Thieaudio Valhalla VS Fiio FX17

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Thieaudio Valhalla lands as a 19-BA flagship around $2,000 that doubles down on build and ergonomics. The titanium shell is chunky but beautifully machined, skin-friendly, and the nozzle grips tips securely; faceplates are swappable for a premium if the stock look isn’t it. Accessories are basic—tips, foams, brush, the usual case—and the stock cable is comfy with a working chin slider, but the modular 3.5/4.4 plugs don’t lock and can pop off too easily. The slightly recessed 2-pin is fine, yet the ear-side barrel leaves a small gap that doesn’t sit flush; a simple aftermarket cable fixes the vibe. Taken as an object, this is world-class industrial design with a couple cable quirks.

On the ear, Valhalla hits a clean, incisive neutrality with just enough flavor. Sub-bass is surprisingly firm for BA, mid-bass stays tidy, and the mids are pristine—no glaze, no haze. There’s a tasteful dip through ~3–6 kHz that keeps the upper-mids from shouting, while a touch of 8 kHz sparkle adds air; treble extends smoothly without turning edgy. It’s a highly technical, high-resolution listen that can read “almost boring” if a colored signature is the goal—but for detail, separation, and coherence, it delivers. Unit variation appears minor (another sample showed a bit more 4–6 k energy), yet the core tuning stays intact.

Versus housemates: Origin swings bassier and “fun”; Valhalla feels cleaner, clearer, more resolute. Hype 2/4 don’t match the air and microdetail; Hype 10 gets closer up top but raises value questions. Oracle MK3 has more 4–5 k zing and lighter sub-bass; Fatfreq Grand Maestro hits similarly rich lows but brings fit hassles and module faff. Against the Elysian Annihilator, pick Annihilator for extra sub-bass and spectacle; pick Valhalla for comfort, longevity, and easy cable-swapping. Not perfect—the stock cable system is flimsy and the “air” isn’t the most crystalline—but this is a top-tier contender with a refined, broadly pleasing tuning and a shell that feels built to outlast the hype.

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Fiio FX17 packs a wild driver stack—8x EST plus 1x dynamic and 4x BA—and a price that hovers around $1,500–$1,700. The shells are large and a little heavy, yet comfortable with solid isolation; the matte-steel finish looks slick but is a fingerprint magnet. MMCX sockets sit in a blue-ringed collar, and the included cable is genuinely nice: chin-slider equipped with swappable 4.4 / 3.5 / USB-C ends. Packaging is classic Fiio with a generous spread of ear tips (including SpinFits). Overall fit and finish scream audio-jewelry, in both the good and the pricey senses.

Sonically, this is a very wide, “open” presentation with impactful bass and noticeable warmth—sometimes veering toward mud rather than cleanliness. Upper-mids energy is restrained, while the 8 kHz region pops, and treble air extends well; the net effect leans neutral / deadpan-neutral with a slightly warm tilt and not a ton of bass heft. The tonality mirrors Truthear Pure more than many top-end sets, which will delight listeners who crave that profile but leaves others wanting more sub-bass punch and less incisive 8k. Technicals—detail, slam, and stage—are strong, yet the value is debatable when alternatives like Fiio FA19 / FX19 (more bass, less 8k bite), Dunu Glacier (more sub-bass and fun without losing correctness), Softears RSV / RSV MK2 (similar upper-mids with calmer 8k), Aful Dawn X (less warmth, better air for the price), or NiceHCK Rockies (cleaner treble) exist for less. Recommended for those chasing Fiio’s neutral house with a grand soundstage; everyone else may want EQ (a gentle clean-up of warmth/8k) or to shop the cheaper powerhouses.

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Thieaudio’s Valhalla is a $2,000, all–balanced armature flagship packing 19 balanced armatures in new-for-the-brand metal shells. The look leans understated—gunmetal/pewter with a hint of rosiness—and the build feels solid, though the stock cable is thick and the swappable plugs rely on friction with no positive lock, which can pull loose. Fit is still large, but notably better than recent Monarch generations: once seated it’s stable and secure enough for long sessions, even if it won’t disappear in-ear.

Tonally, Valhalla targets a clean neutral with a meaty, sub-bass–focused boost, slightly warmer through the mids and less peaky up top than Monarch Mk IV. Despite being all-BA, the bass feels more dynamic and satisfying than the Monarch’s, and the big story is technical performance: imaging, separation, stage definition, and overall resolution are genuinely standout—“flagship-grade” in a way many kilobuck sets aren’t. Downsides are the sheer size and that cumbersome cable, but as a listen it’s special and compelling. Verdict: four stars out of five, and an easy pick over Monarch Mk IV on sonics if the fit works.

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The Fiio FX17 emerges as a worthy flagship and a significant improvement over its predecessor, the FA19. This tribrid IEM boasts a unique driver configuration of one dynamic driver, four balanced armatures, and a staggering eight electrostatic drivers, all housed within a solid, lightweight titanium shell. While its aesthetic is considered a bit plain, the build quality is excellent. The package is loaded with a massive assortment of accessories, including seven different styles of ear tips and a cable with a clever built-in DAC adapter for smartphones.

Sonically, the FX17 delivers a warm, powerful, and engaging sound signature. Its bass is a particular standout, described as meaty, well-textured, and highly engaging without bleeding into the mids. The overall tonality is natural yet contrasty, offering a dynamic and punchy listen. The treble provides excitement and definition, though it can be slightly aggressive or "crashy" for those with high sensitivity, making it far from a "safe" tuning.

In direct comparisons, the FX17 is deemed superior in every way to the FA19, which was criticized for its bloated bass and splashy treble. It trades blows with competitors like the Dunu Glacier and ThieAudio Monarch Mk IV, offering a denser, more tactile experience than the Monarch's airy presentation and a more natural vocal tonality than the Glacier's more exaggerated V-shape. Ultimately, the FX17 is declared not only Fiio's best IEM to date but a compelling and engaging option in the high-end market.

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Thieaudio Valhalla lands as an “endgame” all-rounder with standout resolution, micro-detail, and imaging. Layering and separation are locked in, with vocals that aren’t scooped—mids stay present and natural. Sub-bass hits rumblier than the U12t and the treble avoids that sudden, sharp peak, making the overall presentation smoother yet still airy. Versus the Cadenza 12, Valhalla is less treble-heavy, a touch bassier, and not as bright-leaning; the Cadenza 12 may edge it on micro-detail by only a few percentage points, so it’s a straight tuning preference: go Cadenza 12 for leaner/brighter sparkle, go Valhalla for the better-balanced bassy all-rounder.

On value, this isn’t twice the performance of a Monarch Mk II/Mk III—think ~10% better with clear diminishing returns. For the “chase the very best” crowd, it’s absolutely worth a listen; for most, Monarchs/LTD/Crimson are already more than enough for a so-called endgame. Final call: Top Tier for tuning and sound refinement—not a value pick, but a legit endgame-grade set.

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ThieAudio Valhalla comes in hot as a true flagship challenger: a titanium shell housing 19 drivers—14 “Sonion” and five “Knowles"—and a price planted in the ~$2K bracket. This tier isn’t like GPUs where benchmarks decide winners; earphones here are closer to watches—craft, taste, and execution. On that score, Valhalla feels legit: premium build, branded internals, and tuning aimed squarely at high-end competition that regularly asks two to three times more.

The low end lands with plenty of energy and control—808 drops for Ghetto Boys/Public Enemy/Wu-Tang/Kendrick/Tupac/Outkast hit clean, while four- and five-string bass guitar lines carry real texture and decay. Iconic kick work like “When the Levee Breaks” thumps with satisfying weight without smearing. Midrange is dialed: no bloated mid-bass warming up female vocals, no shouty upper mids pushing voices unnaturally forward—great for a vocal-centric library and classic cuts (think “Sultans of Swing”). Up top, harmonics extend with air and clarity without the zingy fatigue—decays aren’t chopped off, so cymbals and overtones feel complete rather than muted.

On ranking, this reads as a top-five contender with this library, easily competing with sets in the $4–6K lane on balance, quality, and tuning. The only real ding is the presentation box, which doesn’t scream “luxury” the way the sound and build do. Verdict: squarely between “would buy” and “going to hype it.” Given ThieAudio’s run of legit releases (Monarch line, Oracle MKIII, etc.), Valhalla fits the pattern—no weak link in the chain, just a serious flagship play at a price that undercuts many rivals.

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Thieaudio Valhalla lands as a lavish, 19-BA-per-side flagship tuned warm-natural with a palpable sub-bass emphasis, quick attack/decay, and standout separation and layering. Vocals read both natural and technical—male and female alike—without bass bleed, while the treble carries enough air to keep micro-detail clean. Comfort and build impress, making it an easy all-day daily driver and a legitimate endgame pick for music that also crosses over to gaming.

In shooters, Valhalla excels at depth perception, verticality, and parsing simultaneous cues. For Call of Duty it’s an outright S-tier: footsteps, fly-ins, and distant strikes are easy to place with zero guesswork. In Apex Legends it sits around A to A-—gunfire is beautifully controlled, but super-light slides/taps can be a touch subdued. In Valorant it’s highly competitive with top open-backs, while in CS2 the tuning keeps gunfire less shouty and footstep reads strong, making it a great IEM choice overall. Net result on the “wallhack certification” scale: A to A- across multiple titles—an expensive IEM that earns its keep if both music enjoyment and competitive clarity are on the checklist.

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The FiiO FX17 is a mind-bending flagship IEM priced at $1,500, packing an absolutely hilarious 13-driver configuration per side: one dynamic for bass, four balanced armatures for midrange control, and a staggering eight electrostatic drivers for the highs. The sheer number of electrostats isn't a gimmick; FiiO explicitly states they're necessary to achieve sufficient sound pressure and avoid being mere "decoration," throwing serious shade at competitors. The result is nothing short of wild. Forget typical soundstage descriptions – the music doesn't feel like it's coming from two points in your ears or even from speakers in a room. Instead, it creates an entirely internalized, coherent performance happening inside your head, like the band is set up within your skull. It’s a cognitive living experience prioritizing placement and realism over simple frequency response graphs.

This psychoacoustic magic translates into pure, infectious enjoyment. Tracks feel aggressively present yet controlled, with kick drums hitting the back of your eyewall and intricate details like tap dancing percussively located behind your eyes. The separation and realism are phenomenal, making everything from the Beastie Boys to complex techno feel immediate and utterly engaging. While physically large with a fingerprint-prone mirrored finish and using the less-favored MMCX connectors, the FX17 is surprisingly comfortable and not overly heavy. Criticisms like the connector type are dismissed as irrelevant noise compared to the sonic achievement. Plugged into anything from a high-end stack to the included USB-C dongle DAC, the FX17 delivers its unique, immersive magic consistently.

The unboxing experience screams flagship, absolutely justifying the price tag visually. It arrives in a luxurious British Racing Green case with magnetic closure, featuring gold-accented packaging, a wooden storage plaque (unit 240 shown), a cleaning cloth, MMCX tool, ear wax brush, magnetic cable clip, and a mind-boggling 22 pairs of various eartips. Add in a very nice cable with interchangeable terminations (3.5mm & 4.4mm included, 2.5mm adapter not included) and the aforementioned USB-C dongle, and the package feels comprehensive and premium. Ultimately, the FX17 stands out dramatically in the crowded $1,500 IEM field. It’s declared worth every penny of $2,000, delivering a unique, transformative listening experience that prioritizes how the sound is presented over traditional audiophile checkboxes. It earns full, emphatic marks as FiiO's best audio reproduction product to date.

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The FiiO FX17 packs a hybrid 13-driver configuration featuring one dynamic driver, four balanced armatures, and eight EST drivers, priced around $1,500. Unboxing reveals a generous accessory suite: a premium leather case with magnetic closure, an MMCX removal tool, cleaning brush, cleaning cloth, and a magnetic cable holder. The highlight is the included modular cable with 3.5mm and 4.4mm terminations plus a specialized USB-C dongle enabling parametric EQ and firmware updates. Buyers also receive a staggering 22 pairs of ear tips – including SpinFits, liquid silicone, foam, bass-enhancing, vocal-focused, balanced, and double-flanged options – neatly organized across two cases. The cable itself earns praise for being soft, tangle-free, well-behaved, and featuring a functional chin slider.

Built from chunky titanium shells, the FX17 feels premium but substantial. While weight distribution prevents ear fatigue for some, its large size may cause fit issues for those with smaller ears, making a demo advisable. The nozzle diameter is 6.1mm. Sonically, the FX17 delivers a powerful, mid-bass focused slam described as punchy and meaty, though sub-bass rumble takes a backseat. The mid-range is warm, lush, and slightly relaxed, offering surprising clarity and excellent detail retrieval without shoutiness. Treble stands out as smooth, highly detailed, and non-fatiguing, providing ample air and shimmer without sibilance. Technical performance is strong, with great detail and separation, but the true star is the exceptionally wide, immersive, and realistic soundstage, particularly noticeable in the upper mids and treble.

Compared to the FiiO FA19, the FX17 offers a significant upgrade in bass physicality, smoother treble refinement, and superior soundstage. It also surpasses the Unique Melody MEST MKIII CF in detail, separation, stage width, and bass weight/texture. Against the pricier Elysian Apostle, the FX17 is warmer and more relaxed; the Apostle boasts tighter bass, clearer vocals, and sparklier treble, while the FX17 counters with a wider stage. This IEM is strongly recommended for mid-bass lovers seeking physical slam, listeners desiring warm, lush, non-fatiguing mids with clarity, treble enthusiasts wanting detail without harshness, and soundstage aficionados. It's not ideal for those with small ears due to shell size, listeners prioritizing deep sub-bass rumble over mid-bass impact, or anyone seeking a neutral or bright tuning. The FX17 earns a four-star rating for its standout qualities.