MYER SL224 VS Ziigaat Odyssey 2

Youtube Video Summary

Ziigaat x Hangout Audio Odyssey 2 comes as a 1DD + 3BA hybrid in a fully metal shell with a matching metal nozzle, venting, and a comfortable, familiar Ziigaat fit. The package is generous: a handsome new case (seen on Luna/Crescent), 4.4 balanced with a swappable 3.5 adapter, multiple tips, and spare filters. The flat 2-pin cable looks good in black/green but is a bit memory-prone/tangle-happy; functional, yet a likely swap for cable sticklers.

Sonically, Odyssey 2 skews punchy in the bass with clean, thick mids and well-controlled upper-mids; the treble is smooth and gently rolled with limited airy “sparkle,” giving a more studio-like presentation. Versus the original Odyssey, this tuning is less U-shaped, with dialed-back excitement and upper treble—safer, calmer, and easier long-term. It’s a well-built, well-accessorized set at a reasonable price that many will find effortless to enjoy, even if thrill-seekers may want more bite up top.

In context, it parallels Lush on upper-mids (no urgent need to switch unless craving a touch more sub-bass or a different treble flavor), feels safer than Performer 7 (which has spicier 8k), and sits under the more vivid Odyssey (OG) and the slightly brighter, airier Crescent. It doesn’t reach the extra sub-bass/air of the Dusk DSP but improves on the original Dusk’s flatter treble character; meanwhile, Ziigaat’s Horizon trends richer and crisper up top. Overall verdict: a solid 8.0/10—mids are the star, bass is engaging if not rowdy, and upper-treble restraint keeps fatigue low. Not the most electric choice at ~$225, but a clean, safe, studio-leaning option with broad appeal.

Youtube Video Summary

The MYER SL224 is a stylish tribrid (2DD + 2BA + 4 microplanars) coming in around $270, shipped with a decent 4-core cable featuring 3.5 / 4.4 / USB-C interchangeable plugs, a zipper case, and three ear-tip sets (regular silicone, SpinFit-style silicone, foam). Build is eye-catching thanks to a real mother-of-pearl faceplate; the shell is on the larger side with a universal-custom shape that sits comfortably for long sessions, though smaller ears should test fit first. Cable behavior is mostly cooperative (functional chin slider, slight memory), and overall accessories feel thoughtful for the price.

Tonally, SL224 targets a clean, clinical presentation: sub-bass carries the weight while mid-bass stays nearer to neutral, which can read a touch lean unless paired with a warmer source (tube or similar) to add body. The midrange tracks neutral until the upper-mid / lower-treble rise, boosting female vocal harmonics and air; some may find this area forward, yet it avoids the usual micro-planar harshness. Treble is well-extended and energetic, if not the smoothest—there’s a hint of disconnect around the pinna gain—but this nit shows mainly against sets two to three times the price. Technical chops are a highlight: resolution rivals class standouts (think AFUL P7 territory), imaging is tidy, stage is fairly wide, and it earns a strong nod for competitive gaming.

Against peers, CK2V hits harder down low but dips mid-bass and feels less even up top; AFUL P7 is more balanced yet less flattering to female vocals and trickier in treble; “Dusk” (DSP) delivers better bass and a warmer tilt; “Brain Dance” is flashier but far sharper; Moondrop Meteor tracks a similar tonality with smoother highs and a mid-centric lean—an easy upgrade path if this signature clicks. Recommendation is clear: pick SL224 for a mid/treble-focused set with standout detail and clarity; skip it if sensitive to upper-mid energy or chasing a warm, bass-rich tuning. For value, this feels underrated and distinct in a meta-heavy market, earning a solid three-star recommendation.

Youtube Video Summary

ZiiGaat × Hangout Audio Odyssey 2 brings a 1DD + 3BA configuration to the ~$220 bracket with a generous kit: big leather case, three tip sets, nozzle filters, and interchangeable plugs. The green/black glitter faceplate looks slick and the metal shell feels solid—though a touch less premium than some rivals—and the fit skews large, which may fatigue smaller ears. The new black-and-green cable feels nicer than older ZiiGaat parts, has some memory, but is fully usable.

Voicing is non-offensive and slightly warm-leaning, with sub-bass emphasis and more neutral mid-bass that trades punch for a thumpy, rumbly foundation. Mids are natural with fuller male vocals; female vocals read clean yet not especially gripping. Treble stays relaxed and smooth with enough air, though a faint edginess can pop up on orchestral recordings. Technicals sit around class-average, but the notably wide soundstage (≈4/5) and accurate imaging make it friendly for casual gaming.

Against peers, the original Odyssey runs a touch more mid-bass and treble, coming across less dull; it remains the safer pick for some. DUNU DaVinci at similar money hits harder, feels more exciting, and carries a nicer midrange; AFUL Performer 7 offers a mild-V that’s more balanced overall with a more natural bass but a brighter top end. Recommendation: choose Odyssey 2 if a warm, easy, sub-bass-tilted listen is the goal; skip it if chasing fun and energy. Like unflavored sparkling water, it’s refreshing yet low on flavor—ultimately a two-star value pick: solid and safe, but not especially distinctive.

Youtube Video Summary

Odyssey 2 shifts the OG’s recipe toward a more mid-centric, vocal-first tuning with a gentle sub-bass lift and smoother treble. Bass hits with less slam than the original but feels tighter, quicker, and cleaner, keeping texture competitive for the price. The top end is calmer—less bite, still adequately extended—trading sparkle for an easy, natural presentation.

Clarity steps up in the mids: vocals pop, separation improves, and detail comes through more plainly, while the OG keeps an edge in bass/treble “texture.” It’s a higher-volume scaler; give it juice and it opens up, especially for ballads, acoustic, indie, and pop—less ideal for hip-hop/R&B/jazz where extra weight and contrast help. Tip rolling that adds a touch of low-end/treble energy can inject the missing excitement without upsetting the balance.

Against similarly “safe” sets (Daybreak, P50), Odyssey 2 leans more vocal-centric with better bass texture; versus value champs (Supermix 4, Nova, Chopin), it sounds fuller and more natural but isn’t the value king. Lush gives more air up top, Arcanis/Luna serve as pricier “special sauce” paths if treble bite or OG-style warmth is desired. Verdict: a safer pick and polished all-rounder—objectively as good or slightly cleaner than OG—but for die-hard OG fans, more of a refined sidegrade than a direct, high-octane upgrade.

Youtube Video Summary

The Meyer Audio SL224 comes in around the $269 mark with a very complete package: a comfortable 3D-printed resin shell, genuine shell-inspired faceplate material and a soft, modular cable that feels like one of the better cables at this price point. Fit is easy and secure, isolation is decent, and the modular terminations (4.4 balanced, 3.5 single-ended, USB-C) make it a practical daily driver for different sources. Overall build, design and accessories feel thoughtfully put together for this price range.

Sonically, the SL224 leans toward a neutral, vocal-focused tuning with highlighted upper mids and sub-bass. Bass is more sub-bass centered, adding a solid foundation and extra engagement on tracks with low-end emphasis, but mid-bass and low mids are relatively restrained, which can make the presentation sound a bit thin and bass-light depending on the library. Midrange clarity is strong and vocals in particular come across as natural and expressive, yet the combination of forward upper mids and lighter note weight means some listeners may wish for more warmth, richness and body, especially when compared with fuller, more balanced sets at and below this price.

Treble is where the SL224 really shines: the micro planar array delivers excellent treble detail and extension without slipping into metallic or unnatural timbre, adding air and micro-nuance to the presentation. Technical performance is a clear strength, with precise imaging, clean separation and solid layering that place it among the stronger options under $300, even if soundstage width itself sits around average. While other sets like 61T, Da Vinci or Volume S may offer a more balanced, richer and smoother overall tonality for many listeners, the SL224 stands out as a compelling choice for vocal lovers who prioritize clarity, treble detail and technical performance and who don’t mind trading some warmth and bass weight for that mid-centric focus.

Youtube Video Summary

Packaging overdelivers: a modular cable with 3.5/4.4/USB-C and an included dongle that gets loud enough, seven pairs of silicone tips plus foam, and a small zip case (nice but tight). The shell looks premium with a depth-effect faceplate and a metal nozzle (≈6.1 mm lip); fit is snug though potentially big for smaller ears. Build and accessories feel thoughtful at the price, with only a slightly rubbery cable texture to nitpick.

Tuning is a smooth, vocal-focused, meta-inspired balance: refined mids, a friendly yet detailed top end, and a clean, controlled low end. Bass quality is textured and separated but intentionally polite—not for hip-hop/EDM impact chasers. The midrange brings clear, natural tone without shout; both male and female vocals sit forward. The treble is the star: highly resolving, airy, and surprisingly non-fatiguing for the four micro-planars, avoiding metallic glare while adding tasteful sparkle.

Technically, separation and resolution impress, with a mild cohesiveness quirk where the treble detail outshines bass/mids. Versus peers: CK2V is more V-shaped and brighter-hot; SL224 sounds more natural. Moondrop Meteor offers smoother treble and mid timbre, but SL224’s bass quality and value punch back. Dunu Brain Dance is technically stronger; SL224 wins on tonality. SoftEars Studio 4 remains more lifelike/cohesive; SL224 brings more air and fun. AFUL Performer 7 is the better all-rounder; SL224 is for lighter-bass, vocal clarity. Kiwi Ears Astral is airier/more micro-detailed; SL224 plays it safer up top with more forward vocals. Recommendation: vocal lovers and treble-sensitive listeners wanting detail without sting. Not for bassheads or warm-tilted tastes. Final verdict: a confident 4/5 and the most compelling Myer release so far.

Youtube Video Summary

Odyssey 2 as a ZiiGaat x Hangout.Audio collaboration brings a striking blue and white glitter faceplate, a lightweight aluminum alloy shell and a green and black braided cable with interchangeable 4.4 mm and 3.5 mm plugs, supported by multiple silicone and foam tips, spare nozzle filters and a fluffy carrying case that feels very secure and cozy. Comfort is high even over long sessions, and build and accessories give the impression of a thoughtfully finished 249 USD package.

The tuning leans warm and balanced with an about 8 dB bass shelf, where sub bass does not dig extremely deep yet still delivers satisfying rumble, while mid bass adds weight so drums and instruments hit with convincing impact and fullness. Midrange shows airy yet solid vocals that sit close to the ear with a bright, natural and soft tonality, blending smoothly with instruments so that nothing feels pushed awkwardly forward or recessed, and transitions from bass through mids remain seamless.

Treble is described as airy, refined and strongly extended, with cymbals and higher percussion carrying texture without harshness thanks to controlled energy around the 7 k region and a gradual roll off that keeps plenty of upper air. Layering and separation stay stable even in dense passages, giving a lively but well organized stage where Odyssey 1 sounds more cold and serious while Odyssey 2 feels like a free spirit musician in a live house with more warmth and atmosphere. Easy to drive, immersive across almost all genres and judged to be worth more than its asking price, Odyssey 2 earns a very enthusiastic 10 out of 10 from this perspective.

Youtube Video Summary

Ziigaat Odyssey 2 hits with that classic brand playbook: a comfy shared shell, a chunky but super-flexible cable with a huge swappable plug, and a surprisingly generous tip selection and replacement filters. The driver pack is 1DD + 3BA, easy to drive, and happy on everything from a simple dongle to a beefier pre-out chain. Build is familiar but the green/black cable adds some flair. Pop on Dunu S&S tips and the fit/seal click into place—no fuss, no drama.

The sound is where it goes from good to phenomenal. Resolution and clarity come with laser-cut separation and a rare sense of cohesion—those tiny electronic textures sit perfectly in space. Bass is solid and authoritative without turning the set into a basshead toy; it supports rather than smothers. Vocals are forward and engaging, yet staging still feels like a well-treated studio—neither claustrophobic nor echo-y. Treble wakes up with cleaner amplification, getting a touch more sparkle while the whole signature stays remarkably smooth from top to bottom. Value is the kicker: at roughly $225–$250 it performs like a $400–$600 set, with little to nitpick beyond the samey accessories. Easily one of the strongest Ziigaat tunings to date and a buy-with-confidence recommendation.

Youtube Video Summary

Odyssey 2 brings a metal-bottom shell and a green/black modular cable, but the headline is the retune. The aim—relax the Odyssey’s hot mid/upper treble—works, yet energy shifts toward roughly 2.5 kHz and the mid-bass dip becomes shallower. On the ear this reads as sharper edges with a leaner body, and at moderate to higher volume the upper mids rise faster than the top end supports.

The result is a mild treble imbalance: vocals turn a touch thin, upper-air feels reduced, and the set encourages lowering the volume rather than opening up. While clarity remains “hybrid-like,” extension has less sparkle, and the presentation can feel compressed compared to the original tuning.

Technicalities also take a small step back—less separation and layering, a stage that projects smaller, and imaging that’s tidy but not standout. With a bit of PEQ to add body and a hint more upper-treble air, Odyssey 2 comes closer to expectations, but out of the box the original Odyssey still reads as the more naturally balanced pick.

Youtube Video Summary

Ziigaat Odyssey 2 lands as a premium-feeling set: a CNC-milled aluminum chassis with a sparkly blue/silver faceplate, solid two-pin cable with interchangeable 3.5/4.4 plugs, spare nozzle filters, and a roomy new brown carrying case. The stock cable is nice—though its green tint doesn’t quite match the shell’s aqua tone. Tip selection is generous (foam plus two silicone sets), and the newer silicone tips are a standout. Overall, a tidy package for the price.

Tuning follows the current “new meta”: energetic low end with a cleaner sub-bass attack/decay than sets like ZENs Top/Top Pro, which helps in games. Bass stays punchy yet controlled, so imaging and separation/layering come through well, though gunfire can still push forward. For pure music the bigger, rumblier sets may feel livelier, but for competitive play Odyssey 2 reads space more cleanly and keeps clutter down better than bass-heavier rivals.

Title by title: in Valorant it sounds natural and punchy with tighter gun reports and better map imaging—footsteps are a bit thicker and light taps could cut more—earning a B+. In Apex it’s cleaner than ZENs Top Pro and fine in 3v3s, but big third-party fights expose some separation limits; call it a strong B (bordering B+). In CS2 the positional read improves over ZENs Top Pro, though lighter surface cues and gunfire depth could be crisper—solid overall. Call of Duty plays to its strengths: warmer timbre, wide/deep stage, excellent layering during streaks, with only occasional gunfire masking—another B+. Net result: placed in the B+ tier on the WallHack list, at the lower edge bordering B, similar to the original Odyssey’s standing.

Youtube Video Summary

The Ziigaat Odyssey 2 arrives as a collab between Ziigaat and Hangout Audio (tied to Crinacle), essentially a Crin-influenced set in disguise; it’s a 1DD + 3BA hybrid priced around $250. Accessories are thoughtful—three ear-tip sets, spare adhesive filters, and swappable 3.5/4.4 terminations—though the long, friction-fit plug feels awkward. The metal shell is medium-sized with a short nozzle for a shallow fit; comfort is easy, stability average, and the thin green cable is softer than prior Ziigaat attempts with a chin slider that actually holds.

Tonally it lands squarely in the tilted diffuse-field “meta” neutral camp: natural vocals, tame upper-treble, and a slight 4–6 kHz lift that adds clarity and a more contrasty/clinical edge without harshness. Imaging and separation are clean for the price, but the sub-bass-focused boost leaves the low end marshmallowy—tactile yet soft, with kick drums short on slam. Overall balance is convincing and easy to live with, just not especially exciting.

Versus Ziigaat Lush, Odyssey 2 is crisper and more defined where Lush sounds darker, smoother, and a bit low-res, though Lush hits mid-bass a touch harder. Against Softears Volume S (costlier), Volume S wins on bass grip and midrange texture, sounding fuller and more engaging while Odyssey 2 stays cleaner but more clinical. Conclusion: a very good set in a crowded mold—3/5 for a refined meta tune with agreeable timbre but modest bass impact.