Softears RSV VS Xenns Top Pro

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Softears RSV breaks the usual BA timbre stigma with a natural, cohesive presentation that avoids the metallic edge often blamed on poor crossovers. Its tuning lifts the upper-mids/early treble just enough to throw vocals into center stage, creating a lively contrast against an otherwise balanced base. At higher volumes the treble feels smooth and correct—cymbal hits sound “right” without glare—while the midrange stays clean, forward, and free of bleed.

Technically, it’s above average but not a show-off: speed, separation, and imaging are tight, yet sets like SA6 Ultra or U12t resolve a touch sharper. Bass carries typical BA traits—quick, textured, but without dynamic-driver slam—though U12t still edges it for bass texture. Where RSV shines is vocal immersion and timbre, arguably among the best under $1,000; just note its source sensitivity at loud listening—pair it with a clean, capable source to avoid distortion. Not a pick for bassheads, but for vocal lovers chasing a smooth, lifelike top end, RSV feels special.

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The Xenns Top Pro establishes itself as a formidable $500 benchmark, delivering a dynamic, balanced, and clear sound signature. Its standout feature is the crispy, clear, and highly resolving treble that avoids artificial sharpness or fatigue, contributing to a refined hi-fi presentation. This treble clarity particularly enhances female vocals, rendering them sweet and angelic without huskiness, perfectly distanced, and non-shouty at normal volumes due to intelligent tuning cuts and gains.

Technically, the Top Pro punches above its price, competing with models around the $1,000 mark and reaching near Monarch level performance. While a direct upgrade to the original Top, Astral, and Meta models—offering more detail, less sharpness, and increased sparkle—it isn't a massive leap. Its value-to-performance ratio is exceptional. Compared to the Monarch Mk III, it trades some bass impact and texture (making it mid-bass light for genres like rock or metal) for superior layering, separation, and a more dynamic, contrasty, and crispy treble presentation. The bass, while sufficient, can feel disengaged in bass-heavy genres, making sets like the Astral or Odyssey preferable there.

Scaling depends on volume and genre: energetic tracks with treble emphasis suit mid volumes (~65dB), while slower artists like Frank Ocean shine at higher volumes (~75-80dB). Balanced eartips are recommended to maintain its excellent treble balance. Against competitors, the Top Pro is more technical and resolving than the Arcanis (though the Arcanis offers more unique, intimate vocals), more energetic and dynamic than the Volare (which has smoother treble and better mid-bass), and cleaner with better layering than the Oracle Mk III (which boasts better bass texture). Ultimately, the Top Pro is a highly recommended all-rounder, delivering near Monarch-level performance at half the cost with great accessories, making it arguably the best $500 upgrade option for most.

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Softears RSV brings a 5BA recipe with a shell that’s handsome but larger than average, featuring a recessed 2-pin that can fuss with some cables. Comfort is generally fine, yet the size and wide body may test smaller ears. Sonically it’s a neutral-leaning tuning with clean mids and polite highs, but the presentation trades off texture, sub-bass weight, and upper-air sparkle. Stage feels spacious, extension is more average, and while the technicalities are solid, the current crop of mid-fi monitors has pushed beyond what this 2021 design delivers.

Stacked against today’s options, RSV gets pressure from several directions: Elysian Pilgrim hits harder down low with greater perceived clarity; Supernova offers a more natural tonality and better sub-bass; HiSenior Mega5 EST graphs similarly but adds a touch more air; even value picks like a “super mix”/EM10-style V-tune bring fun, slam, and engagement. RSV remains easy to pair and its upper-mids are tastefully set, yet vocals can feel a bit soft—more “fun and cozy” than pristine. At typical new pricing around the mid-$500s it’s tough to champion; catch it closer to $350–$400 (or a good used deal) and it becomes a very enjoyable pick for those who prize smooth mids over maximum bass grip and airy bite.

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The Xenns Top Pro boasts an exceedingly comfortable, vented resin shell with a metal nozzle, praised as one of the better shells out there. It's light, isolates well, and features a flat two-pin connector. The included case feels extremely premium, matching cases found on more expensive IEMs. Accessories are generous, including a 4.4mm cable, 6.3mm adapter, three sets of tips, a pouch, and a shirt clip. The cable itself is appropriate for the price, described as plush and nice with a Dunu-style locking system, though the chin slider feels slightly loose.

Sonically, the Top Pro presents an interesting and effective mild V-shaped tuning that aligns perfectly with the reviewer's preferences. It features slightly elevated bass and mids with a hint of darkness, delivering clean, pristine mids and great treble extension and air without sibilance. Technical performance is strong across imaging, note weight, and detail. Graph comparisons show similarities to sets like the Dusk DSP and Annihilator, but the Top Pro distinguishes itself with better bass impact than its metallic-shelled sibling (the Tea Pro) and a more comfortable, all-day listen compared to the ultra-detailed but potentially fatiguing AFUL Cantor. It holds its own against flagships like the Monarch MkIII (offering potentially better bass) and the Astral (with minor tonal differences), proving highly competitive in the $400-$900 range.

Ultimately, the Xenns Top Pro emerges as a standout offering from the brand and a top contender at its $500 price point. It hits a sweet spot with very few faults, combining a world-class comfortable shell, generous premium accessories, and a cohesive, engaging sound signature. It delivers nice everything – impactful bass, clean mids, well-extended treble, and strong technicals – making it an easy all-day listen and a set that's hard to beat for this specific tuning philosophy. While responsible purchasing and demos are always advised, it earns a full recommendation as an excellent all-rounder.

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Softears RSV presents as a premium, well-finished all-BA set with five balanced armatures, a secure, slightly deeper fit and above-average isolation. The package feels thoughtful—nice case, multiple tips, cleaning tools—while the shells have a tasteful, dark flake aesthetic. Ergonomically it fills the ear a bit more than comparable models like Moondrop’s S8, but comfort and stability are standouts.

Tonally, RSV opts for a warm, laid-back Harman tilt: elevated sub-bass with restrained mid-bass, even mids with a touch more body than typical Harman, and an upper-mid presence that’s assertive yet not shouty. The treble is notably smooth and controlled—never sharp or sibilant—contributing to an unfatiguing, polished listen. For an all-BA design, the bass is punchy and clean, staying out of the midrange; the main trade-off is a stage that can feel narrower versus more expansive peers.

Against benchmarks, RSV comes across as the “gentleman’s” alternative to the more energetic Moondrop S8 and the livelier, deeper-reaching ThieAudio Monarch, while showing more consistent bass body and smoother treble than DUNU SA6. At roughly $730, it emphasizes balance and refinement over fireworks, earning a solid four-star verdict: extremely competent tuning and execution for those prioritizing maturity, comfort, and smoothness over maximum excitement.

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The Xenns Top Pro enters the competitive $500 IEM arena with a hybrid driver configuration (two dynamic drivers, eight balanced armatures per side) and striking aesthetics, described as a "Jackson Pollock cross cyberpunk" design offering impressive visual depth within its lightweight, translucent resin shells. While the packaging is handsome and premium, including a large carry case, a soft pouch, a cleaning tool, a shirt clip, a termination adapter, and a generous selection of ear tips (foam and two silicone styles), the included thin, lightweight cable feels somewhat lackluster and uninspiring despite its swappable termination mechanism (3.5mm/4.4mm/6.35mm). Fit is stable but leans medium-large, potentially challenging for smaller ears, with a nozzle depth requiring tip experimentation for optimal comfort.

Sonically, the Top Pro follows the "new meta" tilted diffuse field sound signature, measuring close to a neutral target. However, its execution falls short of expectations. The boosted bass lacks definition and physicality, coming across as soft, unengaging, and lacking sharp attack or tactile impact, reminiscent of the HiSenior Mega5-EST's low-end. While the upper treble elevation adds brightness and air without harshness or sibilance, it combines with the bass presentation to create an overall tonality that feels clinical, thin, and surprisingly bodyless, lacking warmth and richness despite the bass quantity. Technical performance is decent but unremarkable; imaging and separation are competent due to the brighter tilt, but the presentation feels smoothed over and ultimately unengaging.

Comparisons highlight its shortcomings against key competitors: the Mega5-EST offers better mid-range body and natural tonality; the Oracle mk3 delivers superior bass tactility and a more exciting, stagey presentation; the Brain Dance provides a more impactful, bombastic sound with better-defined bass; and the cheaper Dusk excels with exceptional vocal texture, micro-contrast, and significantly superior bass physicality and engagement. Consequently, while not a bad IEM and confirming that $500 can buy top-tier sound, the Xenns Top Pro earns a modest 3-star rating for its lackluster bass, clinical tonality, and failure to stand out in a crowded field where alternatives simply offer more compelling and engaging listening experiences.

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Softears RSV delivers a rare combo for a full-BA set: organic timbre without the plasticky edge. The bass carries sufficient weight with a mid-bass emphasis—tight and tasteful rather than earth-shaking, and understandably shy of a DD’s thump. Midrange separation from the bass is clean yet never thin; male vocals keep their body, while female vocals and instruments sound natural, relaxed, and true-to-life. Treble sits neutral and tame—enough sparkle to animate vocals and instruments, but not tuned to spotlight microdetail. Detail retrieval is above average for the price, though not a detail monster, and staging plus imaging sit comfortably slightly outside the head with competent placement. The overall takeaway is a beautiful all-rounder that prioritizes realism and balance over fireworks.

Against peers, RSV squares up closely with Thieaudio Oracle: choose Oracle for more dynamic bass, pick RSV for more organic mids and vocals. Versus sets like Moondrop Variations, RSV trades a touch of separation/analytical edge for fuller lower mids and a more lifelike tonal weight. It won’t chase the widest stages or the sharpest micro-etch, but the tuning and timbre are so dialed that technical trade-offs fade into the background. As the most affordable Softears model, RSV feels like a love letter to musicality: realistic tone, versatile tuning, and a presentation that simply sounds right across genres.

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The Xenns Top Pro stands as a significant evolution from its predecessors, bearing little resemblance to the original Top despite sharing a similar driver configuration. Its tuning aligns much more closely with the Tea Pro, effectively acting as an upgrade to that model – perhaps better named the "Tea Pro Max". It delivers a slightly warmish mid-range with a boost in the upper mids, creating a natural yet contrasty and fun presentation. Vocals retain life and presence, avoiding sounding pushed back or dead neutral. Crucially, the Top Pro executes this mid-range cleaner than the T Pro, thanks to a cut in the mid-bass. This cut enhances bass definition, making it punchier and more dynamic, while also improving separation between the bass and mid-range.

Treble performance is generally lively and detailed, contributing significantly to the perception of strong technical ability. However, it can be slightly peaky, introducing a touch of BA timbre that detracts slightly from perfection – a minor nitpick considering the overall quality. Instrumental separation across the frequency range (bass, mids, treble) is a standout feature, resulting in very good technical performance that surpasses competitors like the Blessing 3. The signature manages to sound snappy and tactile despite a weighty low end. Compared directly to the original Top, the Top Pro offers a fuller, more realistic mid-range adhering to modern tuning philosophies, whereas the original Top remains brighter and leaner. Against the highly regarded HiSenior Mega 5 EST, the Top Pro provides a more engaging and contrasty alternative to the Mega 5 EST's exceptional but potentially "vanilla" neutrality and smoother timbre.

Ultimately, the Xenns Top Pro earns a strong recommendation and a deserved A-tier ranking. It represents a compelling value proposition at its price point, offering an engaging signature with excellent technicalities that many listeners will enjoy. The only significant caveat is for those extra sensitive to treble, who are strongly advised to demo it first due to its elevated and occasionally peaky nature.

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Softears RSV is a 5 BA reference style in ear that combines a compact shell, handsome finish and a surprisingly premium accessory set with a slim but comfortable cable. Isolation is strong and fit is excellent for most ears, although the fully sealed all BA design can create pressure build up for listeners who are sensitive to that. As a result the RSV feels like a serious, studio leaning monitor right out of the box with very little to distract from the sound.

The low end is tuned close to neutral, delivering enough bass quantity to follow the track while focusing more on clarity and control than on slam or dynamic driver style rumble. The lower mids avoid thinness thanks to some mid bass warmth, and the overall midrange is where the RSV shines, with forward, crystal clear vocals, strong note weight and excellent instrument separation, especially for female voices. Treble is not overly airy or bright but has a very natural, realistic timbre, rendering cymbal hits and high frequency details in a way that feels convincing rather than flashy.

Compared to Softears Studio 4 and Dunu SA6 MK II, the RSV trades ultimate technical performance for a more vocal focused presentation. Resolution, imaging and soundstage are good but clearly behind the airier, wider and more detailed SA6 MK II, and Studio 4 delivers around eighty percent of the RSV experience while offering stronger value at a lower price. Where RSV clearly wins is in tuning for vocal and instrument lovers; for listeners who want the singer pushed forward with natural tonality and do not mind average stage size or BA style bass, this remains a compelling and characterful option.

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Positioned at $500, the Xenns Top Pro gets stacked against the Subtonic Storm at around $5,400—a full 10× price gap that shouldn’t be glossed over. Level-matched listening shows the two land surprisingly close in overall technical performance, with differences in DDs/ESTs and driver counts mattering less than expected. What stands out more is transparency: the Top Pro is upfront about its internals and branded components, while the Summit-Fi piece plays things closer to the vest—par for the course at that tier.

In back-to-back A/B, the Top Pro’s mid-forward balance proves the hook. Instead of leaning on a mid-bass lift for “note weight,” it nudges the mids, keeping vocals, guitars, and cymbals clean and engaging without tipping thin or brittle. Anchored at the same SPL, track after track, the choice often becomes a coin flip—and many listeners would likely pick the more affordable set on tuning alone, because it’s simply more immediately musical across genres while holding its own technically.

This is diminishing returns in the palm of a hand. Slotting the Top Pro into a ranking even risks crowding out pricier neighbors, because its value sits uncomfortably high for its bracket. If the shells were disguised and the price tags hidden, the pick rate would tell the story: a “top-of-the-line” listen without the Summit-Fi tax, driven by smart tuning rather than spec sheet theatrics.

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Z-Reviews expresses immediate and strong enthusiasm for the Xenns Top Pro, a $500 IEM featuring a 10-driver configuration (8 balanced armatures + 2 dynamic drivers). He notes their exceptional build quality and stunning visual design, describing them as one of the "prettiest IEMs that has ever existed" with a "color explosion" on the back. The accessories impress him, particularly the thoughtful custom foam insert in the case to protect the zipper, a soft padded case, a high-quality "196-core copper silver cable", and uniquely presented tip sets housed in pre-numbered, multicolored boxes. He finds the large nozzle comfortable enough for extended listening sessions, even though his arms fell asleep during one.

The core of the review focuses on the outstanding sound quality. Z-Reviews describes the sound as "smooth magical things" to his ears, emphasizing its non-fatiguing nature despite excellent detail retrieval: "clear as a whistle but not painful". He highlights the exceptional bass performance, which creates a unique physical sensation, fooling his body into feeling sub-bass pressure like a subwoofer was nearby, without being overpowering or unnatural. The treble is detailed and sharp without causing discomfort. The overall presentation is cohesive, "substantial", and immersive, making him want to listen track after track. He compares the experience favorably to much more expensive IEMs like the $1,500 FIO FX17.

Z-Reviews concludes with a strong recommendation, declaring the Xenns Top Pro "100% worth their $500 price tag". He states they do "everything I want a $500 IEM to do" and outperform his own collaborations like the Defiant, attributing this to the superior driver count and implementation ("there's no replacement for displacement"). Minor critiques include the large nozzle size and the lack of a plastic stand, but these are insignificant compared to the overall performance. His final verdict is that they are a "great" IEM that justifies their price through exceptional sound, build, and accessories.

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Xenns Top Pro arrives with a tidy bundle: a sturdy carrying case, three tip sets (two silicone, one foam), and a lightweight modular cable (3.5/4.4) on a 2-pin connector. The translucent blue, 3D-printed shell is ergonomic and comfortable over long sessions; the nozzle size feels just right. On the graph it follows HBB’s curve with more sub-bass than mid-bass, yielding a fun, energetic sound that’s also notably resolving with strong driver performance; the balanced silicone tips proved best for gaming.

In Valorant, the presentation is intimate and action-packed: rumble from Vandal/Operator/Sheriff hits with tactile weight, and depth cues/verticality stay coherent. Still, the elevated low end adds a slight “husk” that softens imaging precision when team fights erupt, so separation and layering can blur as abilities and gunfire stack—landing around a B+ to A- experience, with sets like the Mango T Pro and Kiwi Ears Astral feeling a bit more breathable.

In Apex Legends, that extra low-end energy makes chaotic scenes less breathable—smokes, grenades, and third parties push separation/layering harder than ideal—while Call of Duty (Treyarch mix) fares surprisingly well, keeping doors, slides, and distant fire easy to track. Counter-Strike 2 doesn’t image as cleanly as Valorant because of the same low-end pull. Overall, the Top Pro is excellent for music (resolving, technical, and punchy—great with rap), but for competitive gaming the original Top remains the safer pick; placement sits around an AB tier, in line with sets like the Letshuoer EJ07M Kinda Lava.