Punch Audio Martilo VS ZiiGaat Luna

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Punch Audio Martilo steps in as a new-brand debut with a confident package: a hybrid array (planar + BAs + DDs), a metal nozzle, proper venting, and a recessed 2-pin socket set into a shell that sits securely thanks to an anti-tragus catch. The faceplate gives off AFUL Performer 7 vibes, the included cable is supple with clear R/L markings, and the textured carry case plus two tip sets round out a thoughtful accessory kit. Priced around $329—with occasional deep discounts during big Linsoul sales—build and accessories feel dialed in for the bracket.

Sonically, this is a bassy set that still behaves like an all-rounder. The bass shelf rises from roughly ~150 Hz, bringing weight and warmth without turning podcasts and vocals into mud; upper-mids are present yet controlled, minimizing shout, while mid-treble energy keeps things crisp. Female vocals avoid huskiness, note weight is satisfying, and the tuning strikes a balanced, fun profile that works across genres. On the graph it hugs a safe line, then sprinkles in extra low-end for flavor—bass-head friendly, but not a blunt instrument.

In A/Bs, it addresses the AFUL Explorer’s softness with more bass and mid presence, and compared to similarly priced Kiwi Ears Astral (the safer neutral pick), Martilo offers the spicier, more engaging option. Against “specialist” bass sets like Deuce or Quantum, Martilo feels cleaner in the mids, less abrupt in its slam, and more universally usable; versus warmer bass champs (e.g., Mega 5 Bass), it trades some warmth for clarity and refinement. This isn’t sterile “audiophile-neutral”—it’s audiophile-fun done with taste. Scoring reads like: bass (10/10), note weight (10/10), mids (9/10), with surprisingly solid highs, stage, and imaging for the money. Not flawless, but distinctive, well-tuned, and easy to recommend—especially for listeners who want real bass without sacrificing everyday versatility.

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The ZiiGaat Luna impresses immediately with its solid build quality, featuring a comfortable metal nozzle shell and a unique wing design for a secure fit. While the shell doesn't reinvent ZiiGaat's typical mold, the accessories show significant improvement, including a nice selection of tips, a practical case, and a simple but effective cable with swappable terminations (including 4.4mm). This attention to the unboxing experience, especially at its $379 price point, demonstrates ZiiGaat listened to community feedback.

Sonically, the Luna delivers a bold, clean, and tactile V-shaped signature with exceptional micro-detail and a fantastic overall frequency response. It stands out as a supremely capable all-rounder, offering a touch of hi-fi quality. Comparisons reveal it surpasses other ZiiGaat models like the specialist Arcanis, the neutral Lush, and provides a clear upgrade path over the Odyssey. While the Mangird Top Pro offers thick, majestic bass, the Luna boasts better clarity and detail and is deemed a more versatile choice. It also compares favorably to benchmarks like the Aful Performer 7, offering better treble and a cleaner presentation, and edges out the 7th Acoustics Supernova with a slightly more agreeable tuning.

Ultimately, the Luna hits a remarkable sweet spot. It combines a balanced sound with great technicalities, improved accessories, and a tonality that avoids harshness while retaining excitement. For its price bracket, it represents a fantastic value and emerges as a strong contender for the benchmark all-rounder in the $300-$400 range, offering a taste of high-end performance without the ludicrous cost. It’s a clear sign of ZiiGaat refining their approach based on user input, resulting in one of their finest IEMs to date.

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Boom — time for bass. Punch Audio’s Martilo is a tribrid (2×8 mm DD + 2 BA + 1 micro planar) coming in around $330. The package is stacked: sturdy square case, extra filters, multiple tip sets, and a genuinely excellent modular 3.5/4.4 cable that lays flat, has no microphonics, and a firm chin slider. The shells are ergonomic with venting, metal nozzles with a proper lip, and a small nozzle diameter (5.9/5.0 mm) that helps seal; comfort and passive isolation are both strong.

Sonically, this is unapologetically bass-focused without being bass-only. Expect massive sub-bass depth and a punchy mid-bass, yet the low end stays tight, controlled, textured and doesn’t bleed. Mids retain clarity with non-shouty presence, while treble is crisp, smooth, non-fatiguing with decent extension (not ultra-airy). For a bass-heavy set, technical performance is solid: detail is good, and imaging/separation keep busy tracks coherent and energetic.

Against Hisenior’s Mega5EST Bass Plus, Martilo hits harder, feels more engaging, and offers better vocal clarity — and it steamrolls on value at the lower price. Compared with Xenns Tea Pro, the Tea Pro is a bass-lover all-rounder that spotlights vocals/instruments more; Martilo goes full bass-head with bigger rumble and impact. Ideal for listeners who crave deep slam but still want clarity, comfort, and great accessories; not for neutral/reference chasers. Final verdict: 4/5 — it truly punches above its price.

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The Ziigaat Luna arrives as a $379 all-balance armature IEM, impressing right out of the box with its premium accessories. You get a large, sturdy zipper case (though not pocket-friendly), three pairs of narrow bore silicone tips, a set of clear silicone tips, foam tips, and a standout modular cable with both 3.5mm and 4.4mm terminations. The cable itself is praised for being tangle-free, flexible, and microphonic-free, featuring a metal y-split and solid modular connections. The Luna sports a resin build with attractive faceplates and an average size shell, offering a comfortable fit familiar to other Ziigaat models, though some might experience pressure using narrow bore tips for a deep fit.

Sonically, the Luna delivers a smooth, slightly warm, and airy signature that's notably non-fatiguing. The bass, while lacking the physical slam of a dynamic driver, is one of the better BA implementations, offering satisfying mid-bass thump, definition, and gentle rumble. The mid-range has a touch of warmth adding body and naturalness, with proper note weight and slightly relaxed yet clear vocals that work well across rock, metal, hip-hop, and more. The treble is sparkly and airy with good micro-detail, thanks to an upper air boost, though this could be noticeable for sensitive listeners. Technically, it lands around 80% between the TruthEar Nova and Dunu SA6 Ultra, with excellent imaging precision, above-average soundstage, and nice layering.

Comparisons reveal the Luna shares a similar tonality to the discontinued, more expensive Dunu SA6 Ultra, making it a great alternative. It bests other Ziigaat models like the Arcanis and Odyssey in overall balance, detail, and air, though the Odyssey offers more bass physicality. Against strong competitors like the Kiwi Ears Astral or Xenns Mangird Top Pro, the Luna holds its own with a warmer, fuller, and more relaxing presentation, even if it concedes in ultimate refinement or bass impact. It earns a solid 4 out of 5 stars for its unique, competitive tuning and fantastic value, highly recommended for those seeking a detailed yet relaxing all-rounder with smooth vocals and airy sparkle. However, bassheads, those sensitive to upper treble, or seekers of neutral/reference tuning should look elsewhere.

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Martillo is a hybrid (dual DD, two BA, one planar) tuned as a sub-bass-boosted U-shape with roughly 14 dB lift and a hard mid-bass drop. The low end hits like a quick hitter—fast, clean, and free of boom—while the sharp cut through the mid-bass keeps the presentation uncluttered and lets vocals come through clearly.

Mids favor female vocals with notable clarity, but lower mids and male voices sound thinner due to the deep mid-bass dip; timbre skews a bit digital and body is reduced. Treble avoids harsh BA/planar timbre and is generally clean, yet not especially airy; smoothing and a touch more body would improve naturalness.

Stage is wide with some height, yet depth and dimension are flatter around the midrange gap. A small EQ lift of about 2-3 dB in mid-bass fills in body, improves transparency, and broadens genre flexibility. As tuned, Martillo suits pop and dance where sub-bass drive matters, while listeners seeking weighty mid-bass impact may want that EQ or a different flavor.

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ZiiGaat Luna follows a six-BA, five-and-five recipe: about a 5 dB bass shelf with ~5 dB ear gain for a clean, end-to-end presentation. The BA bass is quick and controlled, supporting the mids without bloat; coherence is a clear strength of all-BA designs. Compared with Odyssey, Luna brings a fuller upper-mid region and a stronger vocal focus, suiting listeners who want clarity and body without overboosted low end.

Treble carries energy from ~2 kHz through the upper range; the absence of a 5 kHz dip keeps cymbals and hi-hats crisp but can feel a touch intense on dense rock mixes, especially at higher volumes. Staging is pretty much there, and a small EQ cut (1–2 dB) around the mid-treble can open up space and depth. At $380 this reads as a side-grade within ZiiGaat's current family: very clean, coherent, and mid-centric, ideal if an all-BA flavor of the 5/5 tuning is the goal.

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The ZiiGaat Luna delivers a smooth, full, and slightly warm sound with exceptional airiness, creating a lush and laid-back listening experience. Vocals are presented in a balanced yet warmer, thicker tonality, pulling back slightly in the mix compared to vocal-centric sets like the Arcanis. This tuning emphasizes micro-nuances in the treble, offering well-extended symbol crashes and a refined, non-fatiguing character. Tonally, it sits as a more technical evolution of the discontinued P1 Max and a warmer, more affordable alternative to the elusive Seven Acoustics Supernova or Dunu SA6 series, delivering a similar smoothness and air at roughly $200 less.

Technically, the Luna performs competitively around the Arcanus level, featuring good resolution, layering, and solid bass texture, though it isn't a sheer technical monster. Its unique, musical tonality more than justifies its $350-$379 price. The bass, powered by Sonion drivers, provides quick separation and snappy response with enough warmth for a comfy, nostalgic feel, though it lacks the deep sub-bass rumble and intense slam of dedicated bass sets like the Ziigaat Cincotres or Estrella. This makes the Luna ideal for rock, indie, and metal genres, where its firm mid-bass, full-bodied yet quick decay, pulled-back vocals (preventing shoutiness), and airy treble excel. It scales well at medium volumes (around 75-80 dB), working as an all-rounder but truly shining with bands.

Compared to its sibling, the Odyssey, the Luna is smoother, more laid-back, and airier versus the Odyssey's sharper transients and greater energy. Against the Xenns Top Pro, the Luna offers a warmer, fuller, airier sound but yields in ultimate clarity, vocal forwardness, and transient sharpness. The Kiwi Ears Astral provides a more vibrant, sub-bass focused, and dynamic all-rounder at a lower price, but the Luna counters with superior smoothness, refinement, and a more unique, immersive signature. While vocal-focused sets like the Studio 4 or Volume S offer greater vocal clarity and power, the Luna provides slightly better overall detail retrieval and its distinctive warm, airy musicality. In conclusion, the Luna stands out as a highly competitive set with a unique tuning not commonly found near its price, backed by a quality interchangeable cable, making it a compelling recommendation for those seeking its specific refined, lush, and airy character.

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The Punch Audio Martilo shows up screaming BASSHEAD on the box, but the tuning is smarter than that. A hybrid stack—2×8 mm DD + 2×BA + 1 planar—delivers bass that hits when the track calls for it, then gets out of the way. The surprise is the huge soundstage: airy, wide, borderline cinematic, so pianos, crowds, and live recordings feel expansive rather than claustrophobic. Low 9 Ω impedance and easy efficiency keep the power demands chill, though a low-impedance cable is recommended.

Tip rolling matters. With thin-wall silicone (e.g., Dunu S&S) the stage opens up and balance feels right; foams and some wide-bore options can push treble into a slightly sharp zone on certain tracks. Tonality reads clean and natural—warm-adjacent without a blanket—so everyday music stays unbloated, while proper sub-bass test tracks pressurize with that “firm hand on the chest,” not a sledgehammer.

Build is solid: thick, comfy modular cable with swappable plugs, flashy red shells, and a comically oversized box for a modest accessory set (silicone + foams). Street price around $330 lands in the sweet spot—easily justifying $375 by ear. Think “poor man’s Mega 5 EST Bass Plus”: similarly satisfying slam and stage, with the pricier set showing a touch more upper-mid/treble refinement. Not just for bassheads—more like a full-range thrill ride that lets music breathe and hit when it should.

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The ZiiGaat Luna is an all-BA IEM that completely shatters expectations. Designed for studio engineers and stage performers, it delivers a tonally balanced, accurate, and precision-focused sound that somehow avoids being boring. It provides excellent staging, separation, clarity, and imaging, resulting in an incredibly engaging listening experience that is both enjoyable and truthful to the source material.

Priced at $380, these are absolutely worth more than they cost, with a perceived value easily hitting the $500 mark. They are a shining example of a professional monitor that doesn't put you to sleep, making them a rare find. The build is typical ZiiGaat—lightweight polymer with a surprisingly pretty sparkly purple and green shell—though it comes with the brand's typically oversized packaging and standard cable.

For anyone seeking a flat, uncolored reference sound, the Luna is a top-tier contender. They are tip-agnostic and need no fixing out of the box, performing superbly with aftermarket tips. This is one of the few professional-focused monitors that earns max respect for delivering on its promise without sacrificing musicality.