Hisenior Mega5-EST +Bass VS Softears RSV MK II

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Hisenior Mega5-EST +Bass comes as a custom set with personalized shells and a straightforward Pelican-style case. The build is compact and comfortable with an easy tip-lip, though the color matching can look inconsistent in certain light and the stock cable feels a bit lackluster—thin, slightly stiff, and not as plush as expected at this tier.

Sonically, this is where it clicks: a tasteful bass shelf for proper foundation, pristine upper-mids for clarity, and airy EST extension that brings out detail without harshness. It tracks close to a personal target shaped by sets like the Elysian Annihilator and JM1—cleaner and more engaging than the stock Mega5-EST, which can feel like “clean water” to some. Comparisons paint the path here: the affordable Hexa shows the right upper-mid behavior; the Chopin is a fun benchmark under $200 with small quirks; Hype 4 offers a Mega-style tuning on a budget but with less bass; and Binary Dynaquattro scratches a V-shaped itch while being harder to drive. Mega5-EST +Bass blends these lessons into a punchy, articulate, and well-imaged presentation.

Value is strong for a custom with EST drivers under a grand—excellent channel matching, convincing technicalities, and a tuning that feels “just right” for modern music without turning strident. Caveats: the order process can be slow (think weeks) and communication runs through Hisenior/Facebook, so patience helps. Not the only answer at the price, but as a preference-targeted custom that adds the missing low-end weight to the original Mega5-EST’s clarity, this one earns an unapologetic S-tier.

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Softears RSV MK2 takes the original’s idea and pushes it into a bolder, bass-centric direction. The compact shell is comfortably contoured, isolates well, and uses a slightly recessed 2-pin; the angular faceplate gives off an “evil Voltron” vibe in the best way. Packaging and accessories feel premium—a silky cable terminated in 4.4 mm with a matching 3.5 mm adapter, tip selection, cleaning tools—though the bundled case looks nice while feeling a bit faux-leather and questionable for durability. Under the hood is a 5-BA array around the ~$700 mark, presented with the fit and finish expected at this tier.

The tuning is unabashedly bass-heavy with a warmer rise through ~150–200 Hz and a slightly dark-leaning top end; not super airy, but undeniably full, rich, and musical. That weight can introduce occasional roughness/sibilance in certain vocals and can muddy spoken-word content, so this isn’t for everyone. Within Softears’ catalog it stands out: far more low-end than RSV (OG), Volume S, Twilight or Studio 4, and a different philosophy than Enigma’s vivid upper-mids. Versus sets like Monarch MK4, this goes for a deeper, thumpier shelf with a gentler upper air—trading a bit of “technical” sheen for tonal density and groove.

As a “tactfully executed bass-head” Softears, RSV MK2 delivers: impactful low end, natural mids, comfortable build, and a coherent, down-sloping balance that suits modern music exceptionally well. It isn’t flawless—moments of aggressiveness, plus a case that feels more pretty than tough—but the overall package is compelling. In the $400–$900 bracket it scores a 9.4 on this scale, while strong lower-priced options (e.g., bass-shelf specialists like Punch-tuned sets) may satisfy similar cravings if budget leads. For listeners craving a plush, powerful low end done with intent, this is a distinctive and deeply enjoyable take from Softears.

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Softears RSV MK2 shifts from the OG’s vocal-centric tilt into a bass-forward all-rounder. The sub-bass and mid-bass hit with real slam and weight, giving drums and bass guitars a satisfying, dynamic punch. Upper mids (3–6 kHz) are tamed to avoid shout, while a gentle 1–2 kHz rise keeps vocals open and natural—slightly less pushed than the original but still clear. Treble is smooth with decent air; not super sparkly and there’s no EST “sauce,” but it stays clean and non-fatiguing.

As a package, MK2’s standout is the low-end texture—thunderous yet controlled—making it one of the more engaging bassy sets under four figures. Technical performance is solid for the tier, though some rivals at lower prices bring more raw detail and EST extension. Build and accessories get a tasteful, modern refresh. For best balance, the stock tips work well; bass-boosting or treble-opening tips can shift it toward a more V-shape at the expense of overall smoothness.

On genre fit, MK2 shines with hip-hop, pop, EDM, and R&B, where its punch and warmth bring rhythms to life; for orchestral or leaner acoustic picks, the bass can edge forward depending on the mix. It scales to mid–high volumes nicely (around the 70–80 dB zone) without turning sharp. Compared with the OG RSV—now likely affected by a silent retune in recent units—the MK2 is the safer buy: less shout, more authority down low, and a broader all-rounder appeal. Recommended, especially if found below full MSRP, for listeners craving tasteful bass with natural mids and relaxed, smooth treble.

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The Hisenior Mega5-EST +Bass tweaks a proven formula with a flashier shell, a softer puck case in place of the Pelican box, and a thick-but-nice stock cable. The most eyebrow-raising extra is a 3.5→4.4 mm adapter that converts single-ended to balanced—an unusual direction that invites skepticism, even if the brand says it’s safe. Fit remains compact and comfortable with a medium nozzle and semi-custom contour; stock tips are serviceable, though shorter tips like SpinFit can improve seal for some. Aesthetically, the red-black motif reads a bit gaudy, but ergonomics and accessory quality are solid overall.

From ~300 Hz up the tuning mirrors the original Mega5-EST: a gently warm midrange, clean upper-mids, and neutral, well-behaved treble that avoids glare while keeping definition. The change is all down low: roughly a +5 dB bass boost that tilts upward from the lower mids rather than living purely in sub-bass. The result is hefty slam that doesn’t completely smear the picture, but it does shave away some micro-contrast and vocal texture; on bass-forward tracks the low end can turn a touch droning and distracting. Still, transient attack up top stays crisp, and the overall presentation remains coherent—just decidedly bass-first.

Versus the standard Mega5-EST, this edition trades nuance for weight; those who wanted “Mega5-EST, but more bass” get exactly that without wrecking the top end. Compared to a purpose-built warm set like the Symphonium Meteor, the Hisenior’s low end feels less integrated and less intentionally voiced, while Meteor’s treble has a bit of special sauce. Verdict: a 3/5—easy to enjoy and well-tuned above the bass shelf, but the extra low-end doesn’t feel necessary and slightly blunts what made the original so delicate and engaging.

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Softears RSV MK II brings back the all-BA ethos at $700 with five armatures and a promise of “re-engineered BA bass.” Build and accessories feel premium (sleek shells, plush case), while the cable choice is quirky—4.4 mm only with a 3.5 mm pigtail. Fit is outstandingly secure and custom-like but on the larger side with a longer nozzle, so comfort depends on ear size. Softears’ Ultra Clear tips work well; the new metal-ring variant adds little beyond novelty.

On the graph, bass looks like gigabass, yet in ear it settles into a warm, weighty foundation without steamrolling the mids. The midrange follows a “new-meta neutral” tilt—fuller than Harman with forward upper-mids—while treble lands clean and sparkly without fatigue. Imaging is tidy rather than cavernous; separation and delineation are convincing, with the top end executed better than the bottom. BA bass here is among the more physical and satisfying of its kind, though tactility can be track-dependent and turn a bit tubby on very bass-heavy mixes.

Against peers, Symphonium Meteor sounds warmer and more “special” but less all-round; DUNU SA6 MK2 is more colored with janglier treble and the least convincing bass; 7th Acoustics Supernova trades warmth for vivid, bright-tilted imaging; Softears Studio 4 is lighter on bass and airier; and the old Moondrop S8 stays the lively, vocal-centric counterpoint. Net take: a supremely competent, character-light all-rounder that favors bass weight over panoramic staging. Verdict: 4/5 stars—a welcome throwback done right, and notably cheaper than the original RSV launch price.

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Hisenior’s Mega5-EST +Bass takes the acclaimed Mega5 recipe and dials in a tasteful bass boost without upsetting the balance. The unboxing screams premium: a plush sheepskin Manta case, a chunky 4.4 mm Manta cable (nicely built, but heavy), shirt clip, multiple tips, and replaceable nozzle filters for longevity. The resin shells with metal nozzles feel sturdy and look flashy—mismatched shells add flair—while the semi-custom shape fits securely for most, though smaller ears may struggle with the shell size and nozzle girth. On paper it’s a tribrid (1DD + 2BA + 2EST), 24 Ω and >100 dB, so easy to drive; note that higher output impedance or a 15 Ω adapter tilts the FR warmer and bassier, turning it from warm-neutral into near basshead territory.

Sonically, this is bass-boosted neutral done right: sub-bass has real rumble, mid-bass hits with authority yet stays tight. The midrange is the star—rich and full without bloom, giving weight to male vocals while keeping female vocals smooth and clean; separation makes dense mixes effortless. Treble from the ESTs is airy and non-fatiguing, with “Goldilocks” sparkle that lets cymbals and harmonics pop without glare. Technical chops impress: fine detail retrieval, stable stereo separation, and a convincing 3D soundstage that places instruments with confidence—competitive with strong mid-fi performers and nibbling at the heels of pricier flagships.

In A/Bs, think of it as the “luxury performance” take on Kiwi Ears K4 (similar balance but smoother, more detailed, and punchier), richer and bassier than the Dunu x Gizaudio DaVinci (which pushes vocals a bit more), and far more all-rounder than the Kiwi Ears x HBB Punch (a true basshead set). The KZ EDC Pro echoes the general contour at a budget, but the Mega5-EST +Bass crushes it in refinement, texture, and resolution—as it should at $590. Value isn’t its calling card, but as a limited edition built on 2024’s crowd-favorite tuning—now with extra low-end fun and a killer accessory pack—this comfortably sits in the “this is brilliant” tier for anyone seeking a bass-tilted meta tuning that still nails mids, treble smoothness, and day-to-day listenability.

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Hisenior Mega5-EST +Bass takes the already clean, wide, crisp Mega5 tuning and pours a thick, buttery layer of low-end over it—think “Eris-sized” weight without muddying the mids. On bass-light tracks, the presentation stays tidy and balanced; when a track calls for slam, the sub-bass turns the room into a vibrating wooden shack (in a good way). The core technicalities—clarity, stage, and treble finesse—stick around, now backed by a warmer, more physical foundation that makes music feel more alive. For listeners who believe most gear is starving the soul of the music, this tuning argues for more bass normalization, not less.

Build and accessories are generous: a stylish case, multiple tip sets, spare filters, cloth, and a quality 2-pin cable. There’s a fit quirk—the nozzles feel a touch long, often sealing best when backed out slightly—but once seated, it’s rock solid. Big warning, though: skip any 4.4-to-3.5 “illegal” adapters and just choose the right termination up front; the balanced option is the move. Under the hood it’s a 1DD + 2BA + 2EST hybrid that clearly cranks the dynamic driver for that plush sub-bass shelf while keeping vocals articulate and highs smooth.

At $589 (vs. the original’s $549), the upcharge buys the “Bass+” ethos done properly: warmth, weight, and fun without trashing detail. It’s the kind of tuning that encourages long sessions and guilty grins—less about clinical reference curves, more about musical gravity. Call it a price-tag score of “589”: not a penny less than it sounds.

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At around $589, the Hisenior Mega 5 EST Bass+ takes the already well-regarded Mega 5 EST formula and leans hard into a more basshead-oriented presentation. The semi-custom resin shells are well crafted with comfortable ergonomics, and the red and black faceplates have a subtle sparkle that looks premium in the right light. The stock cable is notably robust and upscale feeling, and the accessory kit is generous, with a quality sheepskin case, a useful 4.4 to 3.5 adapter, plenty of tips and even an additional 3.5 mm cable, which underlines Hisenior's effort to respond responsibly to the earlier adapter issue.

Sonically, the Mega 5 EST Bass+ keeps the treble and upper midrange broadly aligned with the original more neutral-meta approach while adding roughly 5 dB of extra bass, with substantial energy in both the sub-bass and mid-bass. The earlier starting bass shelf injects a lot of warmth, punch and slam, giving electronic, pop and classic rock a satisfying sense of impact and weight. Male vocals and lower mid instruments sound rich and full, though that same mid-bass lift introduces a bit of bass bleed, softening midrange clarity compared with cleaner tunings. Even so, vocals and guitars still cut through with good energy and center focus thanks to the well judged pinna gain, and the overall tone remains natural and engaging rather than muddy or bloated.

Technical performance is solid but not class leading for this price. Detail retrieval is respectable and the EST assisted treble brings back a nice amount of definition and air without harsh peaks, so cymbals and high frequency instruments sound smooth, natural and well resolved. However, against strong competitors in the same bracket, the Mega 5 EST Bass+ sits closer to average in soundstage, imaging and overall resolution, with a clear sense that technical prowess has been traded for sheer bass output. For listeners who prioritize a substantial, mid-bass leaning bass boost, strong dynamics and a natural, fatigue free top end over ultimate technical sharpness, this remains a very fun and satisfying option, especially given the thoughtful cable update and premium feeling accessory package.

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The Softears RSV MK II is a 5BA set at $699 with a sleek, performance-driven look—carbon-fiber “V” and RS badge on the faceplate—paired to an ergonomic shell and fish-mouth nozzle that stays light and exceptionally comfortable over long sessions. The package is solid: a braided 4.4 cable (plus a 3.5 mm dongle), cleaning cloth, two pouches, and two sets of silicone tips; the only nitpick is wishing for a more premium carrying case at this price.

What sets RSV MK II apart is how a generous bass boost/extension coexists with top-tier imaging, separation, and layering. In Valorant, footsteps hit with extra energy and impact yet subtle cues—water steps, micro-movements—cut through even during Vandal spam and 5v5 ability chaos. In Battlefield the set is a standout for immersion (planes, tanks) while preserving precise gunfire placement and the light “clinks” that win fights. The latest mix in Apex plays to its strengths: thermites don’t mask light taps, elevation cues remain clear, slides and shield pops are easy to track; and in Call of Duty, airstrikes and mortar fire don’t swamp critical information. It’s scored as the lowest-priced S-tier on the WallHack-certified list—note the tonality skews a touch dark, so strict reference seekers may prefer something lighter, but for impactful low-end plus elite competitive clarity, RSV MK II is a killer pick.