with a balanced, slightly bass boosted tuning that avoids the really thick, bottom heavy presentation of sets like the Civa Q or K. Bass has a nice lift and a quicker, faster hitting character rather than a big mid bass hump, and there is only a very subtle change in level with the DSP cable compared to the analog one. The tuning sits between the original EW300 and the HBB edition, with a small treble bump that makes it a quarter step away from the original balance but not as noticeably bright as the HBB version, so the overall signature stays on the safer, more relaxed side for most listeners.
Technical performance is solid for the price, with good resolution and detail that can better older Simgot dynamics like EA500 while staying easier on the ears than the very bright and resolving EA500 LM. There is enough stage and separation for the subtle shifts in treble around 5 kHz to be heard as a change in balance and perceived space, but the core EW300 character is still there, especially when the DSP version is run on the analog cable where it is basically interchangeable with the stock EW300. For those who like the original tuning but want black shells and the convenience of a clean sounding USB C DSP cable, EW300 DSP is a neat option, while the pure original remains the slightly safer pick for very treble sensitive listeners chasing that exact original balance.
Paul Wasabii Youtube Channel
Simgot EW300 reviewed by Kois Archive
Kois Archive Youtube Channel
Simgot EW300 reviewed by Gizaudio Axel
Simgot EW300 reviewed by
Fresh Reviews
Youtube Video Summary
Simgot EW300 makes a strong case as a sub-$80 tribrid benchmark, bringing a more natural timbre, better layering, and a small bump in resolution over EW200. With the red 3.5 mm nozzles, tuning is a lively all-rounder: punchy low end, smoother upper-mids/treble with fewer peaks, and vocals that pop without glare—essentially a more refined, less shouty evolution of EW200. Swap to the pink nozzles and the signature shifts warmer and bassier, taming 1–3 kHz for thicker body and reduced fatigue—great for rock, hip-hop, and metal—while keeping separation clean and the midrange free of bleed.
The DSP version pivots toward a clean, vocal-focused balance: extended yet smooth, effortless vocals, and low fatigue. A deliberate 5–10 kHz dip plus an airy upper push trades some bite for longer listening comfort; the pink DSP nozzle dials vocals even calmer while keeping cymbal crashes satisfying. Implementation quality stands out: a dedicated DAC section yields a low noise floor with no volume-change artifacts, and latency stays in check. For gaming and microdetail, the analog 3.5 mm edges ahead with slightly better imaging and resolution.
Against peers, EW300 trades blows with the EA500 LM—LM chases raw resolution with a brighter, more exciting tilt, whereas EW300 sounds smoother and easier for long sessions (OG EA500 owners won’t see a big upgrade, though layering/separation are a touch better). Versus other sub-$100 sets and entry-level planars, EW300’s timbre is less sizzly yet remains technically competent, and the two-nozzle system effectively gives two tunings in one. Taken together—analog punch, DSP polish, and genuine tuning flexibility—EW300 positions itself as a new value benchmark in its price class.
Fresh Reviews original ranking
Fresh Reviews Youtube ChannelSimgot EW300 reviewed by Web Search
The Simgot EW300 offers a compelling tribrid driver configuration combining a 10mm dynamic driver, 6mm planar magnetic driver, and piezoelectric ceramic driver in a durable all-metal shell. Fit can be divisive due to the shorter nozzles, requiring tip experimentation for optimal seal, but the included detachable tuning nozzles (silver and gold) enable noticeable sound adjustments. The default silver nozzle delivers a balanced profile with punchy, well-controlled bass, a natural midrange favoring vocals, and treble that avoids excessive harshness despite occasional timbral quirks from the planar driver.
Swapping to the gold nozzle boosts bass warmth and smooths treble, aligning closer to a Harman-inspired tuning, which enhances positional audio clarity for gaming. Technical performance is solid for the price, with good detail retrieval and soundstage width, though complex tracks can expose minor congestion in layering. The occasional timbral unevenness in upper frequencies and sparse accessories are trade-offs, but the EW300’s cohesive tuning versatility across genres and activities makes it an exceptional value in its class.
Kiwi Ears Cadenza Details
Driver Configuration:
Tuning Type: V-Shaped
Brand: Kiwi Ears Top Kiwi Ears IEMs
Price (Msrp): $35
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Simgot EW300 Details
Driver Configuration: 1DD+1Planar+1PZT
Tuning Type: V-Shaped
Brand: Simgot Top Simgot IEMs
Price (Msrp): $69
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Kiwi Ears Cadenza User Review Score
Average User Scores
Average User Score:
Based on 1 user reviews
6.2Mixed to Positive
Simgot EW300 User Review Score
Average User Scores
Average User Score: n/a
Based on 0 user reviews
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Kiwi Ears Cadenza Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
5.1Gaming Grade
C+Simgot EW300 Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
6.6Gaming Grade
B+Kiwi Ears Cadenza Scorings
Average Technical & Tuning Grades
Average Tunign Grade
B-- Expect a friendly tonal balance that could use polish but remains inviting. Great for casual listening, less so for purists.
Average Technical Grade
C+- Details smear quickly, leaving the presentation cramped and low on definition. You'll notice smearing on even moderately layered songs.
Simgot EW300 Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- A smooth, agreeable balance keeps the presentation engaging without obvious flaws. Only sensitive ears will nitpick the bumps.
Average Technical Grade
B+- It offers a competent showing, maintaining cohesion on straightforward arrangements. Complex passages start to challenge it, but never derail the show.
Kiwi Ears Cadenza User Reviews
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Pros
Excellent tuning for the price, small shells should fit vast majority of ears well.Cons
Touch too much eargain, can come off as shouty/honky at times, easily remedied with 10 band EQ.Simgot EW300 User Reviews
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