Punch Audio Martilo VS DUNU x KOTO ITO
IEM Comparison: Expert & Community Scores Side-by-Side
Punch Audio Martilo and DUNU x KOTO ITO use 2DD+2BA+1Planar and 2DD+2BA driver setups respectively. Punch Audio Martilo costs $329 while DUNU x KOTO ITO costs $199. Punch Audio Martilo is $130 more expensive. Punch Audio Martilo holds a slight 0.2-point edge in reviewer scores (7.5 vs 7.3). Punch Audio Martilo has better mids with a 0.9-point edge, Punch Audio Martilo has better treble with a 0.9-point edge, Punch Audio Martilo has significantly better dynamics with a 1.2-point edge and Punch Audio Martilo has slightly better soundstage with a 0.3-point edge.
Insights
| Metric | Punch Audio Martilo | DUNU x KOTO ITO |
|---|---|---|
| Bass | 8 | 8.1 |
| Mids | 7 | 6.1 |
| Treble | 7 | 6.2 |
| Details | 7.5 | 7.2 |
| Soundstage | 7.5 | 7.3 |
| Imaging | 7.5 | 7.4 |
| Dynamics | 9 | 7.8 |
| Tonality | 7.6 | 7.1 |
| Technicalities | 7.2 | 6.2 |
Punch Audio Martilo Aggregated Review Score
Average Reviewer Scores
DUNU x KOTO ITO Aggregated Review Score
Average Reviewer Scores
Punch Audio Martilo Details
Driver Configuration: 2DD+2BA+1Planar
Tuning Type: Bassy with midrange clarity
Price (Msrp): $329
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DUNU x KOTO ITO Details
Driver Configuration: 2DD+2BA
Tuning Type: Strong V
Brand: DUNU Top DUNU IEMs
Price (Msrp): $199
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Punch Audio Martilo User Review Score
Average User Scores
Average User Score: n/a
Based on 0 user reviews
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DUNU x KOTO ITO User Review Score
Average User Scores
Average User Score: n/a
Based on 0 user reviews
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Punch Audio Martilo Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7Gaming Grade
A-DUNU x KOTO ITO Gaming Score
Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
6.4Gaming Grade
BPunch Audio Martilo Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A- Well-executed tonal character. No major flaws with good technical control. Smooth presentation works with multiple genres.
Average Technical Grade
A-- Competent technical presentation. Handles separation and detail well in most tracks, with modest soundstage and acceptable imaging capabilities.
DUNU x KOTO ITO Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- Pleasing tonal balance with good technical control. Minor quirks present but not distracting. Demonstrates decent genre versatility.
Average Technical Grade
B- Satisfactory technical performance. Handles basic detail retrieval adequately in most tracks. Maintains reasonable cohesion in simpler arrangements.
Punch Audio Martilo Reviews
8.6
Reviewer Score
7.9
Reviewer Score
check links for more info:Bad Guy Good Audio original ranking
Bad Guy Good Audio Youtube Channel
Gizaudio Axel
2025-07-25
7.5
Reviewer Score
Great basshead set with strong technical chops. Great value, fun, and engaging without sacrificing clarity. Boosted, clean, and textured bass. Mids are surprisingly clear for a bassy set. Treble’s smooth and non-fatiguing. The bass might be too much for some.Gizaudio Axel original ranking
Gizaudio Axel Youtube Channel
Boom — time for bass. Punch Audio’s Martilo is a tribrid (2×8 mm DD + 2 BA + 1 micro planar) coming in around $330. The package is stacked: sturdy square case, extra filters, multiple tip sets, and a genuinely excellent modular 3.5/4.4 cable that lays flat, has no microphonics, and a firm chin slider. The shells are ergonomic with venting, metal nozzles with a proper lip, and a small nozzle diameter (5.9/5.0 mm) that helps seal; comfort and passive isolation are both strong.
Sonically, this is unapologetically bass-focused without being bass-only. Expect massive sub-bass depth and a punchy mid-bass, yet the low end stays tight, controlled, textured and doesn’t bleed. Mids retain clarity with non-shouty presence, while treble is crisp, smooth, non-fatiguing with decent extension (not ultra-airy). For a bass-heavy set, technical performance is solid: detail is good, and imaging/separation keep busy tracks coherent and energetic.
Against Hisenior’s Mega5EST Bass Plus, Martilo hits harder, feels more engaging, and offers better vocal clarity — and it steamrolls on value at the lower price. Compared with Xenns Tea Pro, the Tea Pro is a bass-lover all-rounder that spotlights vocals/instruments more; Martilo goes full bass-head with bigger rumble and impact. Ideal for listeners who crave deep slam but still want clarity, comfort, and great accessories; not for neutral/reference chasers. Final verdict: 4/5 — it truly punches above its price.
7.5
Reviewer Score
Cheaper, and slightly more energetic HBB Punch with slightly less mid-bass and slam. Endgame "balanced" basshead. Imaging feels sharper than Punch, but treble is not as smooth, aside from that very similar tech and low-end. Jays Audio Youtube Channel
7.2
* score normalized
The Punch Audio Martilo shows up screaming BASSHEAD on the box, but the tuning is smarter than that. A hybrid stack—2×8 mm DD + 2×BA + 1 planar—delivers bass that hits when the track calls for it, then gets out of the way. The surprise is the huge soundstage: airy, wide, borderline cinematic, so pianos, crowds, and live recordings feel expansive rather than claustrophobic. Low 9 Ω impedance and easy efficiency keep the power demands chill, though a low-impedance cable is recommended.
Tip rolling matters. With thin-wall silicone (e.g., Dunu S&S) the stage opens up and balance feels right; foams and some wide-bore options can push treble into a slightly sharp zone on certain tracks. Tonality reads clean and natural—warm-adjacent without a blanket—so everyday music stays unbloated, while proper sub-bass test tracks pressurize with that “firm hand on the chest,” not a sledgehammer.
Build is solid: thick, comfy modular cable with swappable plugs, flashy red shells, and a comically oversized box for a modest accessory set (silicone + foams). Street price around $330 lands in the sweet spot—easily justifying $375 by ear. Think “poor man’s Mega 5 EST Bass Plus”: similarly satisfying slam and stage, with the pricier set showing a touch more upper-mid/treble refinement. Not just for bassheads—more like a full-range thrill ride that lets music breathe and hit when it should.
5.5
Reviewer Score
Strong bass, fun overall mids need improvement for the price Tim Tuned Youtube Channel
8
Reviewer Score
The Punch Audio Martilo delivers a powerful bass experience that dominates its signature, featuring a substantial 14dB sub-bass boost. This emphasis creates visceral, physical rumble, especially in electronic or hip-hop tracks, yet avoids overwhelming the lower mids due to a precise 200Hz crossover. While the dual dynamic drivers generate impressive slam and texture, a slight bloom can occasionally creep into the low-mids on very busy tracks, though it generally maintains better control than many bass-focused rivals.
Surprisingly, the midrange retains clarity and naturalness despite the bass foundation, handled competently by the Knowles balanced armatures. Vocals, both male and female, sound full-bodied and avoid the huskiness or recession common in bass-heavy tunings, while instruments like guitars retain decent texture. The planar magnetic driver contributes a smooth, non-fatiguing treble with adequate air and detail retrieval, though it doesn't quite reach the sparkle or ultimate extension of dedicated electrostatic tweeters.
Technical performance is solid for its price and tuning goal, offering a wide soundstage with good depth and effective layering, particularly impressive given the bass quantity. Imaging is precise enough for accurate placement of instruments. While the bass is the star, the overall presentation manages to avoid being a one-note experience, offering a fun yet reasonably balanced listen that works across more genres than typical basshead sets.
DUNU x KOTO ITO Reviews
Jaytiss
2025-09-11
7.4
Reviewer Score
It's a fun tuning that I think people will like. Jaytiss Youtube Channel
Build & accessories land in a solid spot for the price: comfortable shells with secure nozzles, clear L/R marks, and a supple modular cable that swaps between 4.4mm and 3.5mm (no USB-C in-box). The hard case is nicely made and pocketable, and the whole package feels durable if not premium. Nothing glaring in QC—just a clean, practical presentation.
Sonically, this is a bold V-shape—huge sub-bass punch with elevated upper mids to keep things lively. The bass can turn boomy/pillowy on some tracks, and a scoop around 300–800 Hz can leave female vocals a touch recessed; treble is clean and controlled, a little dark up top with limited sparkle. Technicalities are decent rather than class-leading—separation and air trail sets like Punch Audio Martillo or Crescent, while tuning kinships show up against DUNU Glacier and even Grand Maestro-style balances. Compared to value darlings (e.g., Truth Ear Pure, Jazzer Defiant), ITO feels more audiophile-flavored fun than an all-rounder.
In DUNU’s lineup it reads as a unique basshead option: very engaging slam, thick note weight, and non-fatiguing treble, but only average mids/technicalities. Think hip-hop/EDM-friendly impact over neutral precision. Verdict: around 3–3.5 stars—competitive at $200 for those chasing thump and excitement; listeners wanting neutrality, vocal presence, or extra air may prefer other picks or a “tactful V” with less bass and less upper-mid bite.
Z-Reviews
2025-09-07
6.8
* score normalized
Dunu’s collab with Japanese creator Kaji Kaji lands as the ITO, tuned nothing like the stereotype of “treble ’til you die.” The presentation leans smooth, warm, and open, with a notably wide soundstage that flatters jazz and intimate acoustic sets—think late-night, bourbon-and-smoky-room mood without the glare. It’s built for relaxed musicality rather than forensic detail extraction.
Low end carries a thick, satisfying sub-bass that stays tasteful—present when the track calls for it, not a constant spotlight. The ITO plays “fun first”: big space, plush tone, and enough detail to keep things engaging, landing beside a “T Pro”-type set but with the clinical edges dialed back to emphasize bass and stage. In short, a “perfect fun IEM” vibe that prefers groove and atmosphere over microscope listening.
Ergonomically the shells are a bit thick, but build and accessories impress: a quality Dunu cable with interchangeable plugs, a case, and a spread of tips (including Dunu SS). The hybrid 2DD+2BA setup (ultra-low DD + low/mid DD, mid BA, ultra-high BA) at around 37 Ω runs well from modest sources and scales nicely; pricing circles the $200 mark, making it an easy recommendation for listeners who want warm, expansive, and genuinely musical tuning without chasing every last micro-detail.
IEMRanking AI
2025-09-07
7.6
Reviewer Score
DUNU x KOTO ITO is a $199.99 hybrid IEM built with Japanese reviewer Kaji Kaji (“Koto”). It uses a 2DD+2BA array (10 mm bio-diaphragm DD + 8 mm LCP DD, plus two treble BAs), comes with DUNU’s Q-Lock quick-swap plugs, and lists 105 dB sensitivity at 37 Ω with shells at ~6.5 g each.
Tonally, ITO aims for a U-shaped, bass-tilted balance: sub/mid-bass punch is elevated, mids sit slightly back but avoid haze, and treble is smooth with workable extension rather than bite. Early community impressions frame it as energetic and a touch V-leaning versus DUNU’s more neutral sets, which tracks with the collab’s “full-bodied” intent.
Technicalities are competent for the class: dynamics and imaging keep up with busy mixes, while soundstage and microdetail are closer to average among sub-$200 hybrids; driveability is friendly given 105 dB/37 Ω. As a package—tuning, accessories, and fit—it offers good value for listeners wanting engaging bass without sharp treble, though those chasing expansive stage or strict neutrality may prefer other options.
Punch Audio Martilo User Reviews
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