Simgot Supermix 4 VS Tanchjim Fission

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SIMGOT Supermix 4 comes out swinging: a quad-brid with both planar and PZT drivers that somehow sounds buttery smooth and shockingly coherent—more like a single driver than a parts bin. Upper-mids and treble sit neutral and refined, avoiding the usual glare; tuning reads as Harman 2019 done right—what feels like endgame Harman. Versus sets like Supernova/Nova/Chopin, the SM4 brings cleaner extension, higher resolving power, and a smoother, more polished treble where cymbals and consonants land naturally. Note this is a pre-production unit, so final tuning may still shift.

Bass quantity measures lower than some peers, but that puts the low end in the background and boosts separation, layering, and transient clarity; texture is tidy, impact respectable, and decay well-judged. Vocals are a highlight—accurate, balanced, complete in extension, and consistently non-fatiguing. Treble adds a sprinkle of liveliness without turning sharp. In A/Bs: it feels like a cleaner, more energetic Origin; a smoother, more technical all-rounder than CK LVX/Pula (though those keep a fuller, dreamier flavor); trades blows with Dusk (Dusk hits harder and runs brighter, SM4 wins mid/upper-mid detail and vocal completeness); and out-separates Hype 4 while Hype 4 remains the bigger, bassier fun pick. As an all-rounder this is top-tier; if priced around Dusk/Hype 4 it’s a strong value, while a ~$500 tag would push it into diminishing returns.

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The Tanchjim Fission presents a neutral, balanced, and clean sound signature that is also described as smooth and full. It offers a very natural and laid-back listening experience, making it a strong option for those seeking a safe, non-fatiguing tuning. The technical performance is solid for its price, with good detail retrieval and instrument separation, though it isn't the most dynamic or sparkly set available.

Tip selection is crucial, with recommendations for the Tri Clear or Final E tips to open up the sound, while the Spinfit CP155 can add a touch more bass. The included tuning switches are largely seen as a gimmick; only the middle silver setting is recommended, as the others introduce a significant sub-bass roll-off. The Fission excels with genres like rock, indie, acoustics, and classical at moderate volumes, but its lack of sub-bass rumble and extension makes it a weak choice for hip-hop, EDM, or rap.

Its greatest strength is its value proposition, as it is essentially a cheaper version of the Tanchjim Origin, sharing the same driver and sound profile for a lower cost. This makes competitors like the Moondrop Kato seem less relevant. However, when compared to other all-rounders like the Juzear 4U or Simgot EW300, the Fission faces stiff competition. The EW300, in particular, offers more bass, tuning variety, and similar technicalities for half the price, making the Fission a tougher sell unless its specific brand of smooth, neutral tonality is exactly what you're after.

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Build and comfort are front-and-center: a cozy shell with a metal faceplate, excellent ergonomics, and easy tip fitment. The red/blue two-pin sockets and the gunmetal cable add a premium touch, while the case is the familiar, functional Simgot pouch. Hype is warranted at least on construction—this is the most comfortable Simgot shell in the lineup so far.

Sonically, Supermix 4 follows a Harman-style curve with clean channel matching, solid resolution, and bass that balances sub-bass presence with controlled mid-bass. Treble can “touch the sun”—slightly bright on certain tracks—and the very low impedance makes it source/tip sensitive; tip rolling and even a basic Apple dongle often settle it down. Technicalities are strong for the price: clarity, shimmer on cymbals, and lifelike guitars impress, though some will crave a smoother top end.

Against peers, it surpasses EW200 in refinement and comfort and feels like a cleaner, easier-to-live-with replacement for EM6L. Compared with AFUL Explorer, this is the more forward/bright take versus Explorer’s laid-back vibe; versus CCA Hydro, vocals are steadier while Hydro punches harder down low. Kiwi Ears Quintet shows similar intent but has quirks around 10 kHz; DaVinci is a touch more refined yet pricier, and some will prefer Supermix 4’s shell and value. Net result: a strong recommendation for listeners wanting a comfortable, versatile, mildly vivid IEM that competes above its bracket—great for music and even gaming—so long as a hint of brightness is acceptable.

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The Tanchjim Fission presents fantastic value right out of the box, largely thanks to its inclusion of a high-quality USB-C DAC cable with 3.5mm and 4.4mm terminations. The all-metal build feels premium, and the included cable is extremely silky and pleasant to use. A standout feature is the set of interchangeable nozzles that allow for sound tuning; the gold nozzle is the clear winner, providing the best balance, while others can make the bass less impactful. However, the fit can be a challenge for some as the shell lacks a pronounced lip, and the nozzles can be tricky to remove and replace.

Sonically, the Fission is extremely close to the more expensive and beloved Tanchjim Origin, offering a smooth, energetic sound with a tonality that is highly enjoyable. It provides a touch of warmth, pristine detail, and good air, making it a set that is easy to recommend and daily drive. When compared to other sets in its price range, it holds its own against competitors like the Dunu Kima (which has better fit and accessories) and the Kiwi Ears Quintet (which offers more bass), though the choice ultimately comes down to personal preference for tonality and the value placed on its tunable nature.

While it doesn't break the so-called "curse of the $150 IEM," the Fission is a strong contender and gets a full recommendation. Its few cons include a fit that may not work for all ears and a bass quantity that some may wish was greater. For those who value its specific sonic qualities, the excellent build, and the incredible package value with the included DAC cable, the Tanchjim Fission is a fantastic and competitive option that is very easy to enjoy.

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Supermix 4 emerges as the standout of Simgot’s quartet for both fit and build, pairing a classy brushed bronze faceplate with the most refined tuning of the group. As a quad-brid, it delivers superior cleanliness, imaging, and depth perception versus EM6L, EA1000, and EA500LM, with tighter separation and more micro-detail; its presence region feels a touch more laid-back than EA1000, keeping gunshots from turning shouty. Footsteps could be slightly more elevated for sweaty lobbies, but that’s easily addressed with EQ while preserving the set’s natural balance.

Across titles it’s the most dependable all-rounder: in Valorant, the added cleanliness and precision outclass EA500LM (bloated, spicy gunshots) and nudge ahead of EM6L/EA1000; in Rainbow Six Siege, clarity, separation, and positional cues make it the clear pick. Call of Duty is closer—EA500LM is a solid budget choice and EA1000 can get intense—but Supermix 4 still pulls more footstep detail while staying composed; in Apex Legends it trades blows with EM6L yet edges ahead with extra information retrieval. Overall verdict: Supermix 4 wins, with EM6L in second, EA1000 around B-, and EA500LM around C+; a clean, precise, and thoroughly engaging pick for competitive and casual gaming alike.

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The Tanchjim Fission is an absolutely spectacular IEM that feels and performs far beyond its $129 price tag. It comes loaded with a ridiculous amount of customization, featuring three interchangeable nozzles (stainless steel, titanium, and brass) and a four-way tuning switch, creating a potential 12 different sound combinations. The entire package feels flagship-tier, boasting an excellent interchangeable cable system with 3.5mm, 4.4mm, and USB-C terminations, a waterproof bag, and even a keychain tool for adjustments.

After extensive testing, the definitive "cheat code" for the best sound is using the brass nozzles with the tuning switch set to Pop mode, which seemingly bypasses internal circuitry for a pure, direct sound. This configuration delivers exceptional clarity and a surprisingly wide soundstage, though they are not bass monsters. The fit is excellent, passing the "pinky test," and the build quality on everything from the IEMs themselves to the accessories is exceptional.

While not every combination of nozzles and switches is a winner, the sheer number of options ensures you can find a sound you love. For the price, the value is unmatched, feeling like a product that should cost $279. It comes as a full recommendation, offering a premium, highly tunable experience that is arguably one of the best deals in the IEM market, cementing Tanchjim's reputation for making no bad gear.

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Tanchjim Fission follows the brand's long-arc approach with a full bass arc and upper mids set just under Harman, yielding natural lower mids and balanced male/female vocal weight. A four-way switch plus three swappable, clearly labeled nozzles alter geometry subtly and nudge treble/texture, so cycling nozzles matters; in total there are up to twelve tuning combinations that stay coherent rather than gimmicky.

Compared with Origin, bass sits lower/back on the stage, freeing space for vocals and instruments; presentation is bigger and airier with better imaging and layering. Mids are more neutral in weight and closer to the open “Oxygen” style than the thicker, in-head feel of Origin, which helps EDM and mixed-genre playlists sound cleaner while avoiding mid-bass bloat.

Technical resolve is modest for the class: detail retrieval trails the stage/imaging strengths, and treble extension is good but not top-tier for a dynamic driver. Value is price-appropriate; pick the most resolving nozzle and consider lowering bass via the switch. The modular USB-C DSP connector and app add five sensible warm U-shaped presets—this brings real versatility—whereas a CS43198 “Luna”-type dongle tends to flatten depth, making the DSP path the preferable pairing.

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Tanchjim Fission comes in at $130 with a quirky onboard tuning dial that offers four bass positions—but every setting trends toward modest bass anyway, making the adjuster more novelty than necessity. The default “bass-max” profile presents that familiar single-DD contrastiness with a bit of dynamic punch, a slightly bright/forward tilt, and overall inoffensive treble. It never tips into harshness or sibilance, but the bass attack reads a touch pillowy and the whole presentation stops short of truly incisive.

In direct comparison, it’s more comfortable tonally than the spikier sets yet less engaging and less tight than the standouts, settling into a solid C-tier alongside other “fine but unremarkable” options. Resolution and imaging are serviceable, treble stays safe, and the included cable is surprisingly nice, but there’s not enough slam or bite to push it up the chart. Net result: a competent, easy-listen single-DD for those who value smoothness over excitement, with limited payoff from that bass dial.