Punch Audio Martilo VS NiceHCK Rockies

Boom — time for bass. Punch Audio’s Martilo is a tribrid (2×8 mm DD + 2 BA + 1 micro planar) coming in around $330. The package is stacked: sturdy square case, extra filters, multiple tip sets, and a genuinely excellent modular 3.5/4.4 cable that lays flat, has no microphonics, and a firm chin slider. The shells are ergonomic with venting, metal nozzles with a proper lip, and a small nozzle diameter (5.9/5.0 mm) that helps seal; comfort and passive isolation are both strong.

Sonically, this is unapologetically bass-focused without being bass-only. Expect massive sub-bass depth and a punchy mid-bass, yet the low end stays tight, controlled, textured and doesn’t bleed. Mids retain clarity with non-shouty presence, while treble is crisp, smooth, non-fatiguing with decent extension (not ultra-airy). For a bass-heavy set, technical performance is solid: detail is good, and imaging/separation keep busy tracks coherent and energetic.

Against Hisenior’s Mega5EST Bass Plus, Martilo hits harder, feels more engaging, and offers better vocal clarity — and it steamrolls on value at the lower price. Compared with Xenns Tea Pro, the Tea Pro is a bass-lover all-rounder that spotlights vocals/instruments more; Martilo goes full bass-head with bigger rumble and impact. Ideal for listeners who crave deep slam but still want clarity, comfort, and great accessories; not for neutral/reference chasers. Final verdict: 4/5 — it truly punches above its price.

Gizaudio Axel original ranking

The Punch Audio Martilo shows up screaming BASSHEAD on the box, but the tuning is smarter than that. A hybrid stack—2×8 mm DD + 2×BA + 1 planar—delivers bass that hits when the track calls for it, then gets out of the way. The surprise is the huge soundstage: airy, wide, borderline cinematic, so pianos, crowds, and live recordings feel expansive rather than claustrophobic. Low 9 Ω impedance and easy efficiency keep the power demands chill, though a low-impedance cable is recommended.

Tip rolling matters. With thin-wall silicone (e.g., Dunu S&S) the stage opens up and balance feels right; foams and some wide-bore options can push treble into a slightly sharp zone on certain tracks. Tonality reads clean and natural—warm-adjacent without a blanket—so everyday music stays unbloated, while proper sub-bass test tracks pressurize with that “firm hand on the chest,” not a sledgehammer.

Build is solid: thick, comfy modular cable with swappable plugs, flashy red shells, and a comically oversized box for a modest accessory set (silicone + foams). Street price around $330 lands in the sweet spot—easily justifying $375 by ear. Think “poor man’s Mega 5 EST Bass Plus”: similarly satisfying slam and stage, with the pricier set showing a touch more upper-mid/treble refinement. Not just for bassheads—more like a full-range thrill ride that lets music breathe and hit when it should.

Z-Reviews original ranking

NiceHCK Rockies lands in the ~$500 bracket with a 1DD+2BA+2EST setup and a surprisingly premium package. The hollow resin shell feels solid, with a metal nozzle, slightly recessed 2-pin, good isolation, and comfy fit. The swappable-termination cable is thick, pliant, and lays flat—no chin slider out of the box, but easy to add—and the excellent case and tip kit push the accessories into “above class” territory.

Tonally, Rockies goes for tight, controlled bass and a natural midrange, capped by upper-treble that’s sparkly yet refined—detailed without getting shouty or brittle. The graph reads largely flat with a tasteful treble lift, translating to a clean, clear presentation that stays engaging rather than fatiguing. It comes across as an “instant classic” tuning: lively, airy, but still grounded.

Compared with brand siblings (DB2 too upper-midsy; F1 Pro/NX8 fine but not special), Rockies feels like the step up. Versus peers, it splits the difference: more air and delicacy than RSV MK2 (which is bassier/darker), less sizzle than sets that chase treble for effect, and broadly similar endgame vibes to “good” units of Mega5-EST—variance there being the rub. Net: a high-value pick at its price, worthy of a Gold Star—not a universal “benchmark,” but a sweet, natural, clear listen that many will prefer, especially with the standout accessories.

Jaytiss original ranking

The NiceHCK Rockies have a balanced tuning with standout treble extension from its ESTs. Vocals are tamer with a cut in the upper mids, trading sparkle-forward presence for a smoother, airier presentation; staging feels more open because bass and vocals sit slightly back, while cymbal decay lingers with a pleasing airiness. Technical performance is very good for the price—punching above many $500–$600 peers—and the unboxing/accessories package adds to the overall value.

Low end is grounded and tidy rather than slammy; texture and separation are solid, but this isn’t for bassheads or those wanting vocal-forward excitement (sets like Top Pro or Volare cover that better). The Rockies excel with rock/metal/indie/classical where the extra air, layering, and controlled upper energy shine; they scale best at mid volumes, and tip rolling should avoid options that over-boost or dull the treble—the stock tips already hit a sweet spot. Net: a confident recommendation at ~$500–$600 for listeners prioritizing treble quality, detail, and spaciousness, with the main trade-off being a more restrained bass and laid-back vocal emphasis.

Jays Audio original ranking

NiceHCK Rockies lands as a $500 tribrid (1DD+2BA+2EST) that mirrors the Mega5-EST’s tuning with subtle tweaks. The unboxing is generous—three styles of tips (including AET07-style and tacky “medical” silicone), a large puck case, and a swappable 3.5/4.4 screw-lock plug. Build feels premium with a real pietersite stone faceplate; fit is comfortable but shell geometry is generic, so stability depends on tips. The stock cable looks nice but is stiff and, notably, has no chin slider.

Sonically, Rockies follows a tilted diffuse-field / “new meta” balance with slightly less bass and a touch more lower-treble than Mega5-EST—on the order of ~1 dB each way. That shift tightens the low end and improves separation/imaging, making the set feel more technical; however, it also trims warmth and depth, leaving the presentation a bit dry/brittle at times. Bass quality is clean and controlled rather than showy; treble reads clear without obvious harshness on the 711 rig readout, though it can edge lean.

Against peers, Mega5-EST stays the easier, warmer listen with slightly “thuddier” bass, while DUNU’s Brain Dance is the pick for maximum excitement and staging (more clinical up top). Moondrop x Crinacle Dusk (analog use) offers stronger imaging and notably satisfying bass execution at a lower price. Rockies ends up a very good, balanced all-rounder that some will prefer over Mega5-EST for its tidier bass and clarity, but the trade for brightness and dryness is real—final verdict: 3/5.

Super* Review original ranking