Nicehck Rockies VS Hidizs mk12 x Ducbloke

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NiceHCK Rockies lands in the ~$500 bracket with a 1DD+2BA+2EST setup and a surprisingly premium package. The hollow resin shell feels solid, with a metal nozzle, slightly recessed 2-pin, good isolation, and comfy fit. The swappable-termination cable is thick, pliant, and lays flat—no chin slider out of the box, but easy to add—and the excellent case and tip kit push the accessories into “above class” territory.

Tonally, Rockies goes for tight, controlled bass and a natural midrange, capped by upper-treble that’s sparkly yet refined—detailed without getting shouty or brittle. The graph reads largely flat with a tasteful treble lift, translating to a clean, clear presentation that stays engaging rather than fatiguing. It comes across as an “instant classic” tuning: lively, airy, but still grounded.

Compared with brand siblings (DB2 too upper-midsy; F1 Pro/NX8 fine but not special), Rockies feels like the step up. Versus peers, it splits the difference: more air and delicacy than RSV MK2 (which is bassier/darker), less sizzle than sets that chase treble for effect, and broadly similar endgame vibes to “good” units of Mega5-EST—variance there being the rub. Net: a high-value pick at its price, worthy of a Gold Star—not a universal “benchmark,” but a sweet, natural, clear listen that many will prefer, especially with the standout accessories.

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Hidizs MK12 x DucBloke arrives as a limited-edition single-DD collab with a 12 mm pure magnesium diaphragm, dressed in a striking red shell/nozzle. Pricing sits around $260 (about $240 on pre-order). The package is handsome: a plush, roomy case, a red flat 2-pin cable with clear L/R indicators and a tidy Y-split, plus a 3.5 mm option. Swappable nozzles exist for the MK12 line, but the supplied red nozzle is the standout for the mids—and the one trusted by multiple ears in the scene. Comfort is strong, the shell is vented, and it ships with Divinus Velvet tips.

Tonally, this is an organic, warm, downward-sloping tuning with a thumpy, fun bass, generous width, and an overall rich timbre. It suits R&B and hip-hop especially well; stage feels broad and “concert-like,” vocals come across analog and full. Treble is agreeable rather than flashy—on tracks like “Thriller” the cymbals could use a touch more bite—yet detail retrieval and resolution remain respectable. Not a dead-neutral monitor; more a musical, engaging daily driver for listeners who embrace warmth.

Against peers and prior Hidizs sets, MK12 x DucBloke carries the brand’s better traits with cleaner treble energy than some earlier efforts and a bass shelf that avoids muddle. It echoes the warmth of certain high-end references while adding a bit more upper-treble air. EQ is a playground here: presets like Sparkle (air lift), Neutral (slight sub-bass bump), and Hard-Hitting (more bass, more linear) all work well, and the Jaytiss-tuned profile adds extra air without breaking balance. Final take: a solid “A” fun set with 9/10 bass & dynamics, warm-leaning mids, polite treble, big stage, and strong technical underpinnings—an easy recommendation for those wanting a rich, vented, EQ-friendly single-DD in a gorgeous red suit.

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The NiceHCK Rockies have a balanced tuning with standout treble extension from its ESTs. Vocals are tamer with a cut in the upper mids, trading sparkle-forward presence for a smoother, airier presentation; staging feels more open because bass and vocals sit slightly back, while cymbal decay lingers with a pleasing airiness. Technical performance is very good for the price—punching above many $500–$600 peers—and the unboxing/accessories package adds to the overall value.

Low end is grounded and tidy rather than slammy; texture and separation are solid, but this isn’t for bassheads or those wanting vocal-forward excitement (sets like Top Pro or Volare cover that better). The Rockies excel with rock/metal/indie/classical where the extra air, layering, and controlled upper energy shine; they scale best at mid volumes, and tip rolling should avoid options that over-boost or dull the treble—the stock tips already hit a sweet spot. Net: a confident recommendation at ~$500–$600 for listeners prioritizing treble quality, detail, and spaciousness, with the main trade-off being a more restrained bass and laid-back vocal emphasis.

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NiceHCK Rockies lands as a $500 tribrid (1DD+2BA+2EST) that mirrors the Mega5-EST’s tuning with subtle tweaks. The unboxing is generous—three styles of tips (including AET07-style and tacky “medical” silicone), a large puck case, and a swappable 3.5/4.4 screw-lock plug. Build feels premium with a real pietersite stone faceplate; fit is comfortable but shell geometry is generic, so stability depends on tips. The stock cable looks nice but is stiff and, notably, has no chin slider.

Sonically, Rockies follows a tilted diffuse-field / “new meta” balance with slightly less bass and a touch more lower-treble than Mega5-EST—on the order of ~1 dB each way. That shift tightens the low end and improves separation/imaging, making the set feel more technical; however, it also trims warmth and depth, leaving the presentation a bit dry/brittle at times. Bass quality is clean and controlled rather than showy; treble reads clear without obvious harshness on the 711 rig readout, though it can edge lean.

Against peers, Mega5-EST stays the easier, warmer listen with slightly “thuddier” bass, while DUNU’s Brain Dance is the pick for maximum excitement and staging (more clinical up top). Moondrop x Crinacle Dusk (analog use) offers stronger imaging and notably satisfying bass execution at a lower price. Rockies ends up a very good, balanced all-rounder that some will prefer over Mega5-EST for its tidier bass and clarity, but the trade for brightness and dryness is real—final verdict: 3/5.

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Hidizs MK12 x DucBloke shows up dressed in the reddest red to ever red, with big, hefty shells and a pointy tail that looks like it could break glass—mercifully harmless once seated. The package includes a unique red 8-wire 4.4mm cable and a pile of tips that are basically the same “ball” style in different sizes. Build feels solid and weighty, though one connector sleeve reportedly slipped off and needed a dab of glue. It’s a collab tied to DucBloke’s PEQ profiles (pre-order via a Google Sheet), but the pitch here isn’t DSP-first—this one already hits hard in stock form.

Under the hood sits a single 12 mm dynamic with that MK12 magnesium diaphragm lineage, tuned for fast, hard-hitting bass that slams like dead-blow hammers. Sub-bass digs deep, mid-bass punches, and yet the top stays lively with sparkly treble and a solid soundstage that throws shakers and effects convincingly around the head. Crucially, it sounds good without PEQ—a sharp contrast to sets that need baked-in DSP to function (cue the Dusk 2 rant). DucBloke’s presets exist (there’s even a “bass murder” flavor), but the default tuning already scratches the basshead itch.

Price is expected around $250 (sub-$300 target), which puts this squarely in “basshead value” territory versus pricier rumble machines like Martillo (~$350) or Mega5EST Bass+ (~$550). Downsides: very big and heavy shells, that decorative point, and more bass than neutrality seekers will want. For anyone craving an affordable, sauce-drenched low-end with engaging treble and no mandatory EQ hoops, MK12 x DucBloke is basserrific—a fun, vivid sledgehammer that still keeps its shimmer.