Xenns Top Pro VS Dunu x Gizaudio Davinci

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The Xenns Top Pro boasts an exceedingly comfortable, vented resin shell with a metal nozzle, praised as one of the better shells out there. It's light, isolates well, and features a flat two-pin connector. The included case feels extremely premium, matching cases found on more expensive IEMs. Accessories are generous, including a 4.4mm cable, 6.3mm adapter, three sets of tips, a pouch, and a shirt clip. The cable itself is appropriate for the price, described as plush and nice with a Dunu-style locking system, though the chin slider feels slightly loose.

Sonically, the Top Pro presents an interesting and effective mild V-shaped tuning that aligns perfectly with the reviewer's preferences. It features slightly elevated bass and mids with a hint of darkness, delivering clean, pristine mids and great treble extension and air without sibilance. Technical performance is strong across imaging, note weight, and detail. Graph comparisons show similarities to sets like the Dusk DSP and Annihilator, but the Top Pro distinguishes itself with better bass impact than its metallic-shelled sibling (the Tea Pro) and a more comfortable, all-day listen compared to the ultra-detailed but potentially fatiguing AFUL Cantor. It holds its own against flagships like the Monarch MkIII (offering potentially better bass) and the Astral (with minor tonal differences), proving highly competitive in the $400-$900 range.

Ultimately, the Xenns Top Pro emerges as a standout offering from the brand and a top contender at its $500 price point. It hits a sweet spot with very few faults, combining a world-class comfortable shell, generous premium accessories, and a cohesive, engaging sound signature. It delivers nice everything – impactful bass, clean mids, well-extended treble, and strong technicals – making it an easy all-day listen and a set that's hard to beat for this specific tuning philosophy. While responsible purchasing and demos are always advised, it earns a full recommendation as an excellent all-rounder.

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The Dunu x Gizaudio DaVinci brings handsome aesthetics and thoughtful accessories to the table: a supple modular **cable** with easy-swapping terminations and a dark, well-finished **case** that even fits a dongle DAC. The shell presents as **pretty** and well-built, though the flat faceplate and slightly wider nozzle make the **fit** merely decent rather than class-leading; tip rolling helps. Overall build quality inspires confidence, with **recessed 2-pin** sockets and neat finishing.

Sonically, this tuning reads as **balanced-neutral** with a tasteful lift in **sub-bass/mid-bass** and forward, lively **upper mids** that can flirt with **shout** on some material. Graphs show the response hugging target within a couple dB almost everywhere, and the **channel matching** is essentially perfect. Compared to other Dunu sets, it improves on the SA6 MK2’s flatter pin gain and the Mirai’s sharper treble; versus Crin x Moondrop Dusk (analog), DaVinci feels less fatiguing around **5–6 kHz** and more engaging down low. Technical performance is **good**—clean transients, solid air and extension—though not the widest or most spacious in its class.

Stacked against peers, DaVinci trades blows with the **Hype 4** (which projects a bigger stage/“air” advantage), while **AFUL Explorer** offers a bassier, budget-friendly flavor with surprisingly competitive **technicalities**. Expect **forward vocals**, smooth treble past the 8 kHz coupler quirks, and a generally “just-right” tonality; some listeners may still want a touch more **sub-bass** slam. Verdict: a strong **recommendation** for the tuning alone—tastefully neutral, musical, and easy to enjoy—tempered by the note that emerging releases with similar targets (and a bit of **EQ**) may deliver comparable results for less. Demo first if possible, then commit.

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The Xenns Top Pro establishes itself as a formidable $500 benchmark, delivering a dynamic, balanced, and clear sound signature. Its standout feature is the crispy, clear, and highly resolving treble that avoids artificial sharpness or fatigue, contributing to a refined hi-fi presentation. This treble clarity particularly enhances female vocals, rendering them sweet and angelic without huskiness, perfectly distanced, and non-shouty at normal volumes due to intelligent tuning cuts and gains.

Technically, the Top Pro punches above its price, competing with models around the $1,000 mark and reaching near Monarch level performance. While a direct upgrade to the original Top, Astral, and Meta models—offering more detail, less sharpness, and increased sparkle—it isn't a massive leap. Its value-to-performance ratio is exceptional. Compared to the Monarch Mk III, it trades some bass impact and texture (making it mid-bass light for genres like rock or metal) for superior layering, separation, and a more dynamic, contrasty, and crispy treble presentation. The bass, while sufficient, can feel disengaged in bass-heavy genres, making sets like the Astral or Odyssey preferable there.

Scaling depends on volume and genre: energetic tracks with treble emphasis suit mid volumes (~65dB), while slower artists like Frank Ocean shine at higher volumes (~75-80dB). Balanced eartips are recommended to maintain its excellent treble balance. Against competitors, the Top Pro is more technical and resolving than the Arcanis (though the Arcanis offers more unique, intimate vocals), more energetic and dynamic than the Volare (which has smoother treble and better mid-bass), and cleaner with better layering than the Oracle Mk III (which boasts better bass texture). Ultimately, the Top Pro is a highly recommended all-rounder, delivering near Monarch-level performance at half the cost with great accessories, making it arguably the best $500 upgrade option for most.

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Warm, thick, and syrupy sums up the Dunu x Gizaudio DaVinci. The low end hits with heavy slam and satisfying impact—great for hip-hop, R&B, and drum-centric tracks—yet the decay is slow, so notes linger and instrument separation tightens up. That mid-bass bloom nudges vocals—especially female—toward a huskier, warmer hue. Treble reaches adequately without sparkle; micro-detail isn’t the focus, but nothing crucial goes missing.

Despite community buzz, DaVinci isn’t a pure basshead monster. It’s more a warm-tilted all-rounder with a thick, smooth presentation—think regular syrup versus exotic maple: pleasurable, familiar, easy to like. Resolution is fine for the price, though the bass texture can feel smoothed and blunted, fusing notes on complex passages. Compared side-by-side, faster sets with snappier drivers can sound cleaner and more separated in the lows and smoother yet more detailed up top.

For listeners chasing fun impact, warmth, and thickness over ultimate precision, DaVinci delivers an engaging, cozy listen—thumpy and enjoyable with enough upper-mid/treble lift to keep things from turning murky. Those prioritizing speed, air, and technical performance per dollar will likely find better fits elsewhere. But if a warm-smooth groove is the goal—and the wood-accented aesthetic appeals—DaVinci makes a compelling, everyday-friendly pick.

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Warm-neutral done right. DaVinci brings a thick, soothing tonality to the mid-fi space, pairing a 2DD + 4BA array and five-way crossover with a high-quality resin shell that’s comfortable and pressure-free. The package is stacked: a sturdy modular cable (secure, tight braid), plentiful tips including DUNU S&S and Candy, 6.35 mm adapter, and a genuinely excellent carry case with elastic strap and net. Fit is easygoing, though the nozzle is thick (≈6.7 mm)—tip choice matters.

The tuning is a gently warm-neutral curve with a deep, enveloping bass that stays tidy, avoids boom, and adds body without bleeding. Midrange is smooth, nuanced, and natural—lower mids carry weight and realistic timbre; upper mids are present but not shouty, gliding seamlessly for a non-fatiguing listen. Treble extends cleanly and “just right”: no glare, good air, ideal for treble-sensitive ears (treble-heads may want more bite on bass-heavy mixes). It scales with source—more power tightens bass and opens the stage—and crucially sounds coherent at low, medium, and high volumes without losing engagement.

Technicalities favor musicality over microscope: stage and depth are satisfying, separation/layering are decent for the price, and the standout is timbre. Versus peers, it’s warmer and more immersive than Yanyin Canon 2 (which is cleaner/brighter up top), smoother and tonally superior to HiBy Project Ace, more fun and less shout-prone than DUNU Falcon Ultra, and more balanced (if less technical) than SIMGOT EA2000. Net: one of the most compelling warm-neutral IEMs under $500—not the most analytical set at ~$300, but a richly engaging, timbre-first listen that’s easy to love for long sessions.

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Z-Reviews expresses immediate and strong enthusiasm for the Xenns Top Pro, a $500 IEM featuring a 10-driver configuration (8 balanced armatures + 2 dynamic drivers). He notes their exceptional build quality and stunning visual design, describing them as one of the "prettiest IEMs that has ever existed" with a "color explosion" on the back. The accessories impress him, particularly the thoughtful custom foam insert in the case to protect the zipper, a soft padded case, a high-quality "196-core copper silver cable", and uniquely presented tip sets housed in pre-numbered, multicolored boxes. He finds the large nozzle comfortable enough for extended listening sessions, even though his arms fell asleep during one.

The core of the review focuses on the outstanding sound quality. Z-Reviews describes the sound as "smooth magical things" to his ears, emphasizing its non-fatiguing nature despite excellent detail retrieval: "clear as a whistle but not painful". He highlights the exceptional bass performance, which creates a unique physical sensation, fooling his body into feeling sub-bass pressure like a subwoofer was nearby, without being overpowering or unnatural. The treble is detailed and sharp without causing discomfort. The overall presentation is cohesive, "substantial", and immersive, making him want to listen track after track. He compares the experience favorably to much more expensive IEMs like the $1,500 FIO FX17.

Z-Reviews concludes with a strong recommendation, declaring the Xenns Top Pro "100% worth their $500 price tag". He states they do "everything I want a $500 IEM to do" and outperform his own collaborations like the Defiant, attributing this to the superior driver count and implementation ("there's no replacement for displacement"). Minor critiques include the large nozzle size and the lack of a plastic stand, but these are insignificant compared to the overall performance. His final verdict is that they are a "great" IEM that justifies their price through exceptional sound, build, and accessories.

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Dunu x Gizaudio Davinci shows up dressed to impress: a five-leaf maplewood faceplate that’s prettier in person than the promo shots, a deep-set 2-pin socket, and DUNU’s slick Q-Lock Mini swappable plug that threads on like it was always meant to be there. Inside, the party is serious—six drivers with dual bio-cellulose DDs (10 mm + 8 mm) in separate chambers both tasked with ultra-low duties, plus four BAs handling the rest. Accessories hit right: the included DUNU S&S tips make easy work of seal and comfort, while “Render” style tips push a touch more brightness and slam if desired. Build, cable, case—everything feels sorted, not fussy.

Sonically, this is a refined bass-head tuning done right: tremendous low end that stays out of the way until the track calls it, with smooth delivery that keeps mids solid and treble non-fatiguing. The stage isn’t super wide so much as tall, giving music a lifted, “above-and-below” presence while the image sits slightly pulled back—cohesive, never shouty. It plays nicely off a range of sources and doesn’t demand exotic amping to shine. At $299, the package feels dialed: bass quality like pricier sets, tasteful tuning, and quality of life that makes daily use easy. Verdict? A full-send recommendation—the kind of collab that earns the name on the box, high-res sticker jokes notwithstanding.

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Xenns Top Pro arrives with a tidy bundle: a sturdy carrying case, three tip sets (two silicone, one foam), and a lightweight modular cable (3.5/4.4) on a 2-pin connector. The translucent blue, 3D-printed shell is ergonomic and comfortable over long sessions; the nozzle size feels just right. On the graph it follows HBB’s curve with more sub-bass than mid-bass, yielding a fun, energetic sound that’s also notably resolving with strong driver performance; the balanced silicone tips proved best for gaming.

In Valorant, the presentation is intimate and action-packed: rumble from Vandal/Operator/Sheriff hits with tactile weight, and depth cues/verticality stay coherent. Still, the elevated low end adds a slight “husk” that softens imaging precision when team fights erupt, so separation and layering can blur as abilities and gunfire stack—landing around a B+ to A- experience, with sets like the Mango T Pro and Kiwi Ears Astral feeling a bit more breathable.

In Apex Legends, that extra low-end energy makes chaotic scenes less breathable—smokes, grenades, and third parties push separation/layering harder than ideal—while Call of Duty (Treyarch mix) fares surprisingly well, keeping doors, slides, and distant fire easy to track. Counter-Strike 2 doesn’t image as cleanly as Valorant because of the same low-end pull. Overall, the Top Pro is excellent for music (resolving, technical, and punchy—great with rap), but for competitive gaming the original Top remains the safer pick; placement sits around an AB tier, in line with sets like the Letshuoer EJ07M Kinda Lava.

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Build & unboxing deliver the full Dunu experience: a high-quality interchangeable cable (2-pin with swappable terminations, plus a 6.35 mm adapter), multiple tip sets including Dunu Candy/S&S, and a sturdy carrying case. The unique faceplates make each unit feel one-of-a-kind, and comfort is excellent—wearable for long sessions without hotspots.

For music, DaVinci aims at a sub-bass emphasized, warm tuning with a tactile, resonant rumble that stays controlled. Bass has good extension and texture without bleeding into the mids; the midrange stays clear with natural timbre and standout vocals. Treble is well-controlled—never sharp, never dull—keeping the set non-fatiguing. Stage is on the more intimate side, but the imaging is precise, making positional cues and instrument placement feel confident.

In competitive gaming, that same low-end weight can be a double-edged sword. In Apex and COD the sub-bass resonance adds epic immersion yet can mask lighter cues (e.g., subtle footsteps) during chaotic fights; tip rolling (e.g., SpinFit W1) helps. Valorant fares better thanks to the engine and map scale. Overall placement on the WallHack list is around a B− for competitive play, while for single-player and VR the immersive rumble, intimate stage, and solid imaging make DaVinci an easy recommendation.

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The Xenns Top Pro enters the competitive $500 IEM arena with a hybrid driver configuration (two dynamic drivers, eight balanced armatures per side) and striking aesthetics, described as a "Jackson Pollock cross cyberpunk" design offering impressive visual depth within its lightweight, translucent resin shells. While the packaging is handsome and premium, including a large carry case, a soft pouch, a cleaning tool, a shirt clip, a termination adapter, and a generous selection of ear tips (foam and two silicone styles), the included thin, lightweight cable feels somewhat lackluster and uninspiring despite its swappable termination mechanism (3.5mm/4.4mm/6.35mm). Fit is stable but leans medium-large, potentially challenging for smaller ears, with a nozzle depth requiring tip experimentation for optimal comfort.

Sonically, the Top Pro follows the "new meta" tilted diffuse field sound signature, measuring close to a neutral target. However, its execution falls short of expectations. The boosted bass lacks definition and physicality, coming across as soft, unengaging, and lacking sharp attack or tactile impact, reminiscent of the HiSenior Mega5-EST's low-end. While the upper treble elevation adds brightness and air without harshness or sibilance, it combines with the bass presentation to create an overall tonality that feels clinical, thin, and surprisingly bodyless, lacking warmth and richness despite the bass quantity. Technical performance is decent but unremarkable; imaging and separation are competent due to the brighter tilt, but the presentation feels smoothed over and ultimately unengaging.

Comparisons highlight its shortcomings against key competitors: the Mega5-EST offers better mid-range body and natural tonality; the Oracle mk3 delivers superior bass tactility and a more exciting, stagey presentation; the Brain Dance provides a more impactful, bombastic sound with better-defined bass; and the cheaper Dusk excels with exceptional vocal texture, micro-contrast, and significantly superior bass physicality and engagement. Consequently, while not a bad IEM and confirming that $500 can buy top-tier sound, the Xenns Top Pro earns a modest 3-star rating for its lackluster bass, clinical tonality, and failure to stand out in a crowded field where alternatives simply offer more compelling and engaging listening experiences.

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Dunu x Gizaudio DaVinci targets the current hybrid hype with a 2DD + 4BA array at $300, packaged with Dunu’s tidy cable and the new low-bulk swappable termination system, a roomy semi-hard case, and three silicone tip sets. The shell uses stabilized wood faceplates over a smoky, translucent body; the fit is a broadly “universal” medium that benefits from a deeper insertion than usual. Tip choice matters: moving to smaller or grippier tips to seat the nozzle deeper noticeably adjusts treble texture and overall balance.

On the graph it follows a “new meta” contour—linear rise through the lower mids into the bass—but on ear it’s unmistakably the bassy one of its cohort. Mid-bass is elevated enough to crowd vocals and guitar attack, giving the low end a harder thud than sub-bass rumble. The surprise is technicality: imaging and separation are excellent for the price, and bass attack is reasonably tight, so definition stays intact even when the mix gets thick. Treble sits relaxed in level but carries a dry / slightly scratchy timbre; deeper fit and different tips (e.g., Softears UC) smooth it, though a hint of dryness remains.

Against peers like Hype 4, Pilgrim, Canon 2, and the Moondrop x Crin Dusk, DaVinci trades mid presence and air for weighty bass plus sharp stage mapping. For listeners prioritizing a big low end with crisp positional cues, it’s a compelling flavor; for those seeking vocal clarity and more natural treble, alternatives prove more cohesive. Net: a solid 3/5—distinct, fun, and capable, but tuned thicker and drier up top than the all-rounders in this bracket.

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Positioned at $500, the Xenns Top Pro gets stacked against the Subtonic Storm at around $5,400—a full 10× price gap that shouldn’t be glossed over. Level-matched listening shows the two land surprisingly close in overall technical performance, with differences in DDs/ESTs and driver counts mattering less than expected. What stands out more is transparency: the Top Pro is upfront about its internals and branded components, while the Summit-Fi piece plays things closer to the vest—par for the course at that tier.

In back-to-back A/B, the Top Pro’s mid-forward balance proves the hook. Instead of leaning on a mid-bass lift for “note weight,” it nudges the mids, keeping vocals, guitars, and cymbals clean and engaging without tipping thin or brittle. Anchored at the same SPL, track after track, the choice often becomes a coin flip—and many listeners would likely pick the more affordable set on tuning alone, because it’s simply more immediately musical across genres while holding its own technically.

This is diminishing returns in the palm of a hand. Slotting the Top Pro into a ranking even risks crowding out pricier neighbors, because its value sits uncomfortably high for its bracket. If the shells were disguised and the price tags hidden, the pick rate would tell the story: a “top-of-the-line” listen without the Summit-Fi tax, driven by smart tuning rather than spec sheet theatrics.

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The Xenns Top Pro stands as a significant evolution from its predecessors, bearing little resemblance to the original Top despite sharing a similar driver configuration. Its tuning aligns much more closely with the Tea Pro, effectively acting as an upgrade to that model – perhaps better named the "Tea Pro Max". It delivers a slightly warmish mid-range with a boost in the upper mids, creating a natural yet contrasty and fun presentation. Vocals retain life and presence, avoiding sounding pushed back or dead neutral. Crucially, the Top Pro executes this mid-range cleaner than the T Pro, thanks to a cut in the mid-bass. This cut enhances bass definition, making it punchier and more dynamic, while also improving separation between the bass and mid-range.

Treble performance is generally lively and detailed, contributing significantly to the perception of strong technical ability. However, it can be slightly peaky, introducing a touch of BA timbre that detracts slightly from perfection – a minor nitpick considering the overall quality. Instrumental separation across the frequency range (bass, mids, treble) is a standout feature, resulting in very good technical performance that surpasses competitors like the Blessing 3. The signature manages to sound snappy and tactile despite a weighty low end. Compared directly to the original Top, the Top Pro offers a fuller, more realistic mid-range adhering to modern tuning philosophies, whereas the original Top remains brighter and leaner. Against the highly regarded HiSenior Mega 5 EST, the Top Pro provides a more engaging and contrasty alternative to the Mega 5 EST's exceptional but potentially "vanilla" neutrality and smoother timbre.

Ultimately, the Xenns Top Pro earns a strong recommendation and a deserved A-tier ranking. It represents a compelling value proposition at its price point, offering an engaging signature with excellent technicalities that many listeners will enjoy. The only significant caveat is for those extra sensitive to treble, who are strongly advised to demo it first due to its elevated and occasionally peaky nature.

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DUNU DaVinci comes with a very complete accessory package and a high quality interchangeable plug cable, plus a lightweight case that is easy to carry despite not being very pocket friendly. The wooden faceplates look unique on every unit and the chunky shells remain secure and comfortable thanks to a recessed two pin connector and well designed nozzles. Sonically it is a balanced signature with a clear bass boost and a touch of warmth, where the bass is the star of the show, offering some of the strongest sub bass and mid bass impact under the 300 to 400 dollar range.

The sub bass delivers thunderous rumble for movies and electronic music, while the mid bass hits with powerful slam and a very tactile, palpable quality that makes kicks and drops feel physical yet still textured and detailed. This warmth flows into the lower mids, giving male vocals and instruments a thick, full bodied and very natural tone, while the upper mids stay in a balanced middle ground that avoids shout but keeps vocals present. Treble is extended, airy and smooth, adding clarity and shimmer to female vocals and cymbals without obvious peaks, so the overall tuning feels cohesive and easy to listen to, even if the elevated mid bass can sometimes pull attention away from the vocals.

On the technicalities side, DaVinci offers above average detail retrieval for its price with both macro and micro detail coming through clearly in bass, mids and treble. The soundstage is wider and deeper than average with a good sense of front to back layering, and the imaging is a real highlight, placing instruments and voices very precisely around the head. Compared to sets like Blessing Dusk, DaVinci trades a slightly less refined upper treble for stronger bass and a more engaging overall tuning, and while higher priced models such as SA6 Ultra and SA6 MKII still win in ultimate resolution and staging, this set is treated as a reference and benchmark choice around 300 dollars, an easy recommendation for listeners who want big high quality bass without sacrificing balance or technical performance.

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Dunu x Gizaudio Da Vinci comes as a very complete package at 299 dollars, with a modular Leo cable, 3.5 and 4.4 terminations, a high quality resin shell with stabilized wood faceplate and an excellent assortment of S and S and Candy ear tips. The shell is on the larger side but shaped to nestle securely, and with the included tips it provides a deep fit and strong seal, making the set both comfortable and visually striking. Overall build, cable and accessories feel carefully thought out and well above what is usually seen around this price.

Sonically Da Vinci delivers a balanced but warm tuning built on a tasteful bass shelf that starts around 200 Hz, transitions cleanly through slightly low mid focused lower mids and into a natural ear gain region near 2.8 kHz. Bass quantity is higher than many neutral leaning competitors like Dusk 2, Origin, Falcon Ultra or Studio 4, with excellent extension, dynamics and slam, plus extra mid bass and low mid presence for a satisfying punch and sense of richness, yet without audible bleed into the mids. The midrange stays clear and resolving while carrying real weight and tactility, giving instruments and vocals a natural and physical character that is uncommon at this price, and upper mids provide enough energy for presence without ever becoming shouty or fatiguing. Treble continues this natural presentation, keeping cymbals and hi hats energetic and exciting but controlled, with sufficient upper treble air and shimmer to reveal micro detail while remaining smooth and non peaky.

Technical performance is very strong for a 300 dollar hybrid, with detail retrieval, instrument separation and imaging easily matching the better options in the 200 to 300 dollar range and even rivaling sets like Performer 8 and approaching Studio 4. The bass is not quite as fast or textured as the best balanced armature implementations, and overall bass level sits toward the upper end of what more neutral listeners might prefer, but for many this will be part of the appeal, combining dynamic driver physicality with a tonally balanced and highly natural midrange and treble. Taken together Da Vinci stands out as a new favorite around 300 dollars, one of the most natural sounding in ear monitors under 500 dollars and a very strong value that earns a confident recommendation for listeners who want rich, musical tuning without sacrificing technical ability.