
SIMGOT EW300 DSP with 3.5/4.4 cable VS DUNU x KOTO ITO
IEM Comparison: Expert & Community Scores Side-by-Side
SIMGOT EW300 DSP with 3.5/4.4 cable and DUNU x KOTO ITO are in-ear monitors. SIMGOT EW300 DSP with 3.5/4.4 cable costs $80 while DUNU x KOTO ITO costs $199. DUNU x KOTO ITO is $119 more expensive. DUNU x KOTO ITO holds a decisive 1.3-point edge in reviewer scores (6 vs 7.3).
Insights
Metric | SIMGOT EW300 DSP with 3.5/4.4 cable | DUNU x KOTO ITO |
---|---|---|
Bass | 6 | 8.1 |
Mids | 6 | 6.1 |
Treble | 6 | 6.2 |
Details | 6 | 7.2 |
Soundstage | 6 | 7.3 |
Imaging | 6 | 7.4 |
Dynamics | 6 | 7.8 |
Tonality | 7.5 | 7.1 |
Technicalities | 7 | 6.2 |
SIMGOT EW300 DSP with 3.5/4.4 cable Aggregated Review Score
Average Reviewer Scores
DUNU x KOTO ITO Aggregated Review Score
Average Reviewer Scores
SIMGOT EW300 DSP with 3.5/4.4 cable Details
Driver Configuration: n/a
Tuning Type: n/a
Brand: Simgot Top Simgot IEMs
Price (Msrp): $80
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DUNU x KOTO ITO Details
Driver Configuration: 2DD+2BA
Tuning Type: Strong V
Brand: DUNU Top DUNU IEMs
Price (Msrp): $199
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SIMGOT EW300 DSP with 3.5/4.4 cable User Review Score
Average User Scores
Average User Score: n/a
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DUNU x KOTO ITO User Review Score
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SIMGOT EW300 DSP with 3.5/4.4 cable Gaming Score

Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
7.2Gaming Grade
A-DUNU x KOTO ITO Gaming Score

Gaming Score & Grade
- The gaming score is prioritizing technical capabilities of the IEM (Separation, Layering, Soundstage) and good value.
Gaming Score
6.4Gaming Grade
BSIMGOT EW300 DSP with 3.5/4.4 cable Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A- Well-executed tonal character. No major flaws with good technical control. Smooth presentation works with multiple genres.
Average Technical Grade
A-- Competent technical presentation. Handles separation and detail well in most tracks, with modest soundstage and acceptable imaging capabilities.
DUNU x KOTO ITO Scorings
Average Technical & Tuning Grades
Average Tunign Grade
A-- Pleasing tonal balance with good technical control. Minor quirks present but not distracting. Demonstrates decent genre versatility.
Average Technical Grade
B- Satisfactory technical performance. Handles basic detail retrieval adequately in most tracks. Maintains reasonable cohesion in simpler arrangements.
SIMGOT EW300 DSP with 3.5/4.4 cable Reviews
Swapping the DSP cable to a 3.5/4.4mm will give you basically the same sound as stock 3.5mm EW300, so you end up getting 4 different tunings if you have a spare cable lying around. Nice. Jays Audio Youtube Channel
DUNU x KOTO ITO Reviews
Jaytiss
2025-09-11It's a fun tuning that I think people will like. Jaytiss Youtube Channel
Build & accessories land in a solid spot for the price: comfortable shells with secure nozzles, clear L/R marks, and a supple modular cable that swaps between 4.4mm and 3.5mm (no USB-C in-box). The hard case is nicely made and pocketable, and the whole package feels durable if not premium. Nothing glaring in QC—just a clean, practical presentation.
Sonically, this is a bold V-shape—huge sub-bass punch with elevated upper mids to keep things lively. The bass can turn boomy/pillowy on some tracks, and a scoop around 300–800 Hz can leave female vocals a touch recessed; treble is clean and controlled, a little dark up top with limited sparkle. Technicalities are decent rather than class-leading—separation and air trail sets like Punch Audio Martillo or Crescent, while tuning kinships show up against DUNU Glacier and even Grand Maestro-style balances. Compared to value darlings (e.g., Truth Ear Pure, Jazzer Defiant), ITO feels more audiophile-flavored fun than an all-rounder.
In DUNU’s lineup it reads as a unique basshead option: very engaging slam, thick note weight, and non-fatiguing treble, but only average mids/technicalities. Think hip-hop/EDM-friendly impact over neutral precision. Verdict: around 3–3.5 stars—competitive at $200 for those chasing thump and excitement; listeners wanting neutrality, vocal presence, or extra air may prefer other picks or a “tactful V” with less bass and less upper-mid bite.
Z-Reviews
2025-09-07Dunu’s collab with Japanese creator Kaji Kaji lands as the ITO, tuned nothing like the stereotype of “treble ’til you die.” The presentation leans smooth, warm, and open, with a notably wide soundstage that flatters jazz and intimate acoustic sets—think late-night, bourbon-and-smoky-room mood without the glare. It’s built for relaxed musicality rather than forensic detail extraction.
Low end carries a thick, satisfying sub-bass that stays tasteful—present when the track calls for it, not a constant spotlight. The ITO plays “fun first”: big space, plush tone, and enough detail to keep things engaging, landing beside a “T Pro”-type set but with the clinical edges dialed back to emphasize bass and stage. In short, a “perfect fun IEM” vibe that prefers groove and atmosphere over microscope listening.
Ergonomically the shells are a bit thick, but build and accessories impress: a quality Dunu cable with interchangeable plugs, a case, and a spread of tips (including Dunu SS). The hybrid 2DD+2BA setup (ultra-low DD + low/mid DD, mid BA, ultra-high BA) at around 37 Ω runs well from modest sources and scales nicely; pricing circles the $200 mark, making it an easy recommendation for listeners who want warm, expansive, and genuinely musical tuning without chasing every last micro-detail.
IEMRanking AI
2025-09-07
DUNU x KOTO ITO is a $199.99 hybrid IEM built with Japanese reviewer Kaji Kaji (“Koto”). It uses a 2DD+2BA array (10 mm bio-diaphragm DD + 8 mm LCP DD, plus two treble BAs), comes with DUNU’s Q-Lock quick-swap plugs, and lists 105 dB sensitivity at 37 Ω with shells at ~6.5 g each.
Tonally, ITO aims for a U-shaped, bass-tilted balance: sub/mid-bass punch is elevated, mids sit slightly back but avoid haze, and treble is smooth with workable extension rather than bite. Early community impressions frame it as energetic and a touch V-leaning versus DUNU’s more neutral sets, which tracks with the collab’s “full-bodied” intent.
Technicalities are competent for the class: dynamics and imaging keep up with busy mixes, while soundstage and microdetail are closer to average among sub-$200 hybrids; driveability is friendly given 105 dB/37 Ω. As a package—tuning, accessories, and fit—it offers good value for listeners wanting engaging bass without sharp treble, though those chasing expansive stage or strict neutrality may prefer other options.
SIMGOT EW300 DSP with 3.5/4.4 cable User Reviews
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