Ziigaat Arcanis VS Dunu x Gizaudio Davinci

Youtube Video Summary

The Ziigaat Arcanis, priced at $400 as the brand's most expensive standalone IEM, presents a mixed bag outside of its core sound. Build quality is decent but unremarkable, featuring comfortable shells with a well-fitting nozzle, though the aesthetic is described as slightly "weird." The included cable feels distinctly mid-tier and underwhelming for the price, while the case shows noticeable fraying almost immediately, contributing to an absolutely horrific unboxing experience deemed unacceptable at this cost.

Sonically, the Arcanis is a deeply divisive set with an extremely dark tilt and a significant dip around 6kHz. Initial impressions can be harsh or disappointing, but extended listening reveals its strengths: pure, clean sound free of sibilance or harshness, quality bass, clean highs, and beautiful vocals. This unique tuning philosophy creates a smooth, sophisticated, and non-fatiguing presentation. While the $230 Odyssey is praised as a fantastic value and the second-best in Ziigaat's lineup, the Arcanis is considered sonically superior, offering a more refined experience – albeit only marginally better for some. It competes favorably against sets like the Mega5EST and Dunu DaVinci, and surprisingly challenges far pricier offerings like the $1,800 Apostle in tonal beauty, though the Apostle has more "show." The $320 Volume S is a close competitor with a different, brighter tonality, making the Arcanis's value proposition relative.

Ultimately, the Arcanis shines as a beautifully dark, serious, and smooth IEM that excels at high volumes without becoming offensive. It delivers great detail without fatigue, standing out in a market saturated with energetic tunings. Despite the subpar accessories and unboxing befitting a much cheaper product, its unique and effective sound signature makes it a highly recommended pick under $400 for those seeking a refined, non-sibilant listen, though the Odyssey remains the smarter choice for budget-conscious buyers.

Youtube Video Summary

The Dunu x Gizaudio DaVinci brings handsome aesthetics and thoughtful accessories to the table: a supple modular **cable** with easy-swapping terminations and a dark, well-finished **case** that even fits a dongle DAC. The shell presents as **pretty** and well-built, though the flat faceplate and slightly wider nozzle make the **fit** merely decent rather than class-leading; tip rolling helps. Overall build quality inspires confidence, with **recessed 2-pin** sockets and neat finishing.

Sonically, this tuning reads as **balanced-neutral** with a tasteful lift in **sub-bass/mid-bass** and forward, lively **upper mids** that can flirt with **shout** on some material. Graphs show the response hugging target within a couple dB almost everywhere, and the **channel matching** is essentially perfect. Compared to other Dunu sets, it improves on the SA6 MK2’s flatter pin gain and the Mirai’s sharper treble; versus Crin x Moondrop Dusk (analog), DaVinci feels less fatiguing around **5–6 kHz** and more engaging down low. Technical performance is **good**—clean transients, solid air and extension—though not the widest or most spacious in its class.

Stacked against peers, DaVinci trades blows with the **Hype 4** (which projects a bigger stage/“air” advantage), while **AFUL Explorer** offers a bassier, budget-friendly flavor with surprisingly competitive **technicalities**. Expect **forward vocals**, smooth treble past the 8 kHz coupler quirks, and a generally “just-right” tonality; some listeners may still want a touch more **sub-bass** slam. Verdict: a strong **recommendation** for the tuning alone—tastefully neutral, musical, and easy to enjoy—tempered by the note that emerging releases with similar targets (and a bit of **EQ**) may deliver comparable results for less. Demo first if possible, then commit.

Youtube Video Summary

The Ziigaat Arcanis positions itself as a potential new vocal benchmark under $500, offering a clean yet full sound signature. A slight boost from 6 to 15kHz makes the upper mids and early treble pop out, adding extra dynamics without becoming sharp or fatiguing. Essentially, the Arcanis is a smoother, more resolving, and more spacious evolution of the original Mangird TEs, retaining their essence but with greater refinement. Vocals, the main attraction, are exceptionally clear, natural, resolving, and open, featuring the "special sauce" – a distinct bite to consonants that enhances dynamics and emotional impact. This is achieved through a careful balance: a cut at 3-6k reduces sharpness and fatigue, while a gradual rise from 800Hz to 2kHz pushes vocals slightly forward for clarity, and the 6-15k boost provides essential extension and openness.

Technical performance is impressive, with a notably open stage, pinpoint imaging, and excellent micro-details, making it great for gaming, OSTs, and classical. The bass is quick, well-textured, resolving, and controlled, offering good slam without bleeding. However, it lacks the deep sub-bass extension for genres like hip-hop or EDM, where sets like the Estrella or Dusk outperform. Scaling is crucial: busy pop or EDM tracks sound best at mid-volumes (around 60-65 dB) to prevent the treble bite from becoming overwhelming, while slower ballads and acoustics truly shine and open up at higher volumes (around 80 dB+), revealing micro-nuances and emotional depth.

Comparisons highlight the Arcanis's strengths. It's more technical and spacious than the Volume S (warmer, better for male vocals) and Studio 4 (fuller, more neutral), offering superior treble air and detail. It outpaces the RS5 in technicalities and value, though the RS5 has fuller male vocals. Against the Oracle MK1, the Arcanis boasts better treble extension, micro-details, dynamics, and that crucial vocal bite. While bright-neutral sets like the Dusk or Meta have more bass and treble emphasis, the Arcanis feels more natural and musical, especially in vocals and bass texture. Compared to Ziigaat's own Odyssey, the Arcanis is cleaner, more technical, more vocal-focused, and airier, while the Odyssey is bassier, darker, and scales better for hip-hop/rock. Despite its strengths, the accessories and cable feel unacceptably basic for the $400 price point. Ultimately, the Arcanis is highly recommended for higher-volume listening on vocal-focused tracks, but other options might be better all-rounders for mid-volume pop or bass-heavy genres.

Youtube Video Summary

Warm, thick, and syrupy sums up the Dunu x Gizaudio DaVinci. The low end hits with heavy slam and satisfying impact—great for hip-hop, R&B, and drum-centric tracks—yet the decay is slow, so notes linger and instrument separation tightens up. That mid-bass bloom nudges vocals—especially female—toward a huskier, warmer hue. Treble reaches adequately without sparkle; micro-detail isn’t the focus, but nothing crucial goes missing.

Despite community buzz, DaVinci isn’t a pure basshead monster. It’s more a warm-tilted all-rounder with a thick, smooth presentation—think regular syrup versus exotic maple: pleasurable, familiar, easy to like. Resolution is fine for the price, though the bass texture can feel smoothed and blunted, fusing notes on complex passages. Compared side-by-side, faster sets with snappier drivers can sound cleaner and more separated in the lows and smoother yet more detailed up top.

For listeners chasing fun impact, warmth, and thickness over ultimate precision, DaVinci delivers an engaging, cozy listen—thumpy and enjoyable with enough upper-mid/treble lift to keep things from turning murky. Those prioritizing speed, air, and technical performance per dollar will likely find better fits elsewhere. But if a warm-smooth groove is the goal—and the wood-accented aesthetic appeals—DaVinci makes a compelling, everyday-friendly pick.

Youtube Video Summary

Build mirrors other ZiiGaat releases: attractive shells but a slightly thick nozzle and average comfort, a non-modular stock cable, and the same case seen on cheaper models. At this price, the accessories would benefit from an update.

The Arcanis (2DD isobaric + 5BA, ~$399) is a cleaner, more engaging take on Lush, with small lifts through the upper mids and treble for a neutral-bright balance. It is tuned to preserve air and even sub-bass audibility at lower volume, yielding forward vocals, very extended upper treble, and a crisp, technical presentation.

Bass sits just under neutral—tidy rather than weighty—keeping mids clean and slightly forward, while treble is airy and extended. Stage has good width and height but modest depth; detail retrieval is strong. Best for listeners prioritizing clarity and resolution over warmth; a focused, low-volume performer rather than an all-rounder.

Youtube Video Summary

DUNU x Gizaudio DaVinci comes across as a warm, bass-focused hybrid whose character changes audibly with source impedance. On very low impedance dongles the bass shelf and treble are both pulled down, while sources in the 1–10 ohm range bring back a more pronounced V-shaped signature that better matches the official graphs. Higher output impedance laptop-style sources can give a slower, boomier low end, so getting the right pairing is key to hearing the set as intended.

In the bass, DaVinci clearly favors quantity over ultimate bass control. For a roughly three-hundred-dollar hybrid, expectations are for tight, textured, well-defined low frequencies, but the main dynamic driver sounds a bit soft and slow, pushing the subbass into a fun, almost budget-style “quantity zone.” The U-shaped tuning and split low-end drivers help some, yet the softer subbass character still drags the overall presentation down and makes the hand-off to the balanced armatures more noticeable than it should be at this price.

The treble becomes the “pebble in the shoe”: often fine, then suddenly a touch too bright or unnatural on certain tracks. There is slightly too much energy at both extremes, with elevated subbass and an over-energized upper treble that can create a hazy halo instead of a smooth, dark background. Small EQ tweaks—pulling subbass down by a dB or two, adding a bit more midbass punch from the smaller driver, and trimming the air region—can turn DaVinci into a more coherent, engaging listen that better aligns with the intended bass-heavy warmth, even if it still stops short of true top-of-the-line refinement.

Youtube Video Summary

Warm-neutral done right. DaVinci brings a thick, soothing tonality to the mid-fi space, pairing a 2DD + 4BA array and five-way crossover with a high-quality resin shell that’s comfortable and pressure-free. The package is stacked: a sturdy modular cable (secure, tight braid), plentiful tips including DUNU S&S and Candy, 6.35 mm adapter, and a genuinely excellent carry case with elastic strap and net. Fit is easygoing, though the nozzle is thick (≈6.7 mm)—tip choice matters.

The tuning is a gently warm-neutral curve with a deep, enveloping bass that stays tidy, avoids boom, and adds body without bleeding. Midrange is smooth, nuanced, and natural—lower mids carry weight and realistic timbre; upper mids are present but not shouty, gliding seamlessly for a non-fatiguing listen. Treble extends cleanly and “just right”: no glare, good air, ideal for treble-sensitive ears (treble-heads may want more bite on bass-heavy mixes). It scales with source—more power tightens bass and opens the stage—and crucially sounds coherent at low, medium, and high volumes without losing engagement.

Technicalities favor musicality over microscope: stage and depth are satisfying, separation/layering are decent for the price, and the standout is timbre. Versus peers, it’s warmer and more immersive than Yanyin Canon 2 (which is cleaner/brighter up top), smoother and tonally superior to HiBy Project Ace, more fun and less shout-prone than DUNU Falcon Ultra, and more balanced (if less technical) than SIMGOT EA2000. Net: one of the most compelling warm-neutral IEMs under $500—not the most analytical set at ~$300, but a richly engaging, timbre-first listen that’s easy to love for long sessions.

Youtube Video Summary

The Ziigaat Arcanis, priced at $379, immediately raises eyebrows with its cheap packaging and accessories. The included 3.5mm cable is deemed insufficient, especially for the low 12-ohm impedance, and the IEM shells themselves have an unfortunate mold-like appearance. The basic case and lack of balanced cable option feel mismatched for the price tag. Simply put, the unboxing experience and stock accessories scream budget, not near $400.

Getting great sound out of the Arcanis requires significant aftermarket investment. The stock cable must be swapped for a high-quality, low-impedance cable (like Effect Audio) and the stock tips replaced with Velvet tips to fix staging compression and treble issues. Pairing with a powerful, capable amplifier is also essential. Once these costly upgrades are made, the 2DD + 5BA configuration truly shines, delivering excellent clarity, a unique "gooey" texture, and surprisingly good detail retrieval. However, the soundstage is notably intimate, with everything happening "behind the eyeballs", lacking the width found in competitors.

Ultimately, the Arcanis offers genuinely excellent sound quality that justifies a $400 tag – but only after spending significantly more on cables, tips, and amplification. The stock experience feels like a $300 product hampered by the included accessories and questionable shell design. It's a frustratingly high-maintenance IEM; you absolutely can achieve top-tier performance, but the effort and extra cost required make the overall value proposition hard to swallow at full price.

Youtube Video Summary

Dunu x Gizaudio Davinci shows up dressed to impress: a five-leaf maplewood faceplate that’s prettier in person than the promo shots, a deep-set 2-pin socket, and DUNU’s slick Q-Lock Mini swappable plug that threads on like it was always meant to be there. Inside, the party is serious—six drivers with dual bio-cellulose DDs (10 mm + 8 mm) in separate chambers both tasked with ultra-low duties, plus four BAs handling the rest. Accessories hit right: the included DUNU S&S tips make easy work of seal and comfort, while “Render” style tips push a touch more brightness and slam if desired. Build, cable, case—everything feels sorted, not fussy.

Sonically, this is a refined bass-head tuning done right: tremendous low end that stays out of the way until the track calls it, with smooth delivery that keeps mids solid and treble non-fatiguing. The stage isn’t super wide so much as tall, giving music a lifted, “above-and-below” presence while the image sits slightly pulled back—cohesive, never shouty. It plays nicely off a range of sources and doesn’t demand exotic amping to shine. At $299, the package feels dialed: bass quality like pricier sets, tasteful tuning, and quality of life that makes daily use easy. Verdict? A full-send recommendation—the kind of collab that earns the name on the box, high-res sticker jokes notwithstanding.

Youtube Video Summary

The Ziigaat Arcanis and Lush IEMs offer distinct flavors at their price points, both featuring resin builds with eye-catching faceplates—sparkly green for the Arcanis and silver-black for the Lush. Fit is familiar to other Ziigaat models, and accessories include a basic cable, ear tips, and carrying pouch. Sonically, the Arcanis delivers a holographic, punchy presentation with emphasized sub-bass and upper mids, making footsteps, slides, and distant gunfire pop with urgency. The Lush leans darker and smoother, relaxing upper mids to tame gunfire harshness while maintaining clean bass and excellent separation.

For gaming, performance varies by title. In Valorant and CS2, the Lush shines with precise imaging and a smoother, fatigue-free experience—gunfire feels controlled without sacrificing detail. The Arcanis excels in COD, where its aggressive tuning highlights critical cues like footsteps and slides with greater potency. However, in Apex Legends, the Lush’s relaxed profile struggles with subtle audio cues (e.g., light taps or shield cells), earning a B rating. The Arcanis fares better (B+) with superior depth reads and emphasis on environmental sounds, though complex fights can overwhelm its separation compared to top-tier sets like the Mangird Tea Pro.

Ultimately, the Arcanis is a versatile all-rounder, slightly favored for both music and most gaming scenarios. The Lush carves a niche for smooth, non-fatiguing sessions in Valorant/CS2, filling a unique spot in Ziigaat’s lineup. Both IEMs offer exceptional resolution and layering for their prices, but the choice hinges on preference: the Arcanis for its energetic clarity, or the Lush for its refined, relaxed signature.

Youtube Video Summary

Build & unboxing deliver the full Dunu experience: a high-quality interchangeable cable (2-pin with swappable terminations, plus a 6.35 mm adapter), multiple tip sets including Dunu Candy/S&S, and a sturdy carrying case. The unique faceplates make each unit feel one-of-a-kind, and comfort is excellent—wearable for long sessions without hotspots.

For music, DaVinci aims at a sub-bass emphasized, warm tuning with a tactile, resonant rumble that stays controlled. Bass has good extension and texture without bleeding into the mids; the midrange stays clear with natural timbre and standout vocals. Treble is well-controlled—never sharp, never dull—keeping the set non-fatiguing. Stage is on the more intimate side, but the imaging is precise, making positional cues and instrument placement feel confident.

In competitive gaming, that same low-end weight can be a double-edged sword. In Apex and COD the sub-bass resonance adds epic immersion yet can mask lighter cues (e.g., subtle footsteps) during chaotic fights; tip rolling (e.g., SpinFit W1) helps. Valorant fares better thanks to the engine and map scale. Overall placement on the WallHack list is around a B− for competitive play, while for single-player and VR the immersive rumble, intimate stage, and solid imaging make DaVinci an easy recommendation.

Youtube Video Summary

The Ziigaat Arcanis offers a warm, somewhat thick sound signature with a noticeable bass boost and a lean lower midrange. This is balanced by a relaxed upper midrange and lower treble, contributing to its overall smooth character. While it provides decent extension, the Arcanis can occasionally present vocals with a slightly wet or near-sibilant edge, especially depending on ear tip choice and fit depth. Its transient response is sharper than the Yanyin Canon Pro, giving it better definition and crisper imaging, though the bass physicality is only middling.

Physically, the Arcanis features lightweight plastic shells with a distinctive dark black and green aesthetic. However, the build quality feels somewhat cheap for the $400 price point, especially paired with the included thin, glossy cable. The shells are notably long, leading to a fit that can feel deep and occasionally aggressive in the ear canal, exacerbated by the stock ear tips. Users may experience noticeable driver flex or squish when inserting them. Comfort is generally acceptable for upright listening but becomes problematic when lying on your side.

Ultimately, the Arcanis earns a three-star rating. While it delivers a generally inoffensive, warm sound with decent technicalities like transient bite and imaging, it lacks standout qualities or strong definition at its price. The physical experience, particularly the fit and perceived build quality, further holds it back from being a compelling recommendation. It ends up feeling like a competent but unremarkable offering in its tier.

Youtube Video Summary

Dunu x Gizaudio DaVinci targets the current hybrid hype with a 2DD + 4BA array at $300, packaged with Dunu’s tidy cable and the new low-bulk swappable termination system, a roomy semi-hard case, and three silicone tip sets. The shell uses stabilized wood faceplates over a smoky, translucent body; the fit is a broadly “universal” medium that benefits from a deeper insertion than usual. Tip choice matters: moving to smaller or grippier tips to seat the nozzle deeper noticeably adjusts treble texture and overall balance.

On the graph it follows a “new meta” contour—linear rise through the lower mids into the bass—but on ear it’s unmistakably the bassy one of its cohort. Mid-bass is elevated enough to crowd vocals and guitar attack, giving the low end a harder thud than sub-bass rumble. The surprise is technicality: imaging and separation are excellent for the price, and bass attack is reasonably tight, so definition stays intact even when the mix gets thick. Treble sits relaxed in level but carries a dry / slightly scratchy timbre; deeper fit and different tips (e.g., Softears UC) smooth it, though a hint of dryness remains.

Against peers like Hype 4, Pilgrim, Canon 2, and the Moondrop x Crin Dusk, DaVinci trades mid presence and air for weighty bass plus sharp stage mapping. For listeners prioritizing a big low end with crisp positional cues, it’s a compelling flavor; for those seeking vocal clarity and more natural treble, alternatives prove more cohesive. Net: a solid 3/5—distinct, fun, and capable, but tuned thicker and drier up top than the all-rounders in this bracket.

Youtube Video Summary

Ziigaat’s Arcanis takes the familiar house recipe and pushes it to the brand’s $400 tier, but the presentation still screams mid-range: the same case, tips, and cable show up again, which feels deflating at this price. The resin shells (metal nozzles, rear vent) are comfy for larger ears, though driver flex can pop up and tiny ears may struggle to seal. Styling leans nautical “tide-pool”; on the Cool Wall it looks neat, yet the Council of Ladies verdict is lukewarm. Inside sits a seven-driver hybrid with Ziigaat’s “dual 10 mm” tube-loaded dynamics plus BAs, easy to drive and slightly reactive to impedance (a mild V and a touch more sub-bass with adapters).

Sonically this is neutral-leaning with bass that favors quality over quantity: textured drops, tidy kick definition, and clean lower mids with no bleed. Female vocals pop a step forward, while upper-mids/treble show a polite attack—great for treble-sensitive listeners and high-volume sessions, but a bit soft for those craving bite and air. Technicals read as “very good, not killer”: excellent low-end texture, solid imaging and width, but treble detail doesn’t wow versus peers. An impedance adapter or “Rudy-rod” style cable can add welcome sub-bass without breaking the balance.

Against the field: the Arete (≈$250) brings more bass quantity and crisper treble, yet Arcanis wins on bass control/texture. The Hisenior Mega 5 EST (≈$550) is more V-shaped and more resolving, but less safe up top; Arcanis suits treble-sensitive vocals lovers. AFUL Performer 7 (≈$240) punches up with extra bass and sparkle and can feel more detailed per dollar. And at price parity, Moondrop x Crinacle Dusk matches or edges bass texture, adds airier treble, and ships a far better accessory pack. Verdict: a jack-of-all-trades with genuinely refined bass texture, balanced tonality, and treble safety that many will enjoy—yet the price and accessories dull the shine. On the Audio Amigo scale, this winds up in “but I like this”, especially for listeners who prefer smooth upper harmonics and long, loud sessions without fatigue.

Youtube Video Summary

DUNU DaVinci comes with a very complete accessory package and a high quality interchangeable plug cable, plus a lightweight case that is easy to carry despite not being very pocket friendly. The wooden faceplates look unique on every unit and the chunky shells remain secure and comfortable thanks to a recessed two pin connector and well designed nozzles. Sonically it is a balanced signature with a clear bass boost and a touch of warmth, where the bass is the star of the show, offering some of the strongest sub bass and mid bass impact under the 300 to 400 dollar range.

The sub bass delivers thunderous rumble for movies and electronic music, while the mid bass hits with powerful slam and a very tactile, palpable quality that makes kicks and drops feel physical yet still textured and detailed. This warmth flows into the lower mids, giving male vocals and instruments a thick, full bodied and very natural tone, while the upper mids stay in a balanced middle ground that avoids shout but keeps vocals present. Treble is extended, airy and smooth, adding clarity and shimmer to female vocals and cymbals without obvious peaks, so the overall tuning feels cohesive and easy to listen to, even if the elevated mid bass can sometimes pull attention away from the vocals.

On the technicalities side, DaVinci offers above average detail retrieval for its price with both macro and micro detail coming through clearly in bass, mids and treble. The soundstage is wider and deeper than average with a good sense of front to back layering, and the imaging is a real highlight, placing instruments and voices very precisely around the head. Compared to sets like Blessing Dusk, DaVinci trades a slightly less refined upper treble for stronger bass and a more engaging overall tuning, and while higher priced models such as SA6 Ultra and SA6 MKII still win in ultimate resolution and staging, this set is treated as a reference and benchmark choice around 300 dollars, an easy recommendation for listeners who want big high quality bass without sacrificing balance or technical performance.

Youtube Video Summary

Dunu x Gizaudio Da Vinci comes as a very complete package at 299 dollars, with a modular Leo cable, 3.5 and 4.4 terminations, a high quality resin shell with stabilized wood faceplate and an excellent assortment of S and S and Candy ear tips. The shell is on the larger side but shaped to nestle securely, and with the included tips it provides a deep fit and strong seal, making the set both comfortable and visually striking. Overall build, cable and accessories feel carefully thought out and well above what is usually seen around this price.

Sonically Da Vinci delivers a balanced but warm tuning built on a tasteful bass shelf that starts around 200 Hz, transitions cleanly through slightly low mid focused lower mids and into a natural ear gain region near 2.8 kHz. Bass quantity is higher than many neutral leaning competitors like Dusk 2, Origin, Falcon Ultra or Studio 4, with excellent extension, dynamics and slam, plus extra mid bass and low mid presence for a satisfying punch and sense of richness, yet without audible bleed into the mids. The midrange stays clear and resolving while carrying real weight and tactility, giving instruments and vocals a natural and physical character that is uncommon at this price, and upper mids provide enough energy for presence without ever becoming shouty or fatiguing. Treble continues this natural presentation, keeping cymbals and hi hats energetic and exciting but controlled, with sufficient upper treble air and shimmer to reveal micro detail while remaining smooth and non peaky.

Technical performance is very strong for a 300 dollar hybrid, with detail retrieval, instrument separation and imaging easily matching the better options in the 200 to 300 dollar range and even rivaling sets like Performer 8 and approaching Studio 4. The bass is not quite as fast or textured as the best balanced armature implementations, and overall bass level sits toward the upper end of what more neutral listeners might prefer, but for many this will be part of the appeal, combining dynamic driver physicality with a tonally balanced and highly natural midrange and treble. Taken together Da Vinci stands out as a new favorite around 300 dollars, one of the most natural sounding in ear monitors under 500 dollars and a very strong value that earns a confident recommendation for listeners who want rich, musical tuning without sacrificing technical ability.