Simgot Supermix 4 VS Simgot EW300

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SIMGOT Supermix 4 comes out swinging: a quad-brid with both planar and PZT drivers that somehow sounds buttery smooth and shockingly coherent—more like a single driver than a parts bin. Upper-mids and treble sit neutral and refined, avoiding the usual glare; tuning reads as Harman 2019 done right—what feels like endgame Harman. Versus sets like Supernova/Nova/Chopin, the SM4 brings cleaner extension, higher resolving power, and a smoother, more polished treble where cymbals and consonants land naturally. Note this is a pre-production unit, so final tuning may still shift.

Bass quantity measures lower than some peers, but that puts the low end in the background and boosts separation, layering, and transient clarity; texture is tidy, impact respectable, and decay well-judged. Vocals are a highlight—accurate, balanced, complete in extension, and consistently non-fatiguing. Treble adds a sprinkle of liveliness without turning sharp. In A/Bs: it feels like a cleaner, more energetic Origin; a smoother, more technical all-rounder than CK LVX/Pula (though those keep a fuller, dreamier flavor); trades blows with Dusk (Dusk hits harder and runs brighter, SM4 wins mid/upper-mid detail and vocal completeness); and out-separates Hype 4 while Hype 4 remains the bigger, bassier fun pick. As an all-rounder this is top-tier; if priced around Dusk/Hype 4 it’s a strong value, while a ~$500 tag would push it into diminishing returns.

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The Simgot EW300 positions itself as a standout under $80, acting as a direct upgrade to the EW200 with more refined tuning and an uptick in layering/resolution. With the red 3.5 mm nozzle, the presentation is a dynamic, all-rounder tilt: upper-mids/treble are smoother and less peaky yet remain well-extended, vocals “pop” naturally, and separation feels tidier. In comparisons, the EA500 LM carries higher raw detail and a brighter, more exciting edge, but EW300’s calmer balance makes for longer, less fatiguing sessions and genuinely trades blows on preference.

Swapping to the pink nozzle shifts the EW300 into a warmer, bassier, and more laid-back profile with added thickness down low and a tamed 1–3 kHz region that helps vocal comfort and cuts fatigue. It suits rock, hip-hop, and metal while maintaining clean midrange boundaries, improved instrument separation, and a generally relaxing tone. Against similarly priced planars, the analog EW300 sounds less “sizzly” in timbre while holding its own on separation; owners of the original EA500 shouldn’t expect a huge jump here—the bigger step up remains the LM for sheer resolution.

The DSP version skews more vocal-focused and “clean balanced,” sacrificing some analog punch for smoothness and control. A deliberate 5–10 kHz softening plus a 13 kHz accent keeps consonants gentler and overall non-fatiguing, though some may find end-notes a touch too polite; the pink DSP profile further tames vocals while still giving satisfying cymbal crash. Practicalities are strong: the integrated DAC path shows a low noise floor with no odd artifacts on volume changes, and latency is a non-issue; for gaming, the analog 3.5 mm still images slightly better. Net: pick analog for slam and energy, or DSP for a smooth, vocal-centric clarity—either way, the EW300 offers real flexibility and polish at its price.

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Supermix 4 emerges as the standout of Simgot’s quartet for both fit and build, pairing a classy brushed bronze faceplate with the most refined tuning of the group. As a quad-brid, it delivers superior cleanliness, imaging, and depth perception versus EM6L, EA1000, and EA500LM, with tighter separation and more micro-detail; its presence region feels a touch more laid-back than EA1000, keeping gunshots from turning shouty. Footsteps could be slightly more elevated for sweaty lobbies, but that’s easily addressed with EQ while preserving the set’s natural balance.

Across titles it’s the most dependable all-rounder: in Valorant, the added cleanliness and precision outclass EA500LM (bloated, spicy gunshots) and nudge ahead of EM6L/EA1000; in Rainbow Six Siege, clarity, separation, and positional cues make it the clear pick. Call of Duty is closer—EA500LM is a solid budget choice and EA1000 can get intense—but Supermix 4 still pulls more footstep detail while staying composed; in Apex Legends it trades blows with EM6L yet edges ahead with extra information retrieval. Overall verdict: Supermix 4 wins, with EM6L in second, EA1000 around B-, and EA500LM around C+; a clean, precise, and thoroughly engaging pick for competitive and casual gaming alike.

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Simgot EW300 makes a strong case as a sub-$80 tribrid benchmark, bringing a more natural timbre, better layering, and a small bump in resolution over EW200. With the red 3.5 mm nozzles, tuning is a lively all-rounder: punchy low end, smoother upper-mids/treble with fewer peaks, and vocals that pop without glare—essentially a more refined, less shouty evolution of EW200. Swap to the pink nozzles and the signature shifts warmer and bassier, taming 1–3 kHz for thicker body and reduced fatigue—great for rock, hip-hop, and metal—while keeping separation clean and the midrange free of bleed.

The DSP version pivots toward a clean, vocal-focused balance: extended yet smooth, effortless vocals, and low fatigue. A deliberate 5–10 kHz dip plus an airy upper push trades some bite for longer listening comfort; the pink DSP nozzle dials vocals even calmer while keeping cymbal crashes satisfying. Implementation quality stands out: a dedicated DAC section yields a low noise floor with no volume-change artifacts, and latency stays in check. For gaming and microdetail, the analog 3.5 mm edges ahead with slightly better imaging and resolution.

Against peers, EW300 trades blows with the EA500 LM—LM chases raw resolution with a brighter, more exciting tilt, whereas EW300 sounds smoother and easier for long sessions (OG EA500 owners won’t see a big upgrade, though layering/separation are a touch better). Versus other sub-$100 sets and entry-level planars, EW300’s timbre is less sizzly yet remains technically competent, and the two-nozzle system effectively gives two tunings in one. Taken together—analog punch, DSP polish, and genuine tuning flexibility—EW300 positions itself as a new value benchmark in its price class.