Thieaudio Monarch MK3 VS Yu9 Que

Bass is where the Monarch MK3 steals the show: tight, textured, and rumbly with real slam and no bleed, giving male vocals a more natural heft while staying clean. The Prestige LTD pushes the low end back for a lighter hit but trades that for a more open, airy stage and superior layering—great for busy mixes like rock, metal, and classical. The Hype 2 mirrors the LTD’s bass balance and rumble conceptually, but lacks the same overall technical resolve, making the MK3 the better pick for pop, EDM, R&B, and hip-hop that benefit from weighty sub-bass.

Through the midrange, the LTD steps ahead on separation, detail, and note definition, presenting vocals slightly set back yet more airy and sparkly; female vocals especially shine. The MK3 counters with more weight and engagement on male vocals and a forward presence, though its stage isn’t as deep or spacious as the LTD (a modest vertical lift over Hype 2, but not a “$1k soundstage”). Up top, the LTD has the smoothest, best-extended treble with the most air and microdetail of the trio. All three excel at moderate volume, but none invites cranking like certain high-volume specialists.

As an all-rounder, the MK3 checks nearly every box yet misses that distinctive “special sauce” expected at its price; think ~15–20% uplift over Hype 2. The LTD delivers the bigger technical jump at roughly 25–30%, with staging, extension, and air taking the crown, making a strong case paired with a cheaper daily driver. The Monarch MK2 still earns a nod for its midrange/vocal magic if that’s the priority. Final word: both LTD and MK3 score an S; for those willing to spend, they’re easy to recommend—just match the tuning to the library and the qualities valued most.

Jays Audio original ranking

The YU9 Que sports a premium, durable resin shell in pure black with a metallic-feeling faceplate and a comfortable design featuring an anti-tragus catch. While the build itself feels handsome and unique, the included cable is criticized as wimpy and unpleasant, with a strong suggestion to upgrade it. Accessories are deemed solid, including a nice selection of tips and a particularly praised case with a soft, luxurious interior.

Sonically, the YU9 Que earns immense praise for its exceptional tuning, described as clean, resolute, and non-fatiguing. It delivers strong, textured bass that avoids being overwhelming, coupled with extremely well-done upper mids. While not class-leading in technicalities like micro-detail or instrument separation, its tonal balance is considered sophisticated and reminiscent of far more expensive sets like the Annihilator, even surpassing the Monarch MKII in tuning preference. It's highlighted as a fantastic all-rounder with a smooth, agreeable signature suitable for long listening sessions.

Despite its modest single dynamic driver + 3BA configuration and $49 price point, the YU9 Que is declared a very special and unique IEM, worthy of the hype it received. The review concludes it's a price leader and a highly competent package from a small brand, offering outstanding value and a beautiful, well-executed design that makes it an easy recommendation for those seeking a smooth, non-fatiguing sound.

Jaytiss original ranking

Yu9’s Que lands as a “safer Annihilator”: a warmer, scaled-back take that pushes ample sub-bass while keeping the rest tastefully controlled. The low end feels liquidy and bouncy, underpinning an aggressive 1–3 kHz rise with a gentle 3–5 kHz taper, so vocals sit upfront and crisp yet remain remarkably smooth thanks to the extra low-end warmth. Treble is slightly scooped around 5–6 kHz and then climbs in small, well-placed peaks out to ~15–18 kHz, yielding excellent extension that feels on par with sets like Moondrop Variations in this range.

What makes it pop is the value proposition: at $400, the overall resolution, tonal balance, and staging read far pricier—more like the $700–800 bracket. With its engaging sub-bass lift, lucid mids, and airy yet controlled top end, Que comes off as a polished, crowd-friendly tuning that still excites detail chasers. If momentum holds, this looks like the next big thing around the $400 mark.

Precogvision original ranking

Thieaudio Monarch MK3 takes the flagship slot with swagger: a 2DD + 6BA + 2EST array and a 4-way passive crossover, centered on the Impact² isobaric push-pull dual 10 mm subwoofer. The shells are huge and gorgeous (plain backs at ~$1000, fancy backs around ~$1100), vented on the underside, and paired with a supple, interchangeable-plug cable (2.5 / 3.5 / 4.4). Despite the driver count, coherence is the headline: this isn’t a parts parade—it’s a single, surgically precise instrument.

Sonically, bass behaves like a well-tuned subwoofer in a treated room: tight, fast, and slammy without bloat. The real party trick is imaging and spatial “distance”—sounds lock into place with eerie specificity, making familiar tracks feel new. Instrument separation is crystalline, treble air is effortless, and the set is easy to drive yet scales—more power refines rather than merely getting louder. Tip rolling matters: stock foams/silicones are okay, Dekoni helps, Dunu S&S can fit oddly on these large shells, while Render tips seal the room and boost performance ~15–20%, supercharging the imaging and engagement.

Against the Monarch MKII (good, kept around), the MK3 feels like a different tier—the sort of tuning that glues ears to music and makes skipping tracks impossible. Accessories are minimal because the message is clear: you’re buying the sound, and it arguably feels underpriced for this level. Currently on pre-order, this is peak IEM energy—an endgame-grade, king-making performance that invites hyperbole and earns it.

Z-Reviews original ranking

Thieaudio Monarch MK3 steps up as a true flagship: a 2DD + 6BA + 2EST hybrid with high-grade Knowles/Sonion drivers, a gorgeous marbled faceplate, and—crucially—a vastly improved shell over MK2. Comfort moves from a 2-hour limit to all-session wear, and the stock package (solid cable with swappable terminations, foam and silicone tips) is well thought out. Tip choice meaningfully shapes performance; options like SednaEarfit Short or Comply foam push it toward its best.

Tuning follows a balanced, studio-leaning tonality with extra sub-bass warmth, delivering both clinical insight and genuine fun. Micro-detail is standout, bass is clean, textured, and physical (from Nirvana’s “Lithium” to modern hip-hop drops), and male vocals are among the most convincing heard on an IEM in this tier. Stage is wider and a bit taller than MK2, with excellent imaging, layering, and separation, keeping drums, bass guitar, and synth lines neatly organized without blunting impact.

For competitive gaming, the MK3 brings a tight soundstage, strong depth perception, and clear audio cue emphasis, offering precise 360° placement and adequate verticality. Versus Prestige Limited, it trades some sterile clinical edge for a more engaging, atmospheric presentation that reads distance and urgency better; compared to Yanyin Moonlight Ultra, it’s the more coherent pick for both games and music. While great mid-fi options like Zens Top, Orchestra Lite, or Yanyin Canon 2 remain strong, Monarch MK3 feels like the elevated, “dreamy” flagship experience—a new top choice for music enjoyment that also dominates in game when properly tipped.

Fresh Reviews original ranking

YU9 Audio’s QUE blends thoughtful design with a restrained driver mix—1DD + 2ED + custom WBFK—to pursue a clean, neutral presentation rather than spec-sheet flash. The matte, sandblasted aluminum shell looks simple yet refined, and the overall build recalls the word “阙” (palace), hinting at structure and stability. What stands out sonically is the tidy, well-drawn background: notes feel neatly edged, with separation that avoids smearing or overlap.

Sub-bass reach and punch are satisfying, with a quick, bouncy response and clear layering down into the rumble. The mids place vocals slightly forward, helped by gain in the 700 Hz–2 kHz region, yielding bigger vocal images without sounding shouty. Treble rises more than JM-1, peaking around 4–5 kHz before a natural roll-off; this sharpens articulation and female vocals but introduces audible sibilance on “th/tsu” sounds—present yet short of piercing. Stage width exceeds expectations for the price, depth is modest, and imaging stays orderly. For listeners sensitive to brighter treble, caution is warranted; for everyone else, QUE delivers a convincingly balanced, all-round tuning that justifies the hype.

Fox Told Me So original ranking