Softears Studio 4 VS Elysian Pilgrim

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Softears Studio 4 arrives as a 4×BA set at $450 with a surprisingly practical kit: a Pelican-style water-resistant case, cleaning brush, MoonDrop-style tips, and—occasionally—a 3.5 mm extension with a 6.3 mm adapter (availability seems inconsistent). The build is sleek piano-black with a light, no-nonsense cable that behaves well but omits a chin cinch. Medium, semi-custom shells fit flush and isolate strongly thanks to an unvented design; the smooth nozzle lacks a lip, so tip choice matters, and seal can break if pressed from certain angles.

Tuning targets a neutral presentation with a sub-bass lift and slightly lean lower mids—clean, lively, and a touch bright without straying into fatigue. Standout traits are the wide stereo image and pinpoint imaging that make mixes feel like they’re dancing around the head. Treble is smooth and extended (think S8-like refinement), while BA bass proves surprisingly sturdy. Drawbacks are modest: a bit of BA timbre, less micro-texture than class leaders, and lighter note weight. Against peers, Dunu SA6 offers warmer neutral tonality with superior texture; Kiwi Ears Orchestra Lite plays thicker and more relaxed but less separated; Symphonium Meteor swings warm and bassy with a larger headstage and snappy treble. Verdict: a 4/5 for those who crave energetic neutrality, top-tier separation, and a studio-clean vibe that still feels fun.

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The Elysian Pilgrim brings boutique flair to a more reachable $400 tier with a metal shell that mixes matte and glossy milling, a comfy medium fit, and a plush two-core cable that’s nicer than most in the class. Notable is the Pentaconn connector—smooth to rotate and said to be durable—though cable swapping is less convenient if the stash is mostly 2-pin/MMCX. Accessories feel thoughtful (including unique black-core SpinFit tips), while the case skews a bit large.

Sonically it’s a well-balanced, slightly midrange-focused tuning with a clean sub-bass lift (below ~150 Hz) that can read “bass-light” on tracks heavy in mid-bass. Treble isn’t pushed; presentation comes off a touch brighter/open than the curve suggests, with solid imaging and agreeable vocal clarity. Compared to an earlier show demo, the production unit’s top end feels nerfed: those delicate, Plucky treble transients and the weight in high-hat percussion that once stood out are dialed back for a safer listen.

In the $400 cohort—Yanyin Canon 2 (warm, meaty), Thieaudio Hype 4 (leaner mids, thicker bass), Moondrop Dusk (clinical neutral with sub-bass and forward vocals), and Softears Studio 4 (brightest, most lively)—Pilgrim slots squarely mid-pack: agreeable, but less distinctive than the more characterful peers. Had the show tuning shipped, it would spar closer to the front; as is, the take is competent yet conservative. Final verdict: three stars out of five—a quality set that favors balance over excitement in an increasingly competitive bracket.

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Elysian Pilgrim hits that rare sweet spot: a truly affordable entry into the brand’s house sound that still feels flagship-adjacent. Think Gaia DNA with a more tamed signature—the bass is dynamic, punchy, thumpy yet modest in quantity, staying clean with no bleed into the lower mids. Vocals sit center-stage with a touch of thickness, generally natural timbre and only a hint of grain that comes from the energetic top end. It’s a balanced, non-boomy low end for everyday listening; bassheads may want +1–2 dB more.

The star is the treble: incisive, nuanced, and genuinely “end-game” in detail retrieval at this price. Treble quality tracks closely with Gaia, still shy of the Annihilator, but astonishing for $399. Overall technical performance is the wow factor—notes feel crisp, tactile, high-definition, sitting well above sets like the Blessing 3 while only lightly trading away smoothness, and doing so tastefully. It reads as a “high-res” listen without slipping into harshness.

Against peers: Studio 4 stays smoother and more natural, but Pilgrim brings more energy and clearly higher detail. Versus the Hype 4, the latter has more bass quantity, yet Pilgrim wins in treble timbre and overall resolution. Compared with Moondrop x Crinacle Dusk, rankings shake out with Pilgrim first in treble and technicals, while the DSP Dusk often leads for bass/vocals over the analog version. Verdict: a big green thumbs up—an A+ for delivering thrilling, highly technical performance that competes above its class. (Interview notes: the Pilgrim Noir variant aims warmer, includes an Eros S cable and luxe case at a higher price, while standard Pilgrim stays the brighter, value-focused pick.)

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Starry Edition brings a fresh faceplate to the Softears Studio 4 without changing the tuning. The translucent, slightly large shell seals firmly and delivers strong isolation; the only nit is a modest nozzle lip that still holds tips fine. Packaging leans “studio”: compact Pelican-style case, extension cable, tips, 6.3 mm adapter, and a soft black cable that feels nice but lacks a chin slider and terminates in 3.5 mm.

Sonically, this 4BA set is about clarity, air, and top-end extension—described as among the best heard under $800. Vocals come through vivid, mids are clean, and bass has a mild shelf: tasteful impact without bloat, though it’s not a slam machine. Expect excellent imaging, space, and detail; a touch of EQ can add weight if desired. It can be a bit source-picky: low output impedance sources suit it best, while a 10 Ω adapter pushes more treble and trims bass in a less pleasing way.

Against peers, Studio 4 is praised over Softears Twilight for air/extension (while acknowledging Twilight’s smooth DD charm) and over Volume for overall technicalities despite the small price gap. Versus RSV, Studio 4 avoids the RSV’s slight bass “muffle” and undercuts it on price; compared with Monarch MKII, it delivers a similar tonal aim without the occasional grain. Sets like Kiwi Ears 4, Truthear Hexa, and Binary Acoustics D Quattro trade blows on bass quantity versus air, but Studio 4’s upper-air detail and coherence make it a standout. At an often-seen street of ~$368, it’s framed as a benchmark sub-$500 pick and earns a full recommendation for listeners chasing articulate treble, lifelike vocals, and refined balance.

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Elysian’s Pilgrim shows up with a small, comfortable shell and a tidy, premium-feeling case—white on the outside, a bit papery inside, but practical. Fit leans shallow; a grippy tip helps keep things steady. The unit measured with excellent channel matching and tracks closely to a preferred target, setting the stage for a confident first impression.

On sound, Pilgrim delivers punchy bass with real note weight and slam, natural mids, and imaging that locks in place. There’s a touch of metallic/lush timbre and an ear-gain region that can feel a bit forward, but the overall tonality stays engaging. It’s not a “baby Annihilator”: the big sibling still brings deeper sub-bass and a cleaner upper register, while Pilgrim feels a little more fun and lively. Versus Hype 4, the two trade blows—late vs. early ear gain—with Hype 4 getting a slight nod for some tastes; against the Mega 5 EST, Pilgrim is the more exciting listen and, at roughly $150 less, the stronger value.

Ranking wise, Pilgrim sits among the best at its price, even sparring with costlier sets, though it stops short of heavy hitters like Grand Maestro, Annihilator, Jupiter, or Velour. Assuming the rumored $350–$450 bracket, the package—sound, cable, and case—is compelling. Minor quirks in the ear-gain area aside, this is an exceptional IEM with a full recommendation, and there’s even a Noir version on the horizon for those curious about variants.

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Hyped for good reason, Elysian’s Pilgrim pairs a sleek, carved metal shell with a genuinely upgraded cable and a refined, clean-balanced tuning. Technicals punch high for the price—resolution sits a notch above sets like Hype 4 and Dusk, while the bass shows tight texture, tidy decay, and neat separation. The low end isn’t as forward or “full” as Hype 4, trading slam for a more neutral and organized presentation that suits listeners seeking clarity over thump.

Vocals are naturally placed: not shouty, not distant, with a touch of air on the tail that avoids harshness. Compared with Dusk, the Pilgrim carries better upper-mid extension and a more complete, detailed midrange; it’s also a bit smoother and more natural up top, and adds a hair more sub-bass for engagement. As a package—sound, build, and unboxing—the Pilgrim reads like a polished, modernized take on that classic balanced recipe.

Context matters, though. As an all-rounder around $300–$400, Pilgrim would be an easy pick, but the Supermix 4 at ~$150 offers roughly “90% of the experience” with an even smoother tilt, pressuring its value case. On the horizon, Simgot EM10—if priced around $399–$450—promises more air, detail, punchier mid-bass, and a wider wrap-around stage, potentially overshadowing Pilgrim’s more chill, laid-back vibe. Practical notes: no obvious channel imbalance was heard, but the ring plating can scratch quickly, the fit is a bit shallow, and wider-bore tips help. Net: a beautifully made, balanced performer for those who value refinement and design, but with fierce competition today, some shoppers may prefer to wait or choose something more specialized (e.g., Hype 4 for bigger low-end).

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Elysian Pilgrim hits the rare $400 bracket with a hybrid recipe—1× LSR dynamic and 3× Sonion BA—and a presentation that pulls the stage in. Instead of big, floaty width, the image clamps down with laser focus: vocals and transients sit right there, almost “under the skin.” Well-recorded tracks pop with mic-placement clarity; poorly recorded ones get called out instantly. Bass is punchy and structurally correct rather than boosted—not a basshead set, but it thumps when the mix calls for it. It scales across amps (from clean to tubey), with some chains teasing a bit more soundstage while keeping that intimate, hyper-detailed character.

Build is slick: a comfortable, not-too-thick shell with a machined aluminum back and proper venting. The star quirk is the Pentaconn Ear connector—rotational like MMCX but far more robust—which also means most existing cables won’t fit, so the stock cable (often 4.4 mm, with 3.5 mm or both for extra) becomes the default. The earhooks curve a bit aggressively but can be reshaped; comfort overall is easy listening. Accessories are fine but not lavish: SpinFit tips and a big showpiece case that’s cool, if not pocketable.

Sonically it’s a “punch-drunk focus” specialist: drives through track after track, rewards great recordings, and refuses to sugarcoat weak ones. The Pilgrim feels special because of that concentrated energy and neutral-honest bass—more “truth serum” than lounge lizard. Verdict: 9/10. Docked for cable ecosystem quirks and a modest accessory spread, but the sound is compelling enough to make that nitpicking feel small. Curiosity about the pricier Pilgrim Noir stays high, yet this standard model already delivers a distinctive, addictive ride.