Tri i3 Mk3 VS Simgot ET142

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The TRI i3 Mk3 brings a tribrid setup (1DD + 1BA + 1 planar) to the ~$120 bracket with a package that overdelivers: multiple tip sets including TRI Clarion and foam, a cleaning brush, microfiber cloth, and a pocketable leather case. The minimalist purple metal shell is sturdy, while comfort depends heavily on tip choice; shorter, softer tips sit more securely. The stock cable is a bit thick/heavy but tidy, with 2-pin connectors and 4.4 mm termination. On the graph it reads as a vocal-forward neutral: some sub-bass, light mid-bass, an early upper-mid rise, and smooth treble with a touch of air.

In practice the bass is textured and sub-bass focused; the leaner mid-bass keeps things clean but makes bass guitars more relaxed and kick drums less punchy (an impedance adapter can add weight). The mids steal the show—vocals pop with clarity and presence; female vocals in particular compete with standouts like Moondrop Kato and Truthear Hexa, while male vocals avoid thinness. Treble is smooth/safe with modest extension; the planar unit contributes air up high (~16k) for microdetail. Technicals and imaging suit gaming (footsteps are easy to track), earning a two-controller nod; just dial in comfort with the right tips. Overall, a neutral, vocal-centric IEM with smooth treble and tidy bass; the trade-offs are slightly forward vocals and limited mid-bass, but for vocal lovers at this price it’s an easy two-star recommendation.

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Build and accessories are a highlight: a metallic purple shell that’s exceedingly smooth, easy to grip, and vents well in-ear. The fit is secure, tips stay put on the metal nozzle/filter, and the flat 2-pin connector feels robust. The case isn’t flashy but feels nice—leather outside, felt inside, magnetic closure—and the package includes a decent cable, tips, and a cleaning brush. Overall, it’s a well-finished hybrid (dynamic + planar + BA) that feels thoughtfully put together.

Tonally this is a bass-light, mid-centric set with a neutral-shimmery tilt: not much warmth, tame macro-dynamics, but a wide soundstage, crisp imaging, and good detail/air. The graph hits key markers through the mids, with a gentle low-end rise and limited warmth region; upper mids are prominent and clean, while the very top end is on the lighter side. It presents a unique, very clean timbre that will appeal to listeners who prefer clarity over weight, and it also feels like a great candidate for EQ if more bass is desired.

In comparisons, those who thought the Hexa needed more bass should look elsewhere; this doesn’t fix that. Sets like Kiwi Ears 4 bring more warmth and bass but give up some 1k presence; bass-heavier competitors offer more “pop,” while warmer options (think P7-type tunings) connect better for fullness. The I3 MK3 trades off slam for clarity, staging, and upper-mid definition; fans of JM-1-style neutral targets or “treble-head” preferences may find it hits the spot. Verdict: a good (B-tier) performer with a distinct, airy character—easy to recommend if bass isn’t a priority, and worth an audition for its special timbre.

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The Simgot ET142 is a $220 planar–piezo hybrid that arrives like a mini system: full-metal shells, the chunky but well-behaved LC7 modular cable (3.5/4.4 included), a sturdy magnetic case, and four tuning nozzles (titanium stock, gold, short black foam, short red foam). Build is solid and venting prevents pressure issues; finish is a fingerprint magnet and the shell+cable combo is heavy, comfortable for average ears but failing the “tiny ears” test in stock form. Accessory spread is excellent at the price, with multiple tip sets and spare O-rings/foams rounding out a thoughtful package.

Sonically, this is textbook planar bass: clean sub-bass rumble with punchy, textured mid-bass that doesn’t bleed. The midrange stays clear and unmasked, presenting busy mixes with ease, while vocal presence shifts with nozzle choice (short nozzles push fundamentals slightly forward). Treble is where the nozzles matter most: short red = relaxed and smooth; short black = balanced sparkle; titanium/gold = vivid, edging toward “hot” for treble-sensitive listeners. Technical chops impress—crisp microdetail from the PZT without harshness, precise imaging, strong separation, and a notably 3D soundstage. It’s also very easy to drive, playing happily from modest sources.

Think of ET142 as a three-in-one planar: titanium delivers a bright, energetic V-shape (S12/“classic planar” territory), short black dials it to a balanced, less aggressive profile (S12 Pro/2024 vibe), and short red shifts into the modern warm planar lane (akin to S15/S08). Compared with other nozzle-swap sets (e.g., Timeless 2), ET142 offers a wider tuning range up top, trading fine micro-timbre tweaks for genuinely distinct signatures. Caveats: none of the nozzles are truly neutral and the low end stays boosted, so lean-bass seekers should look elsewhere; the weight may be a deal-breaker for small ears. For anyone wanting a versatile planar that can swing from sparkly and fun to warm and relaxing with a quick nozzle swap, this earns a confident “you should buy this” recommendation on value and flexibility alone.

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SIMGOT’s ET142 pairs a planar driver with a PZT, delivering a bright-leaning, lively all-rounder that feels like a more mature, slightly more detailed take on the original S12 tonality. Treble is the surprise: it carries bite and air without the usual planar “sizzle”, landing closer to a well-implemented PZT sheen. Micro-nuance on cymbal work is improved, vocals are open, and technical performance is among the best heard from planars in this bracket. The 2 kHz region can read a touch shy, while overall treble sits above Harman, so expect sparkle and energy rather than warmth.

Volume and fit matter. At mid levels (~60–65 dB) the ET142 sounds engaging and airy; push past ~70–75 dB and the upper energy can turn fatiguing, with forward vocals and sharper highs on busy tracks. Tip choice is critical: treble-boosting tips can be too much, whereas wide-bore, smoother tips (e.g., “Senai Wide”) keep the top end in check. Both included nozzles measure and sound essentially the same—an opportunity missed for a second, tamer tuning. Genre-wise, rock, indie and slower pop benefit from the speed and air; dense electronic can edge bright, while K-/J-pop stays bouncy at moderate volume.

Bass is quick, punchy and clean with tight decay and excellent separation—don’t expect DD-level rumble or lingering reverb, but do expect balance and definition. Versus safer, more relaxed tunings (S8/S15/S12 2024), the ET142 is the more exciting pick; against neutral all-rounders (e.g., “Pilgrim”), it trades smoothness for air and sparkle; compared to sets like “Dusk,” it’s livelier with less treble fizzle but a more forward top end. At around $200, build is excellent (metal shells, braided cable) and the value strong—competing with some $300–$400 options. In short: choose ET142 for a bright, technical, energetic listen; skip it if a laid-back or dark tilt is the goal.

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SIMGOT ET142 comes across as a sleek, chrome-heavy hybrid with a planar + PZT setup, dressed in CNC’d stainless shells and a surprisingly thick premium cable, plus a magnetic case and swappable 4.4/3.5 plug. Two tuning nozzles are included; differences are subtle, but the gold nozzles give a warmer, more relaxed balance versus the blued “airier” set. At a listed ~$220, the build and accessories feel upscale, though that cable is borderline overkill for an IEM.

On power, the ET142’s 14 Ω load behaves better with a more linear solid-state source (e.g., JDS Labs Element) than with tubes; an impedance adapter can tame noise. The tuning reads smooth, non-aggressive, with bass present but not the star; sub-bass “slam” isn’t the focus, yet vocals and staging are clean and pleasing. Treble with the gold nozzles stays polite, while the blued set adds some sparkle without turning harsh.

The special sauce is the imaging: sound feels “inside” and slightly behind the head, creating a quirky but engaging sense of placement that should be excellent for gaming. Overall it fits neatly among planar hybrids at this price—refined, smooth, and easy to enjoy rather than a fireworks show—earning a straightforward recommendation, especially for SIMGOT fans who value comfort, build, and that distinctive spatial presentation over brute-force bass.

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Build & accessories: ET142 arrives with an all-metal chassis, a tidy two-pin cable with interchangeable termination, and swappable nozzles (blue default vs. gold). The blue nozzle proves smoother, as the gold adds extra 2–3 kHz energy that can edge into shout. Ergonomics are compact, vented, and well-finished, though not as feather-light as some resin competitors.

Tuning & technicals: The hybrid architecture (planar plus bone-conduction) projects an expansive, airy stage with clean separation and layering. However, that upper-mid peak can make gunfire and busy mixes feel a bit spicy, leading to a “deer-in-headlights” sensation during chaotic moments. Tonally it’s clear and detailed, but the extra air sometimes pushes nearfield cues slightly forward in the stage instead of delivering immediate urgency.

Gaming performance: Imaging and verticality are solid and footstep cues are intelligible, placing ET142 in a B+ to B range for competitive play. Against a warmer rival with stronger low-end presence, ET142 is less fatiguing than the gold-nozzle setup but still brighter than ideal for Apex/Valorant chaos; the rival’s bass weighting keeps gunfire tamed and localization snappier. Overall, ET142 is good for gaming with strong separation and stage, best for players who value clarity and air over maximum urgency.