Softears RS10 VS Linsoul x HBB Jupiter

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Premium build with a large, Monarch-like shell that sits extremely comfortably, accented by subtle blue flecks and a secure nozzle lip. The bundled 4.4mm cable feels upscale, while the case and tips are serviceable. There’s noted pricing controversy—an initial teaser around $1,000 for a handful of units before settling near $1,600—but the product itself presents as a polished, high-value package.

Sonically, this is a strong, impactful bass tuning with rich warmth that never smothers the mids. Female vocals pop, instrumentals sound lifelike, and earlier worries about a dark treble prove overstated; the tonal balance feels right and cohesive. Sub-bass digs deep, mid-bass hits with authority, and the overall presentation is sweet, engaging, and musical—the sort of set that invites long sessions without fatigue. It comes across as a top-tier collaboration with a crowd-pleasing signature for bass lovers who still care about clarity and timbre.

In comparisons, Dunu’s Mirai reads brighter and leaner with issues like hiss and channel imbalance on the sample heard, scoring around “three stars,” while Jupiter earns a decisive “five-star” nod. Against heavy hitters like Elysian Annihilator and Grand Maestro, those sets feel more resolute, but Jupiter is more fun, with a richer, sweeter tonality. Versus Fatfreq Scarlet Mini, Jupiter offers just-right bass (rolling off warmth around ~200 Hz) rather than excess. The conclusion is emphatic: a 9.04/10, described as a “love letter” to bassheads and one of the finest pure basshead tunings heard—highly recommended, especially if a second-hand deal brings the price closer to earth.

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Softears RS10 targets the top of the detail game at $2,100, but its extras feel dated: a leather hard case, pouch, tips, metal card, and a basic cable—often without interchangeable plugs (current Hangout stock is 4.4 mm). The shell is fully filled resin with a glass-like look that reads premium despite the old-school accessory pack.

Tuning skews a brighter V/U-shape—think JM1 diffuse field (5128) with a bass shelf. Bass is competent, not class-leading at the price; the real draw is the treble: forward, incisive, and surprisingly non-sibilant. RS10 is a detail monster that shoves low-level information to the front and actually has the resolving ability to render it—thrilling for analysis, but intense over long sessions.

Best for listeners who explicitly want maximum resolution and can handle a more energetic top end; less ideal for those seeking a laid-back or warm signature or a luxe unboxing. Price and intensity are the trade-offs; the payoff is one of the most resolving presentations available with a tonality that stays natural-leaning despite its brightness.

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Softears RS10 targets a Harman-leaning reference balance with a clean, studio-grade presentation: bass is tight and linear with modest mid-bass punch, prioritizing speed, texture, and separation over slam. The midrange sits neutral and coherent, giving vocals accurate body without bloom, while treble extends with air and micro-detail that spotlights room cues and trailing reverbs. Staging focuses on pinpoint imaging and layering more than sheer width, creating a precise, microscope-like view into mixes that rewards high-quality recordings.

On the flip side, the tuning’s discipline means sub-bass rumble and warmth are restrained, and the upper-treble focus can read energetic on hot masters. It excels for critical listening, fast genres, and complex arrangements where transient clarity matters, but bass-heads and those seeking plush note weight may prefer a richer set. Build and isolation are solid, comfort is stable for long sessions, and the overall package feels polished and technical—a premium, detail-first monitor for listeners who value accuracy over indulgence.

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Linsoul x HBB Jupiter aims straight for flagship territory: a warm-tilted, slam-capable set that keeps the mid-bass → mids transition impeccably tidy. There’s real shove at 55 Hz and healthy weight around 100 Hz, but from ~200–300 Hz the response dips with intent, avoiding bleed and preserving vocal clarity. The result is a low end that thunders on hip-hop and classic rock kick drums while keeping male vocals husky but clean and female vocals free of mud. Upper mids and treble track more like Helios SE, Subtonic Storm, “the Bird,” Letshuoer Cadenza, and “Dawn” than like shoutier sets; energy near 5 kHz is moderated, and sparkle up around 12 kHz stays present without spike.

Hardware backs the tuning: an 11-driver array with 4 EST, a dynamic for the heavy lifting, and BAs smoothing the handoff into the mids. That division of labor helps with resolution and separation—handling tricky passages (distorted guitars, busy bass+kick overlaps) with composure and less masking than many DD-centric rivals. The overall presentation reads as warm, punchy, and refined: more bass authority than the comparison set list, mids that sit centered rather than in-your-face, and treble detail that reveals micro-stuff without tipping into fatigue.

Build and accessories match the premium pitch, including the beloved (and pricey) Linsoul Loops cable that visually suits the green/gold shells. Pricing is high, yet the claim is that it outperforms peers that cost similar or more by marrying sub-bass power to disciplined midrange and tasteful air. For listeners whose libraries span hip-hop, rock, R&B, and even classical, Jupiter reads as a statement piece: big-boy bass, clean mid articulation, and high-tier treble finesse—tuned to deliver musical weight without sacrificing balance.