MYER SL224 VS Ziigaat Horizon

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The ZiiGaat Horizon arrives as the brand’s first tribrid at around $330, pairing one dynamic driver with two BA and two planar drivers. Build is solid: a vented, flat 2-pin socket, metal nozzle, and a distinctive blue-white faceplate that looks like mountains under stars. The cable feels premium with red/blue channel dots and a working chin slider, plus an easy swappable plug (3.5 mm); the included zip case is pleasantly sturdy. Nothing flashy in shell shape, but the fit is secure and the accessories feel thoughtfully sorted.

Sonically, Horizon takes a clean, sub-bass-focused route with bass that reads linear and occasionally a touch pillowy, followed by full, rich upper mids and a treble presentation that steals the show. There’s generous upper air and extension with a tactful lower-treble rise, kept in check by a helpful 5–6 kHz dip to avoid fatigue; a splash of ~15 kHz energy adds sparkle that treble fans will relish. The result sidesteps the “EQ’d-to-death” flatness—this tuning carries just enough color to stay engaging while remaining clean and controlled.

Against peers, Horizon’s top end feels more refined than ZiiGaat’s Luna, while Crescent plays thicker and more V-shaped with extra 10 kHz “twinkle.” Versus sets like the SL224, Horizon’s treble is smoother and less sibilant; compared with Punch Audio Martillo, think of Horizon as the treble-head counterpart to a bass specialist. It also mirrors some strengths of AFUL Performer 7 but with cleaner bass and a more polished top end, and it offers more microdetail than the hard-to-find YU9 Chuer. Taken together, this is a special package: a well-built, distinctive tribrid with 10/10 treble energy and air, competitive technicals, and a tuning that treble lovers will find hard to put down.

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Ziigaat’s Horizon follows the current meta-inspired recipe—think Astral, Metas, Crescent—but pushes the focus upward: the treble is the most prominent piece here. It’s bright-leaning without turning harsh, giving a crisp, “OCD-like” sense of transient bite and pinpoint imaging. Low end and vocals sit a touch behind the highs, so the presentation feels clean and lively rather than thick; at mid-volume, the top end drizzles detail over the mix like raindrops—engaging and textured, not shouty.

On the technical side, Horizon pulls strong detail retrieval and resolution for the price—above sets like Supermix 4 and near EM10/Volare —yet it doesn’t scale massively because of that treble lift. The bass is snappy and controlled, with good separation, but lacks the slam and rumble seekers of impact will want. Pairing and playlist matter: avoid hot, highly produced pop/K-pop/J-pop or most hip-hop where the combo of elevated highs and lighter bass can feel edgy; it shines with slower pop, R&B, indie acoustics, ballads, and classical where the sparkle reads as “high-fidelity.” Warmer sources help a bit, and tip-rolling (stock black/clear, or bass-adding options like Final E/divinus) can balance things—just skip anything that pushes treble further.

Against close competitors, Astral hit harder down low and feel more V-shaped and contrasty; Crescent is warmer and smoother but not as clear or micro-detailed. Horizon is the cleanest and brightest of the trio, with the most refined treble focus and “tickly” transients. Verdict: a value-minded all-rounder for detail lovers who prefer clarity and air over bass authority—technical, tidy, and energetic at sensible volumes, provided the library isn’t a treble minefield.

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The MYER SL224 is a stylish tribrid (2DD + 2BA + 4 microplanars) coming in around $270, shipped with a decent 4-core cable featuring 3.5 / 4.4 / USB-C interchangeable plugs, a zipper case, and three ear-tip sets (regular silicone, SpinFit-style silicone, foam). Build is eye-catching thanks to a real mother-of-pearl faceplate; the shell is on the larger side with a universal-custom shape that sits comfortably for long sessions, though smaller ears should test fit first. Cable behavior is mostly cooperative (functional chin slider, slight memory), and overall accessories feel thoughtful for the price.

Tonally, SL224 targets a clean, clinical presentation: sub-bass carries the weight while mid-bass stays nearer to neutral, which can read a touch lean unless paired with a warmer source (tube or similar) to add body. The midrange tracks neutral until the upper-mid / lower-treble rise, boosting female vocal harmonics and air; some may find this area forward, yet it avoids the usual micro-planar harshness. Treble is well-extended and energetic, if not the smoothest—there’s a hint of disconnect around the pinna gain—but this nit shows mainly against sets two to three times the price. Technical chops are a highlight: resolution rivals class standouts (think AFUL P7 territory), imaging is tidy, stage is fairly wide, and it earns a strong nod for competitive gaming.

Against peers, CK2V hits harder down low but dips mid-bass and feels less even up top; AFUL P7 is more balanced yet less flattering to female vocals and trickier in treble; “Dusk” (DSP) delivers better bass and a warmer tilt; “Brain Dance” is flashier but far sharper; Moondrop Meteor tracks a similar tonality with smoother highs and a mid-centric lean—an easy upgrade path if this signature clicks. Recommendation is clear: pick SL224 for a mid/treble-focused set with standout detail and clarity; skip it if sensitive to upper-mid energy or chasing a warm, bass-rich tuning. For value, this feels underrated and distinct in a meta-heavy market, earning a solid three-star recommendation.

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The Meyer Audio SL224 comes in around the $269 mark with a very complete package: a comfortable 3D-printed resin shell, genuine shell-inspired faceplate material and a soft, modular cable that feels like one of the better cables at this price point. Fit is easy and secure, isolation is decent, and the modular terminations (4.4 balanced, 3.5 single-ended, USB-C) make it a practical daily driver for different sources. Overall build, design and accessories feel thoughtfully put together for this price range.

Sonically, the SL224 leans toward a neutral, vocal-focused tuning with highlighted upper mids and sub-bass. Bass is more sub-bass centered, adding a solid foundation and extra engagement on tracks with low-end emphasis, but mid-bass and low mids are relatively restrained, which can make the presentation sound a bit thin and bass-light depending on the library. Midrange clarity is strong and vocals in particular come across as natural and expressive, yet the combination of forward upper mids and lighter note weight means some listeners may wish for more warmth, richness and body, especially when compared with fuller, more balanced sets at and below this price.

Treble is where the SL224 really shines: the micro planar array delivers excellent treble detail and extension without slipping into metallic or unnatural timbre, adding air and micro-nuance to the presentation. Technical performance is a clear strength, with precise imaging, clean separation and solid layering that place it among the stronger options under $300, even if soundstage width itself sits around average. While other sets like 61T, Da Vinci or Volume S may offer a more balanced, richer and smoother overall tonality for many listeners, the SL224 stands out as a compelling choice for vocal lovers who prioritize clarity, treble detail and technical performance and who don’t mind trading some warmth and bass weight for that mid-centric focus.

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Packaging overdelivers: a modular cable with 3.5/4.4/USB-C and an included dongle that gets loud enough, seven pairs of silicone tips plus foam, and a small zip case (nice but tight). The shell looks premium with a depth-effect faceplate and a metal nozzle (≈6.1 mm lip); fit is snug though potentially big for smaller ears. Build and accessories feel thoughtful at the price, with only a slightly rubbery cable texture to nitpick.

Tuning is a smooth, vocal-focused, meta-inspired balance: refined mids, a friendly yet detailed top end, and a clean, controlled low end. Bass quality is textured and separated but intentionally polite—not for hip-hop/EDM impact chasers. The midrange brings clear, natural tone without shout; both male and female vocals sit forward. The treble is the star: highly resolving, airy, and surprisingly non-fatiguing for the four micro-planars, avoiding metallic glare while adding tasteful sparkle.

Technically, separation and resolution impress, with a mild cohesiveness quirk where the treble detail outshines bass/mids. Versus peers: CK2V is more V-shaped and brighter-hot; SL224 sounds more natural. Moondrop Meteor offers smoother treble and mid timbre, but SL224’s bass quality and value punch back. Dunu Brain Dance is technically stronger; SL224 wins on tonality. SoftEars Studio 4 remains more lifelike/cohesive; SL224 brings more air and fun. AFUL Performer 7 is the better all-rounder; SL224 is for lighter-bass, vocal clarity. Kiwi Ears Astral is airier/more micro-detailed; SL224 plays it safer up top with more forward vocals. Recommendation: vocal lovers and treble-sensitive listeners wanting detail without sting. Not for bassheads or warm-tilted tastes. Final verdict: a confident 4/5 and the most compelling Myer release so far.

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The Horizon aims for a neutral-natural tonality with a slightly lean lower midrange, delivering standout vocal transparency and crisp separation. Bass is mostly sub-bass focused—felt and supportive rather than boomy—giving notes a pleasing sense of density without smearing the mids. The trade-off is an elevated upper-treble that adds air and detail but can tilt gritty/sandy if the fit or tips aren’t dialed in.

Build and accessories are a mixed bag: a surprisingly nice carrying case and swappable termination, but a fussy cable and a resin shell that fits deep and may need shorter, grippier tips to shine. Once seated well, the Horizon’s imaging and instrument separation pop, making complex mixes feel organized and engaging.

Versus pricier hype pieces with similar FR, the Horizon feels like a “short king” take: not as refined up top as the best of them, yet more weighty and satisfying than some leaner peers. Compared to something like Volume S at a similar price, this set is clearer and more incisive (better separation), while Volume S is fuller and smoother with punchier bass presence. At $330, it’s the most compelling entry in its family so far—addictive for transparency and staging, with the caveat of treble sensitivity and fit quirks.

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ZiiGaat Horizon is a $329 tribrid (1DD+2BA+2MPL) that prioritizes treble extension, clarity, and very sharp imaging. Compared with EPZ P50 and Daybreak, ear-gain is set lower, which yields less shout and more natural vocals while keeping an even transition from lower to upper treble. The result is a clean, transparent presentation that reads more refined than typical $300 hybrids and feels end-to-end coherent.

The trade-offs sit mostly in the low end and upper-treble edges: the stock mid-bass dip reduces body and impact, and sibilants can pop, especially around 8 kHz. Bass quality itself is quick and tidy with good depth rather than rumble, matching BA/MPL speed but leaning lean for bass-heavy genres. A light EQ lift of lower mids/mid-bass (about 2–3 dB) and a small 8 kHz trim (around 0.5–1 dB) makes it a more versatile daily driver while preserving its separation and sense of stage depth.

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The ZiiGaat Horizon comes with a solid accessory package for its price, including a spacious hard case, a modular 3.5 and 4.4 cable that is soft and easy to manage, and a good selection of silicone and foam tips that seal well and feel comfortable. The resin shell with metal lip nozzle feels stable in the ear, with venting that avoids pressure build up or driver flex and an average size that sits securely even when walking around. The colorful faceplate with sparkles, flat two pin connector and overall ergonomics make the Horizon look and feel like a well built, everyday friendly in ear.

Sonically the tuning leans sub bass focused at a neutral level, delivering tight, clean, textured bass with natural decay and a strong sense of physicality that stays neatly separated from the mids so vocals and instruments remain clear. The midrange is mostly neutral and very clear sounding, with vocals sitting nicely forward without becoming shouty and a balanced note weight that gives male voices depth and female voices an open, airy quality. Separation and timbre in the mids are excellent, making instruments sound realistic and well layered while clear forward vocals remain free of harshness.

The lower treble on the Horizon is smooth, controlled and detailed without obvious peaks, while the boosted upper treble brings a crisp, airy, sparkly character with plenty of shimmer and micro detail on cymbals, hi hats and upper harmonics, though listeners sensitive to upper treble may find it a touch bright. Overall treble avoids sounding splashy or metallic and works with the open bass and midrange to give the set a spacious, airy feel. In terms of technical performance the Horizon is one of the more resolving options at this price, offering excellent detail retrieval, separation and imaging, and in comparisons it tends to trade the heavier bass and warmth of rivals like Crescent, Astral, Kir SPET, Volume S, Sivo 24 or Zens T Pro for cleaner mids, more upper treble air and clearer vocals, making it ideal for listeners who value clarity and vocal focus over sheer low end quantity.

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Ziigaat Horizon arrives as a striking tri-brid in the ~$300 bracket (1DD + 2BA + 2 planar) with a tuning that brushes close to Kiwi Ears Astral yet comes across a touch thinner and more balanced. The low end focuses on sub-bass rumble that’s tight, clean, and richly tactile, while mids keep timbre accurate and treble stays controlled—never shouty or fatiguing—yielding a fun-yet-almost-reference presentation. Build and comfort impress: ergonomic shells with that aqua-to-silver fade can be worn for 8-hour sessions, and the package includes Ziigaat’s new two-pin cable with interchangeable terminations (3.5/4.4), a roomy faux-leather case, silicone sets plus foams; tip rolling (e.g., ASMR tips) pairs well.

In games, ambient clutter drops away and crucial cues get spotlighted with confident imaging, separation, and convincing verticality. Footsteps in Valorant are clear and positional, though the lightest taps can blur a bit under nearby low-end rumble or heavy gunfire; Apex performance is exceptional, just a hair behind Astral/Mangird Tea Pro when ultimates stack; Call of Duty delivers satisfying impact with disciplined decay, though micro-cues can soften during chaos. Net-net, Horizon is a great all-rounder with clean, technical bass and a natural balance that works across titles. On the WallHack list it gets A– overall (A– in Apex, B+ in CoD, Valorant just shy of top marks), primarily nudged down by occasional masking of the lightest cues during intense mixes.

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Ziigaat’s Horizon goes for a flashy tribrid recipe—1×10 mm bio-dynamic for slam, 2×BA for mids, and dual planar treble up top—wrapped in pretty shells and “horizon” art. Street price hovers around $329, though bundle quirks can drop it to roughly $283. The cable is the familiar modular “big boy” plug system (3.5 mm/4.4 mm), chunky but perfectly usable, and the case/tips kit is typical Ziigaat: practical with a dash of theatrics.

Sonically, this one is bold and a bit unnatural—in a good way. Think W-shaped: bass, mids, and treble all step forward, almost competing for attention. The low end hits with big, big bass energy when the track calls for it yet doesn’t trample everything on softer material. Stage is not very wide—more focused and up-front—but there’s satisfying detail/decay and an aggressive, engaging center image. Expect excitement and texture over air and spread, and expect some fatigue after long sessions.

Call it an interesting outlier rather than a safe neutral. Price/performance feels fine (the sweet spot would be closer to $250), and it fits Ziigaat’s “many flavors, similar price” playbook. For listeners stacked with natural-tuned sets and craving a different, punchy, attention-grabbing presentation, Horizon delivers; for chill, long-haul listening, there are calmer choices.