Simgot Supermix 4 VS MYER SL224

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The MYER SL224 is a stylish tribrid (2DD + 2BA + 4 microplanars) coming in around $270, shipped with a decent 4-core cable featuring 3.5 / 4.4 / USB-C interchangeable plugs, a zipper case, and three ear-tip sets (regular silicone, SpinFit-style silicone, foam). Build is eye-catching thanks to a real mother-of-pearl faceplate; the shell is on the larger side with a universal-custom shape that sits comfortably for long sessions, though smaller ears should test fit first. Cable behavior is mostly cooperative (functional chin slider, slight memory), and overall accessories feel thoughtful for the price.

Tonally, SL224 targets a clean, clinical presentation: sub-bass carries the weight while mid-bass stays nearer to neutral, which can read a touch lean unless paired with a warmer source (tube or similar) to add body. The midrange tracks neutral until the upper-mid / lower-treble rise, boosting female vocal harmonics and air; some may find this area forward, yet it avoids the usual micro-planar harshness. Treble is well-extended and energetic, if not the smoothest—there’s a hint of disconnect around the pinna gain—but this nit shows mainly against sets two to three times the price. Technical chops are a highlight: resolution rivals class standouts (think AFUL P7 territory), imaging is tidy, stage is fairly wide, and it earns a strong nod for competitive gaming.

Against peers, CK2V hits harder down low but dips mid-bass and feels less even up top; AFUL P7 is more balanced yet less flattering to female vocals and trickier in treble; “Dusk” (DSP) delivers better bass and a warmer tilt; “Brain Dance” is flashier but far sharper; Moondrop Meteor tracks a similar tonality with smoother highs and a mid-centric lean—an easy upgrade path if this signature clicks. Recommendation is clear: pick SL224 for a mid/treble-focused set with standout detail and clarity; skip it if sensitive to upper-mid energy or chasing a warm, bass-rich tuning. For value, this feels underrated and distinct in a meta-heavy market, earning a solid three-star recommendation.

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SIMGOT Supermix 4 comes out swinging: a quad-brid with both planar and PZT drivers that somehow sounds buttery smooth and shockingly coherent—more like a single driver than a parts bin. Upper-mids and treble sit neutral and refined, avoiding the usual glare; tuning reads as Harman 2019 done right—what feels like endgame Harman. Versus sets like Supernova/Nova/Chopin, the SM4 brings cleaner extension, higher resolving power, and a smoother, more polished treble where cymbals and consonants land naturally. Note this is a pre-production unit, so final tuning may still shift.

Bass quantity measures lower than some peers, but that puts the low end in the background and boosts separation, layering, and transient clarity; texture is tidy, impact respectable, and decay well-judged. Vocals are a highlight—accurate, balanced, complete in extension, and consistently non-fatiguing. Treble adds a sprinkle of liveliness without turning sharp. In A/Bs: it feels like a cleaner, more energetic Origin; a smoother, more technical all-rounder than CK LVX/Pula (though those keep a fuller, dreamier flavor); trades blows with Dusk (Dusk hits harder and runs brighter, SM4 wins mid/upper-mid detail and vocal completeness); and out-separates Hype 4 while Hype 4 remains the bigger, bassier fun pick. As an all-rounder this is top-tier; if priced around Dusk/Hype 4 it’s a strong value, while a ~$500 tag would push it into diminishing returns.

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Build and comfort are front-and-center: a cozy shell with a metal faceplate, excellent ergonomics, and easy tip fitment. The red/blue two-pin sockets and the gunmetal cable add a premium touch, while the case is the familiar, functional Simgot pouch. Hype is warranted at least on construction—this is the most comfortable Simgot shell in the lineup so far.

Sonically, Supermix 4 follows a Harman-style curve with clean channel matching, solid resolution, and bass that balances sub-bass presence with controlled mid-bass. Treble can “touch the sun”—slightly bright on certain tracks—and the very low impedance makes it source/tip sensitive; tip rolling and even a basic Apple dongle often settle it down. Technicalities are strong for the price: clarity, shimmer on cymbals, and lifelike guitars impress, though some will crave a smoother top end.

Against peers, it surpasses EW200 in refinement and comfort and feels like a cleaner, easier-to-live-with replacement for EM6L. Compared with AFUL Explorer, this is the more forward/bright take versus Explorer’s laid-back vibe; versus CCA Hydro, vocals are steadier while Hydro punches harder down low. Kiwi Ears Quintet shows similar intent but has quirks around 10 kHz; DaVinci is a touch more refined yet pricier, and some will prefer Supermix 4’s shell and value. Net result: a strong recommendation for listeners wanting a comfortable, versatile, mildly vivid IEM that competes above its bracket—great for music and even gaming—so long as a hint of brightness is acceptable.

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Packaging overdelivers: a modular cable with 3.5/4.4/USB-C and an included dongle that gets loud enough, seven pairs of silicone tips plus foam, and a small zip case (nice but tight). The shell looks premium with a depth-effect faceplate and a metal nozzle (≈6.1 mm lip); fit is snug though potentially big for smaller ears. Build and accessories feel thoughtful at the price, with only a slightly rubbery cable texture to nitpick.

Tuning is a smooth, vocal-focused, meta-inspired balance: refined mids, a friendly yet detailed top end, and a clean, controlled low end. Bass quality is textured and separated but intentionally polite—not for hip-hop/EDM impact chasers. The midrange brings clear, natural tone without shout; both male and female vocals sit forward. The treble is the star: highly resolving, airy, and surprisingly non-fatiguing for the four micro-planars, avoiding metallic glare while adding tasteful sparkle.

Technically, separation and resolution impress, with a mild cohesiveness quirk where the treble detail outshines bass/mids. Versus peers: CK2V is more V-shaped and brighter-hot; SL224 sounds more natural. Moondrop Meteor offers smoother treble and mid timbre, but SL224’s bass quality and value punch back. Dunu Brain Dance is technically stronger; SL224 wins on tonality. SoftEars Studio 4 remains more lifelike/cohesive; SL224 brings more air and fun. AFUL Performer 7 is the better all-rounder; SL224 is for lighter-bass, vocal clarity. Kiwi Ears Astral is airier/more micro-detailed; SL224 plays it safer up top with more forward vocals. Recommendation: vocal lovers and treble-sensitive listeners wanting detail without sting. Not for bassheads or warm-tilted tastes. Final verdict: a confident 4/5 and the most compelling Myer release so far.